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Kāpi
Kāpi is a popular rāga in Carnatic music, the classical music of South India. ''Kāpi'' is a janya rāgam of '' Kharaharapriya'' with a meandering vakra scale. Typically performed at slow and medium speeds, it is capable of inducing moods of devotion, pathos and sadness in the listeners. ''Kāpi'' is different from the Hindustani raag and thaat '' Kafi.'' The equivalent raag in Hindustani is Pilu. Structure and Lakshana Kāpi is an audava-vakra sampoorna rāgam with an ascending pentatonic scale and a descending scale with seven notes, but not in a descending order. Use of Kakali Nishadam and Anthara Gandharam make it a Bhashanga Raagam. * : * : The presence of different ''nishāda'' swarās (N2 and N3) lends a distinctive quality to Kāpi, along with the fact that it uses a set of vakra swarās (N2 D2 N2). There is also a mild presence of shuddha daivatham (D1) that renders an invaluable feeling of devotion to the raagam. This, and the presence of Anthara Gand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janya
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 '' melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a variety of features. ''Varja'' ragas Ragas that omit (varjyam, to omit in Sanskrit) one or more of the notes of the scale (''swaras'') of their parent ''melakarta'' raga, in the ascending or descending scale or in both, fall into this category. Different notes may be omitted from the ascending '' arohana'' and descending '' avarohana'' scale. Such scales are given the names listed below.''A practical course in Carnatic music'' by Prof. P. Sambamurthy, 15th edition published 1998, The Indian Music publishing house''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications vrja a * ''Sampurna'' – 7 note scale * ''Shadava'' – 6 notes * ''Audava'' – 5 notes Since these terms are applicable both to the ascending and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kharaharapriya
Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the Katapayadi formula. ''Kharaharapriya'' has a distinct melody and brings out the ''Karuna'' rasa (aesthetics), rasam, invoking pathos in the listeners. The ''Kafi (raga), Kafi thaat'' of Hindustani music is the equivalent of ''Kharaharapriya''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Its Western equivalent is the Dorian mode. The ''Prati Madhyamam'' () equivalent of this raga is Hemavati (raga), Hemavati Etymology There are many theories behind the etymology of the name ''Kharaharapriya''. One of the most popular beliefs is that the ragam was initially called Samaganam and when Ravana was trapped by Shiva, under the kailash hill tryin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
K C Kesava Pillai
Kanakku Chembakaraman Kesava Pillai (1868–1914) was an Indian composer of Carnatic music and a poet of Malayalam literature. He was the Poet Laureate of Travancore and was known for ''Kesaveeyam'', a mahakavya in Malayalam, two attakathas and several bhajans and kirtans. He also translated the Sanskrit text, Narayaniyam, into Malayalam under the title, ''Bhashanarayaniyam''. Biography K. C. Kesava Pillai was born on February 4, 1868, in Travancore kingdom to Valiyavelichathu Veettil Raman Pillai and Desathu Lakshmy Amma. His early schooling was at Paravur Malayalam School where he studied up to 5th standard and followed it up with Sanskrit studies under the tutelage of Paravur Kesavan Asan and grammar studies under Enakkattu Rajaraja Varma. As a boy, Pillai regularly watched Kathakali and learnt the basics of Kathakali literature, costumes and mudras, besides gaining proficiency in music. Aged 15, he wrote his first attakadha, ''Prahladacharitham''. Simultaneously, he stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyani Varadarajan
Kalyani Varadarajan (8 October 1923 – 28 October 2003), commonly known as Kalyani, was one of Carnatic music's famous twentieth-century composers. She created carnatic compositions in all 72 melakarta ragas, besides scores of janya ragas. Early life Kalyani Varadarajan was born to Sriman Nadadoor Ammal Narasimhachariar and Srimati Singarammal. Her father was a big scholar in Telugu language, Telugu and Sanskrit languages, who served as a teacher, headmaster and finally as an educational inspector, while her mother was a musician. Kalyani had a taste to write and compose songs since a young age, and she underwent vocal and Veena training, first under her mother and later under other able gurus. Thereafter, she learnt to play Violin. She had her debut in Veena performance at the age of 16 in 1942. List of Compositions External links #The author of ''Musical heritage of India'' notes the superiority of Kalyani Varadarajan's Carnatic compositions and places it on par with grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhashanga Raagam
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a variety of features. ''Varja'' ragas Ragas that omit (varjyam, to omit in Sanskrit) one or more of the notes of the scale (''swaras'') of their parent ''melakarta'' raga, in the ascending or descending scale or in both, fall into this category. Different notes may be omitted from the ascending ''arohana'' and descending ''avarohana'' scale. Such scales are given the names listed below.''A practical course in Carnatic music'' by Prof. P. Sambamurthy, 15th edition published 1998, The Indian Music publishing house''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications vrja a * ''Sampurna'' – 7 note scale * ''Shadava'' – 6 notes * ''Audava'' – 5 notes Since these terms are applicable both to the ascending and the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilu (raga)
