Le Chagrin Et La Pitié
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Le Chagrin Et La Pitié
''The Sorrow and the Pity'' () is a two-part 1969 documentary film by Marcel Ophuls about the Collaborationism, collaboration between the Vichy France, Vichy government and Nazism, Nazi Germany during World War II. The film uses interviews with a German officer, collaborators, and resistance fighters from Clermont-Ferrand. They comment on the nature of and reasons for collaboration, including antisemitism, Anglophobia, fear of Bolsheviks and Soviet Union, Soviet invasion, and the desire for power. The title comes from a comment by interviewee Marcel Verdier, a pharmacist in Montferrat, Isère, who says "the two emotions I experienced the most [during the Nazi occupation] were sorrow and pity". Synopsis The film examines the responses of the French people to German occupation and their reasons for tending toward resistance or collaboration, focusing on the Auvergne region and the city of Clermont-Ferrand. Events are presented in roughly chronological order, with interviewees appe ...
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Marcel Ophuls
Marcel Ophuls (; 1 November 1927 – 24 May 2025) was a German-French and American documentary filmmaker and actor, renowned for his notable works such as '' The Sorrow and the Pity'' (1969) and '' Hôtel Terminus: The Life and Times of Klaus Barbie'' (1988). Born to German-Jewish filmmaker Max Ophuls, the family fled Nazi Germany during its rise to power in the final stages of the Weimar Republic in 1933. Subsequently, they relocated to France, but fled in 1940 when the Nazis occupied the country. Finally, in 1941, the family emigrated to the United States, where Marcel became a citizen in 1950. His film career began in 1950. He made films in the United States, France, and the United Kingdom. During his early career, he mostly worked in dramatic fictional films. He began making documentaries in the late 1960s in France. Starting in the late 1970s, he also made documentaries in the United States for the CBS and ABC television networks. He won an Academy Award in 1989 for ''Hôt ...
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