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Lysippos
Lysippos (; grc-gre, Λύσιππος) was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the difficulty of identifying his style among the copies which survive. Not only did he have a large workshop and many disciples in his immediate circle, but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic and Roman periods. The '' Victorious Youth'' or Getty bronze, which resurfaced around 1972, has been associated with him. Biography Born at Sicyon around 390 BC, Lysippos was a worker in bronze in his youth. He taught himself the art of sculpture, later becoming head of the school of Argos and Sicyon. According to Pliny, he produced more than 1,500 works, all of them in b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorious Youth
The Victorious Youth, Getty Bronze, also known as ''Atleta di Fano'', or ''Lisippo di Fano'' is a Greek bronze sculpture, made between 300 and 100 BC, in the collections of the J. Paul Getty Museum, Pacific Palisades, California. Many underwater bronzes have been discovered along the Aegean and Mediterrean coast; in 1900 sponge divers found the '' Antikythera Youth'' and the portrait head of a Stoic, at Antikythera, the standing Poseidon of Cape Artemision in 1926, the Croatian Apoxyomenos in 1996 and various bronzes until 1999. The ''Victorious Youth'' was found in the summer of 1964 in the sea off Fano on the Adriatic coast of Italy, snagged in the nets of an Italian fishing trawler. In the summer of 1977, The J. Paul Getty Museum purchased the bronze statue and it remains in the Getty Villa in Malibu, California. Bernard Ashmole, an archaeologist and art historian, was asked to inspect the sculpture by a Munich art dealer Heinz Herzer; he and other scholars attribute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farnese Hercules
The ''Farnese Hercules'' ( it, Ercole Farnese) is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; the name is Greek but he may have worked in Rome. Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos (or one of his circle) that would have been made in the fourth century BC. This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. The enlarged copy was made for the Baths of Caracalla in Rome (dedicated in 216 AD), where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled ''Hercules'' is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination. The ''Farnese Hercules'' is a massive marble statue, fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Pourer
The ''Oil Pourer'' is a lost Greek bronze of an athlete variously associated with the circle of Lysippos, c. 340-330 BCE, of which Roman marble copies exist, notably in the Glyptothek, Munich (''illustration'') and in the Albertinum, Dresden. Another well-known Roman replica is conserved at Petworth House. There is a head of this type at the Boston Museum of Fine Arts. The ''Oil Pourer'' is similar in proportions and manner to the Lysippean ''Agias'' of which there is a Roman marble copy at Delphi. The athlete is represented pouring oil from a flask held high in his (missing) right hand into the (missing) palm of his left. The theme is represented on Attic vase-painting and in freely reinterpreted cast terracotta miniatures."Typically coroplasts eschewed accurate replicas for new creations couched in the stylistic vocabulary of an influential sculptor such as Polykleitos or Praxiteles Praxiteles (; el, Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including '' Laocoön and His Sons'', '' Venus de Milo'', and the '' Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicyon
Sicyon (; el, Σικυών; ''gen''.: Σικυῶνος) or Sikyon was an ancient Greek city state situated in the northern Peloponnesus between Corinth and Achaea on the territory of the present-day regional unit of Corinthia. An ancient monarchy at the times of the Trojan War, the city was ruled by a number of tyrants during the Archaic and Classical period and became a democracy in the 3rd century BC. Sicyon was celebrated for its contributions to ancient Greek art, producing many famous painters and sculptors. In Hellenistic times it was also the home of Aratus of Sicyon, the leader of the Achaean League. History Sicyon was built on a low triangular plateau about 3 kilometres (two miles) from the Corinthian Gulf. Between the city and its port lay a fertile plain with olive groves and orchards. In Mycenean times Sicyon had been ruled by a line of twenty-six mythical kings and then seven priests of Apollo. The king-list given by Pausanias comprises twenty-four king ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chares Of Lindos
