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Konzertstück
A concert piece (; , also ) is a musical composition, in most cases in one movement, intended for performance in a concert. Usually it is written for one or more virtuoso instrumental soloists and orchestral or piano accompaniment.Konzertstück ou Concertstuck at Larousse website In some cases concert pieces start with a separate opening movement, or are otherwise in more than one movement or section. A piece that presents itself as a miniature is rather called con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konzertstück In F Minor (Weber)
The ''Konzertstück in F minor for Piano and Orchestra'', Op. 79, J. 282, was written by Carl Maria von Weber. He started work on it in 1815, and completed it on the morning of the premiere of his opera ''Der Freischütz'', 18 June 1821. He premiered it a week later, on 25 June, at his farewell Berlin concert. Background The ''Konzertstück'' started out as a third piano concerto; however, because it is in one continuous movement (in four sections) and has an explicit program, Weber decided not to name it "concerto" but "Konzertstück" (Concert Piece). The score calls for flutes, oboes, clarinets, bassoons, horns, and trumpets in pairs, bass trombone, timpani, and strings. It takes about 17 minutes to perform and a brilliant technique is called for. Structure and Programme On the morning of the ''Der Freischütz'' premiere, Weber played the Konzertstück through to his wife Caroline and his pupil Julius Benedict, and told them the program: :(F minor; Larghetto affetuoso): " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and Music criticism, critic in the early Romantic music, Romantic period. Best known for List of operas by Carl Maria von Weber, his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers—his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher, and Georg Joseph Vogler—under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies, two concertos and a Concertino for Clarinet (Weber), concertino for clarinet and orchestra, a Bassoon Concerto (Weber), bassoon concerto, a Concertino for Horn and Orchestra (Weber), horn concer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertino (composition)
Concertino is the diminutive of concerto, thus literally a small or short concerto. Examples Listed by composer: *Hendrik Andriessen: **Concertino for oboe and string orchestra (1970) **Concertino for cello and chamber orchestra (1970) * Jurriaan Andriessen: **Concertino for bassoon and winds (1962) **Concertino for piano and orchestra (1962) **Concertino for sousaphone and orchestra (1967) * Alexander Arutiunian: Concertino for piano and orchestra (1951) * Kees van Baaren: Concertino for piano and orchestra (1934) * Henk Badings: Concertino for piano trio (violin, cello, and piano) and chamber orchestra (1942) * Marion Bauer: Concertino for oboe, clarinet, and string quartet, Op. 32b *Luciano Berio: Concertino for clarinet, violin, celesta, harp, and strings (1949, rev. 1951 and 1970) * Henriëtte Bosmans: Concertino for piano and orchestra (1929) * Ferrucio Busoni: , BV 276 (Op. 48) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocalist
Singing is the art of creating music with the voice. It is the oldest form of musical expression, and the human voice can be considered the first musical instrument. The definition of singing varies across sources. Some sources define singing as the act of creating musical sounds with the voice. Other common definitions include "the utterance of words or sounds in tuneful succession" or "the production of musical tones by means of the human voice". A person whose profession is singing is called a singer or a vocalist (in jazz or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art songs or some jazz styles) up to a symphony orchestra or big band. Many styles of singing exist throughout the world. Singing can be formal or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Aria
A concert aria is normally an aria or operatic scene (''scena'') composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particular singers, the composer always bearing that singer's voice and skill in mind when composing the work. The term also refers to insertion arias for operas, that is those that were written as additions to the score after its initial completion or as possible substitutions for other arias. These are sometimes performed in concerts because they are no longer required for their original purpose, though they were not, strictly speaking, composed for performance in concert. The concert arias of Wolfgang Amadeus Mozart most frequently performed today, but there are many examples by other composers, such as: *"Son qual nave ch'agitata" by Riccardo Broschi (written for the famous castrato Farinelli) *"Ermina" by Juan Arriaga *" Ah! perfido" by Ludwig van Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegro De Concert (Chopin)
Frédéric Chopin's ''Allegro de concert'', Op. 46, is a Piece (music), piece for piano, published in November 1841. It is in one Movement (music), movement and takes between 11 and 15 minutes to play. The principal Theme (music), themes are bold and expressive. It has a curious place in the Chopin canon, and while its history is obscure, the evidence supports the view, shared by Robert Schumann and others, that it started out as the first movement of a projected third piano concerto, of which the orchestral parts are either now non-existent or were never scored at all. There is no evidence that Chopin ever even started work on the latter movements of this concerto. The autograph manuscript of the work is preserved in the National Library of Poland. History Chopin published his two piano concertos in 1830. That same year he wrote that he was planning a concerto for two pianos and orchestra, and would play it with his friend Tomasz Napoleon Nidecki if he managed to finish it. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tchaikovsky
Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets ''Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no public music education system. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching Tchaikovsky received there set him apart from composers of the contemporary nationalist mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (Tchaikovsky)
''Romeo and Juliet'', TH 42, ÄŒW 39, is an orchestral work composed by Pyotr Ilyich Tchaikovsky. It is styled an ''Overture-Fantasy'', and is based on Shakespeare's play of the same name. Like other composers such as Berlioz and Prokofiev, Tchaikovsky was deeply inspired by Shakespeare and wrote works based on ''The Tempest'' and ''Hamlet'' as well. Unlike Tchaikovsky's other major compositions, ''Romeo and Juliet'' does not have an opus number. It has been given the alternative catalogue designations TH 42 and ÄŒW 39. Musical structure Although styled an 'Overture-Fantasy' by the composer, the overall design is a symphonic poem in sonata form with an introduction and an epilogue. The work is based on three main strands of the Shakespeare story. The first strand, written in F-sharp minor, following Mily Balakirev's suggestion, is the introduction representing the saintly Friar Laurence. Here there is a foreboding of doom from the lower strings. The Friar Laurence them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopædia Britannica
The is a general knowledge, general-knowledge English-language encyclopaedia. It has been published by Encyclopædia Britannica, Inc. since 1768, although the company has changed ownership seven times. The 2010 version of the 15th edition, which spans 32 volumes and 32,640 pages, was the last printed edition. Since 2016, it has been published exclusively as an online encyclopedia, online encyclopaedia. Printed for 244 years, the ''Britannica'' was the longest-running in-print encyclopaedia in the English language. It was first published between 1768 and 1771 in Edinburgh, Scotland, in three volumes. The encyclopaedia grew in size; the second edition was 10 volumes, and by its fourth edition (1801–1810), it had expanded to 20 volumes. Its rising stature as a scholarly work helped recruit eminent contributors, and the 9th (1875–1889) and Encyclopædia Britannica Eleventh Edition, 11th editions (1911) are landmark encyclopaedias for scholarship and literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Overture
Overture (from French ''ouverture'', "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important was the prologue, consisting of sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, the French overture first appears in the court ballet and operatic overtures of Jean-Baptiste Lully, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
