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Kāpi is a popular
rāga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...
in
Carnatic music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is o ...
, the classical music of
South India South India, also known as Southern India or Peninsular India, is the southern part of the Deccan Peninsula in India encompassing the states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana as well as the union territories of ...
. ''Kāpi'' is a
janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 '' melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a vari ...
rāgam of '' Kharaharapriya'' with a meandering vakra scale. Typically performed at slow and medium speeds, it is capable of inducing moods of devotion, pathos and sadness in the listeners. ''Kāpi'' is different from the Hindustani raag and
thaat A ''thaat'' () is a "parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term '' Melakartha raga'' of Carnatic music. The concept of the ''thaat'' is not exactly equivalent to the western musical scal ...
'' Kafi.'' The equivalent raag in Hindustani is Pilu.


Structure and Lakshana

Kāpi is an audava-vakra sampoorna rāgam with an ascending pentatonic scale and a descending scale with seven notes, but not in a descending order. Use of Kakali Nishadam and Anthara Gandharam make it a Bhashanga Raagam. * : * : The presence of different ''nishāda'' swarās (N2 and N3) lends a distinctive quality to Kāpi, along with the fact that it uses a set of vakra swarās (N2 D2 N2). There is also a mild presence of shuddha daivatham (D1) that renders an invaluable feeling of devotion to the raagam. This, and the presence of Anthara Gandharam (G3) makes it difficult to pinpoint the exact nature of the avarohana of the raagam. In the song Jagadhodharana composed by Sangeeta Pitamaha Sri Purandara Dasa, the note Suddha Dhaivatham (Dha1) also occurs as a foreign note(anya swara) Kapi ragam gives the feeling Devotion, Sentiment and happiness


Compositions

Some of the popular compositions in Kāpi are: * ''Jagadoddhārana Adisidaleshode'', ''Bannisi gopi'' - Purandaradasa * ''Mee Valla Gunadosha Memi, Intha Sowkhya, Rama Raghukula Jalanidhi, Ennalu Nee Trova and Rama Pahi Megha Shyama'' - Thyagaraja * ''Venkatachalapate Ninu Nammiti and Veera Hanumathe(also sung in Kanada)'' - Muthuswami Dikshitar ** * ''Viharamanasa Rame'', ''Smarasi Pura'', ''Sree Madhavamanu'' - Swathi Thirunal * ''Enna thavam seydanai Yashoda'' -
Papanasam Sivan Paapanaasam Raamayya Sivan (26 September 1890 – 1 October 1973) was an Indian composer of Carnatic music and a singer. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1971. He was also a film score composer in Kannada cinema a ...
* ''Bhaja maadhavam anisham'' - Mysore Vasudevacharya * ''Maya Gopabala'' - K C Kesava Pillai * ''Jaanaki ramana dasaratha nandana'' - Vanamaamalai Jeeyar Swami * ''Javo Mat Thum'' (Upaakhyanam) - Swathi Thirunal * ''Chinnanchiru Kiliye (First two stanzas)'' - Subramanya Bharathi * ''Kurai Ondrum Illai'' (''Two'' ''charanam'' ''verses'') -
Chakravarti Rajagopalachari Chakravarti Rajagopalachari (10 December 1878 – 25 December 1972), popularly known as Rajaji or C.R., also known as Mootharignar Rajaji (Rajaji'', the Scholar Emeritus''), was an Indian statesman, writer, lawyer, and Indian independence ...
* ''Karthikeyanai'' - Mayuram Viswanatha Sastri * ''Aravinda Padamalar'' - Ambujam Krishna * ''Charanamule Nammiti'' -
Bhadrachala Ramadasu Kancharla Gopanna () ( – 1688), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu (), was a 17th-century devotee of the Hindu god Rama Rama (; , , ) is a major deity in Hinduism. He is worshipped as the seventh and one of ...
* ''Kanaka Simham'' - Kalyani Varadarajan *''Kanna Vaa Manivanna Vaa'' (''First two verses'') - Ambujam Krishna * ''Nee mattume en nenjil nirkirai'' - Perumal Murugan and K Arun Prakash ** Kāpi of Muthuswami Dikshitar is quite different from the traditional Kāpi and often cited as karNATaka Kāpi The Moorchana of Kāpi as per Venkatamakhin is S R2 G2 M1 P D2 N2 S/ N2 D2 P M1 G2 G2 R2 S


Film Songs


Language:

Tamil Tamil may refer to: People, culture and language * Tamils, an ethno-linguistic group native to India, Sri Lanka, and some other parts of Asia **Sri Lankan Tamils, Tamil people native to Sri Lanka ** Myanmar or Burmese Tamils, Tamil people of Ind ...


Language:

Malayalam Malayalam (; , ) is a Dravidian languages, Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (union territory), Puducherry (Mahé district) by the Malayali people. It is one of ...


Telugu Film Songs


Language : Telugu

Songs listed below are composed in Raga Pilu (raga) which is Hindustani equivalent to Raga Kapi (raga)


Language : Telugu

Songs listed below are composed in Raga Pilu which is the Hindustani equivalent of Raga Kapi.


Language :

Hindi Modern Standard Hindi (, ), commonly referred to as Hindi, is the Standard language, standardised variety of the Hindustani language written in the Devanagari script. It is an official language of India, official language of the Government ...


Private Album


Language : Telugu


Notes


References

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