Chares of Lindos (; grc-gre, Χάρης ὁ Λίνδιος, ''gen.:'' Χάρητος; before 305 BC-c. 280 BC) was a Hellenistic Greece, Greek sculptor born on the island of Rhodes. He was a pupil of Lysippos. Chares constructed the Colossus of Rhodes in 282 BC, an enormous bronze statue of the sun god Helios and the patron god of Rhodes. The statue was built to commemorate Rhodes' victory over the Siege of Rhodes (305 BC), invading Macedonians in 305 BC, led by Demetrius I of Macedon, Demetrius I, son of Antigonus I Monophthalmus, Antigonus, a general under Alexander the Great. Also attributed to Chares was a colossal head which was brought to Rome and dedicated by Publius Cornelius Lentulus Spinther, P. Lentulus Spinther on the Capitoline Hill, in 57 BC (Pliny the Elder, Pliny, ''Natural History (Pliny), Natural History'' XXXIV.18). The Colossus of Rhodes is one of the Seven Wonders of the Ancient World, and was considered Chares's greatest accomplishment, until its destr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colossus Of Rhodes
The Colossus of Rhodes ( grc, ὁ Κολοσσὸς Ῥόδιος, ho Kolossòs Rhódios gr, Κολοσσός της Ρόδου, Kolossós tes Rhódou) was a statue of the Greek sun-god Helios, erected in the city of Rhodes, on the Greek island of the same name, by Chares of Lindos in 280 BC. One of the Seven Wonders of the Ancient World, it was constructed to celebrate the successful defence of Rhodes city against an attack by Demetrius Poliorcetes, who had besieged it for a year with a large army and navy. According to most contemporary descriptions, the Colossus stood approximately 70 cubits, or high – approximately the height of the modern Statue of Liberty from feet to crown – making it the tallest statue in the ancient world. It collapsed during the earthquake of 226 BC, although parts of it were preserved. In accordance with a certain oracle, the Rhodians did not build it again. John Malalas wrote that Hadrian in his reign re-erected the Colossus, but he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Sculpture
The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry. The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his '' Natural Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Argos
Argos (; el, Άργος ; grc, label= Ancient and Katharevousa, Ἄργος ) is a city in Argolis, Peloponnese, Greece and is one of the oldest continuously inhabited cities in the world, and the oldest in Europe. It is the largest city in Argolis and a major center for the area. Since the 2011 local government reform it has been part of the municipality of Argos-Mykines, of which it is a municipal unit. The municipal unit has an area of 138.138 km2. It is from Nafplion, which was its historic harbour. A settlement of great antiquity, Argos has been continuously inhabited as at least a substantial village for the past 7,000 years. A resident of the city of Argos is known as an Argive ( , ; grc-gre, Ἀργεῖος). However, this term is also used to refer to those ancient Greeks generally who assaulted the city of Troy during the Trojan War; the term is more widely applied by the Homeric bards. Numerous ancient monuments can be found in the city today. Agric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polykleitos
Polykleitos ( grc, Πολύκλειτος) was an ancient Greek sculptor in bronze of the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise (a canon of body proportions), the ''Canon of Polykleitos'', setting out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' ( grc, Πολύκλειτος, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Poly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Wonders Of The Ancient World
The Seven Wonders of the Ancient World, also known as the Seven Wonders of the World or simply the Seven Wonders, is a list of seven notable structures present during classical antiquity. The first known list of seven wonders dates back to the 2nd–1st century BC. While the entries have varied over the centuries, the seven traditional wonders are the Great Pyramid of Giza, the Colossus of Rhodes, the Lighthouse of Alexandria, the Mausoleum at Halicarnassus, the Temple of Artemis, the Statue of Zeus at Olympia, and the Hanging Gardens of Babylon. Using modern-day countries, two of the wonders were located in Greece, two in Turkey, two in Egypt, and one in Iraq. Of the seven wonders, only the Pyramid of Giza, which is also by far the oldest of the wonders, still remains standing, with the others being destroyed over the centuries. There is scholarly debate over the exact nature of the Hanging Gardens, and there is doubt as to whether they existed at all. Background Alexander the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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