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Liszt Ferenc Tér
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded. Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Hector Berlioz, Frédéric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raiding, Austria
Raiding (; , ; ) is a small Austrian market town in the district of Oberpullendorf (district), Oberpullendorf in Burgenland. It is the birthplace of Franz Liszt. Geography The municipality lies on Raiding Creek in Middle Burgenland; Raiding is the only borough in the municipality. History Raiding was first documented in 1425 as ''Dobornya''. Like the rest of Burgenland, Raiding belonged to Kingdom of Hungary, Hungary from c. 900 to 1920/21. After the end of the First World War, Western Hungary was given to Austria with the Treaties of Treaty of Saint-Germain-en-Laye (1919), St. Germain and Treaty of Trianon, Trianon; there it formed the new province of Burgenland. In 1971, Raiding was merged with Unterfrauenhaid and Lackendorf into a larger municipality, which was later dissolved. Raiding has been a market town since 1990. Population Politics The municipal council has 15 seats with party mandates as follows: SPÖ 9, ÖVP 6, FPÖ 0, Austrian Green Party, Grüne 0, and ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clara Schumann
Clara Josephine Schumann (; ; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic music, Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuoso, virtuosic works. She also composed solo piano pieces, a Piano Concerto (Clara Schumann), Piano Concerto, chamber music, choral pieces, and songs. She grew up in Leipzig, where both her father Friedrich Wieck and her mother Mariane Bargiel, Mariane were pianists and piano teachers. In addition, her mother was a singer. Clara was a child prodigy, and was trained by her father. She began touring at age eleven, and was successful in Paris and Vienna, among other cities. She married the composer Robert Schumann, on 12 September 1840, and the couple had eight children. Together, they encouraged Johan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th-century Classical Music
20th-century classical music is Western art music that was written between the years 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had previously, so this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started later in the century and can be seen as a change from the modern to postmodern era, although some date postmodernism from as early as about 1930. Aleatory, atonality, serialism, ''musique concrète'', and electronic music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was characteristi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre- twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Works Of Franz Liszt
The radical change Franz Liszt's compositional style underwent in the last 20 years of his life was unprecedented in Western classical music. The tradition of music had been one of unified progression, even to the extent of Johannes Brahms' First Symphony being known as "Beethoven's Tenth". Beethoven's own three periods of composition are monolithic and united. Liszt's, by comparison, seem deconstructivist. Replacing pages which in Liszt's earlier compositions had been thick with notes and virtuoso passages was a starkness where every note and rest was carefully weighed and calculated, while the works themselves become more experimental harmonically and formally. However, as with his earlier compositions, Liszt's later works continued to abound with forward-looking technical devices. Works such as '' Bagatelle sans tonalité'' ("Bagatelle without Tonality") foreshadow in intent, if not in exact manner, composers who would further explore the modern concept of atonality. Liszt's w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masterclass
Yanka Industries, Inc., doing business as MasterClass, is an American online education subscription platform on which students can access tutorials and lectures pre-recorded by experts in various fields. The concept for MasterClass was conceived by David Rogier and developed with Aaron Rasmussen. History MasterClass was founded by David Rogier while a student at Stanford University, originally under the name "Yanka Industries". Rogier, who continues to serve as chief executive officer (CEO), asked Aaron Rasmussen to join the company as a co-founder and chief technology officer; Rasmussen would also serve as creative director, before leaving in January 2017. The website launched under the MasterClass name on May 12, 2015. MasterClass launched in 2015 with three instructors, and twelve classes were added in 2017. In late 2017, an acting class given by Kevin Spacey was removed after multiple sexual assault allegations were publicly made against the actor. By late 2018 MasterClas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism In Music
Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". "Impressionism" is a philosophical and aesthetic term borrowed from late 19th-century French painting after Monet's '' Impression, Sunrise''. Composers were labeled Impressionists by analogy to the Impressionist painters who use starkly contrasting colors, effect of light on an object, blurry foreground and background, flattening perspective, etc. to make the observer focus their attention on the overall impression.J. Peter Burkholder, Donald Jay Grout and Claude V. Palisca, ''A History of Western Music'', eighth edition (New York: W. W. Norton & Company, 2010). . The most prominent feature in musical Impressionism is the use of "color", or in musical terms, timbre, which can be achieved through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thematic Transformation
Thematic transformation (also known as thematic metamorphosis or thematic development) is a musical technique in which a leitmotif, or theme, is developed by changing the theme by using permutation ( transposition or modulation, inversion, and retrograde), augmentation, diminution, and fragmentation. It was primarily developed by Franz Liszt and Hector Berlioz. The technique is essentially one of variation. A basic theme is reprised throughout a musical work, but it undergoes constant transformations and disguises and is made to appear in several contrasting roles. However, the transformations of this theme will always serve the purpose of "unity within variety" that was the architectural role of sonata form in the classical symphony. The difference here is that thematic transformation can accommodate the dramatically charged phrases, highly coloured melodies and atmospheric harmonies favored by the Romantic composers, whereas sonata form was geared more toward the more objectiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term (tone poem) appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term to his 13 works in this vein, which commenced in 1848. Background While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
K To M
K, or k, is the eleventh letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''kay'' (pronounced ), plural ''kays''. The letter K usually represents the voiceless velar plosive. History The letter K comes from the Greek letter Κ (kappa), which was taken from the Semitic kaph, the symbol for an open hand. This, in turn, was likely adapted by Semitic tribes who had lived in Egypt from the hieroglyph for "hand" representing /ḏ/ in the Egyptian word for hand, ⟨ ḏ-r-t⟩ (likely pronounced in Old Egyptian). The Semites evidently assigned it the sound value instead, because their word for hand started with that sound. K was brought into the Latin alphabet with the name ''ka'' /kaː/ to differentiate it from C, named ''ce'' (pronounced /keː/) and Q, named ''qu'' and pronounced /kuː/. In the earliest Latin inscriptions, the letters C, K and Q were all us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programmatic Music
Program music or programmatic music is a type of instrumental art music that attempts to musically render an extramusical narrative. The narrative itself might be offered to the audience through the piece's title, or in the form of program notes, inviting imaginative correlations with the music. A well-known example is Sergei Prokofiev's ''Peter and the Wolf''. The genre culminates in the symphonic works of Richard Strauss that include narrations of the adventures of Don Quixote, ''Till Eulenspiegel'', the composer's domestic life, and an interpretation of Friedrich Nietzsche's philosophy of the Übermensch, ''Also Sprach Zarathustra''. Following Strauss, the genre declined and new works with explicitly narrative content are rare. Nevertheless the genre continues to exert an influence on film music, especially where this draws upon the techniques of 19th-century late romantic music. Similar compositional forms also exist within popular music, including the concept album and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Of The Romantics
The "War of the Romantics" is a term used by some music historians to describe the schism among prominent musicians in the second half of the 19th century. Musical structure, the limits of chromatic harmony, and program music versus absolute music were the principal areas of contention. The opposing parties crystallized during the 1850s. The most prominent members of the ''conservative'' circle were Johannes Brahms, Joseph Joachim, Clara Schumann, and the Leipzig Conservatoire, which had been founded by Felix Mendelssohn. Their opponents, the ''radical progressives'' mainly from Weimar, were represented by Franz Liszt and the members of the so-called New German School (German: ''Neudeutsche Schule''), and by Richard Wagner. The controversy was German and Central European in origin; musicians from France, Italy, and Russia were only marginally involved. The conservatives Clara Schumann, Joseph Joachim and Johannes Brahms were early key members of a ''conservative'' group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