Pilu or Peelu is a ''raga'' of Hindustani classical music. It is mostly used in light-classical forms, like ''thumris''. Aaroh and Avaroh Aaroh 'P 'N S g m P N S''N S G m P N S'S g m P D S'S R m P N S' Avaroh S' N D P m G m P g R S 'N SS' N S' D n D P m G m P G P m g R S 'N S Some performances include shades of ' MA Vadi and Samvadi Ga as ''vadi'' Ni as ''samvadi'' Pakad or Chalan S g R g S R 'N S, G m n P g - S S g R S 'N S 'N - 'P 'd 'P 'N S - g R g 'N S Organization and relationships Related ''ragas'': Kirwani resembles an ancient kind of Pilu. Thaat: Bhatkhande classified Pilu in the Kafi ''thaat).'' ''Samay'' (time) Third part of the day Seasonality Often related to the monsoon season, this raag is popular in the occasion of Hindu festival "Holi" halguna (February - March) monthalso known as Raga of colours for its smpoorna jaati and blissful nature. http://www.tanarang.com/english/pilu_eng.htm-get more information about Raga PiluCAPTCHA ''Rasa'' Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakravarti Rajagopalachari
Chakravarti Rajagopalachari (10 December 1878 – 25 December 1972), popularly known as Rajaji or C.R., also known as Mootharignar Rajaji (Rajaji'', the Scholar Emeritus''), was an Indian statesman, writer, lawyer, and Indian independence movement, Indian independence activist. Rajagopalachari was the last Governor-General of India, as, when India became a republic in 1950, the office was abolished. He was also the only Indian-born Governor-General, as all previous holders of the post were British nationals. He also served as leader of the Indian National Congress, Chief Minister of Tamil Nadu#Madras Presidency, Premier of the Madras Presidency, Governor of West Bengal, Minister for Home Affairs of the Indian Union and Chief Minister of Tamil Nadu#Madras State, Chief Minister of Madras state. Rajagopalachari founded the Swatantra Party and was one of the first recipients of India's highest civilian award, the Bharat Ratna. He vehemently opposed the use of nuclear weapons an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mysore Vasudevacharya
Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telugu and Sanskrit. Some of his most popular kritis include Brochevarevarura in Khamas raga, ''Devadideva'' in Sunadavinodini, ''Mamavatu Sri Saraswati'' in Hindolam, ''Shankari Ninne'' in Pantuvarali, ''Bhajare Re Manasa'' in Abheri and ''Ra Ra Rajeevalochana Rama'' in Mohanam. He presided over Madras Music Academy's annual conference in 1935, when the Sangeetha Kalanidhi award did not exist. But everybody who presided over the annual conference in the 1930s was later conferred the award. He was a recipient of the civilian honour of the Padma Bhushan. He is credited with two writings in Kannada, one of them an autobiography called ''Nenapugalu'' (memories) and ''Na Kanda Kalavidaru'' (the musicians I have met) in which he wrote the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subramanya Bharathi
Subramania Bharati (Born Chinnaswami Subramaniyan; 11 December 1882 – 11 September 1921) was an Indian writer, poet, journalist, teacher, Indian independence activist, social reformer and polyglot. He was bestowed the title ''Bharati'' for his poetry and was a pioneer of modern Tamil poetry. He is popularly known by his title ''Bharati'' or ''Bharathiyaar'' and also by the other title "Mahakavi Bharati" ("the great poet Bharati"). His works included patriotic songs composed during the Indian Independence movement. He fought for the emancipation of women, against child marriage, opposed the caste system, and advocated reforms of the society and religion. Born in Ettayapuram of Tirunelveli district (present-day Thoothukudi) in 1882, Bharati had his early education in Tirunelveli. He later lived in Varanasi for sometime where he was exposed to Hindu theology and new languages. He worked as a journalist with many newspapers, including '' Swadesamitran'', ''The Hindu'', ''Bala Bha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambujam Krishna
Ambujam Krishna (1917–1989) was a composer of Carnatic Kritis. She has composed more than 600 kritis in various Carnatic ragas. Personal life Ambujam Krishna is the daughter of K. V. Ranga Iyengar, an advocate of Madurai. She had her music training under Karaikudi Ganesan and Ganesha Bhagavathar. She married T. S. Krishna who was an industrialist and son of T. V. Sundaram Iyengar. She graduated in Home Science from the Delhi University. Industrialist Suresh Krishna is her son. Musical journey Ambujam Krishna has written kritis in various languages such as Sanskrit, Kannada, Tamil and Telugu. She has also written songs with more than one language in the same song. It is called Manipravalam in Tamil. Her works have been published in two volumes under the title ''Geetamala''. Her lyrics have been set to music by various masters such as Sri Semmangudi Srinivasa Iyer, V. V. Sadagopan, S. Ramanathan, T. N. Seshagopalan, and others. She was a senior office bearer of Sri S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayuram Viswanatha Sastri
Mayuram Viswanatha Sastri (1893–1958) was a Carnatic music composer. His most remembered composition is the patriotic song "Jayathi Jayathi Bharata Mata". Translated "Victory Victory to Mother India", the song has become a standard among classical singers of South India. This song is one of the 18 songs in his book 'Bharat Bhajan' which was published in the year 1948 containing songs in praise of Bharat Matha (Mother India) and Mahatma Gandhi. This book was one among his many publications. SeAIR's 13-episode documentary of his works Early life and background Sastri was born on 27 November 1893 to Ramaswamy Ganapadigal and Balambal Lakshmi in Therizhandur near Mayiladuthurai (also known as Māyavaram, present-day Mayilāduthurai) in Tamil Nadu. He was the second of six children. He was initiated in Sanskrit studies, as was the custom, and was put in Sanskrit College at Kalyan Mahal, Thiruvaiyaru. He also studied the Vedas simultaneously for some time. This helped him attain prof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
