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Concertino (composition)
Concertino is the diminutive of concerto, thus literally a small or short concerto. Examples Listed by composer: *Hendrik Andriessen: **Concertino for oboe and string orchestra (1970) **Concertino for cello and chamber orchestra (1970) * Jurriaan Andriessen: **Concertino for bassoon and winds (1962) **Concertino for piano and orchestra (1962) **Concertino for sousaphone and orchestra (1967) * Alexander Arutiunian: Concertino for piano and orchestra (1951) * Kees van Baaren: Concertino for piano and orchestra (1934) * Henk Badings: Concertino for piano trio (violin, cello, and piano) and chamber orchestra (1942) * Marion Bauer: Concertino for oboe, clarinet, and string quartet, Op. 32b *Luciano Berio: Concertino for clarinet, violin, celesta, harp, and strings (1949, rev. 1951 and 1970) * Henriëtte Bosmans: Concertino for piano and orchestra (1929) * Ferrucio Busoni: , BV 276 (Op. 48)
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Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g., presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli and Arcangelo Corelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel ...
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Trombone Concertino (David)
Ferdinand David's Concertino for Trombone and Orchestra, Op. 4, was composed in 1837. It was dedicated to Karl Traugott Queisser, who was a good friend of David, and also played in the Gewandhaus Orchestra, where David was concertmeister. The piece was premiered at the Gewandhaus with Queisser playing the solo part and Mendelssohn conducting.Lindberg, Christian"History of the Concertino"/ref> It was an immediate success. It consists of 3 movements: *I. Allegro maestoso *II. Marcia funebre (Andante) *III. Allegro maestoso. This score is written for the following instruments: Solo Trombone, 2 Flutes, 2 Oboes, 2 Clarinets 2 Bassoons, 4 Horns, 2 Trumpets in Eb, 3 Trombones, Timpani, and Strings The second movement was arranged for Violin and Piano by David and was played at his own funeral. A performance of the concerto usually lasts around 16–17 minutes. The piece has been recorded by Brett Baker, Michel Becquet, Michael Bertoncello, Cristian Ganicenco, Jürgen Heinel, Massi ...
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Konzertstück
A concert piece (; , also ) is a musical composition, in most cases in one movement, intended for performance in a concert. Usually it is written for one or more virtuoso instrumental soloists and orchestral or piano accompaniment.Konzertstück ou Concertstuck
at Larousse website
In some cases concert pieces start with a separate opening movement, or are otherwise in more than one movement or section. A piece that presents itself as a miniature is rather called con ...
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Paul Hindemith
Paul Hindemith ( ; ; 16 November 189528 December 1963) was a German and American composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (New Objectivity) style of music in the 1920s, with compositions such as ''Kammermusik (Hindemith), Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), Das Unaufhörliche (1931), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler (opera), Mathis der Maler'' (1938), the ''Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd (Hindemith), When Lilacs Last in the Dooryard Bloom'd'' (1946), a requiem based on When Lilacs Last in the Dooryard Bloom'd, Walt Whitman's poem. Hindem ...
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Hans Werner Henze
Hans Werner Henze (1 July 1926 – 27 October 2012) was a German composer. His large List of compositions by Hans Werner Henze, oeuvre is extremely varied in style, having been influenced by serialism, atonality, Igor Stravinsky, Stravinsky, Music of Italy, Italian music, Arabic music and jazz, as well as traditional schools of German composition. In particular, his stage works reflect "his consistent cultivation of music for the theatre throughout his life". Henze was also known for his political convictions. He left Germany for Italy in 1953 because of a perceived intolerance towards his Left-wing politics, leftist politics and homosexuality. Late in life he lived in the village of Marino, Lazio, Marino in the central Italian region of Lazio, and in his final years still travelled extensively, in particular to Britain and Germany, as part of his work. An avowed Marxism, Marxist and member of the Italian Communist Party, Henze produced compositions honoring Ho Chi Minh and Che ...
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Michael Haydn
Johann Michael Haydn (; 14 September 1737 – 10 August 1806) was an Austrian composer of the Classical period (music), Classical period, the younger brother of Joseph Haydn. Life Michael Haydn was born in 1737 in the Austrian village of Rohrau, Austria, Rohrau, near the Hungarian border. His father was Mathias Haydn, a wheelwright who also served as "Marktrichter", an office akin to village mayor. Haydn's mother Maria, Koller, had previously worked as a cook in the palace of Friedrich August von Harrach-Rohrau, Count Harrach, the presiding aristocrat of Rohrau. Mathias was an enthusiastic folk musician, who during the journeyman period of his career had taught himself to play the harp, and he also made sure that his children learned to sing. Michael went to Vienna at the age of eight, his early professional career path being paved by his older brother Joseph Haydn, Joseph, whose skillful singing had landed him a position as a boy soprano in the St. Stephen's Cathedral, Vienna ...
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Peggy Glanville-Hicks
Peggy Winsome Glanville-Hicks (29 December 191225 June 1990) was an Australian composer and music critic. Biography Peggy Glanville Hicks, born in Melbourne, first studied composition with Fritz Hart at the Albert Street Conservatorium in Melbourne. There she also studied the piano under Waldemar Seidel. She spent the years from 1932 to 1936 as a student at the Royal College of Music in London, where she studied piano with Arthur Benjamin, conducting with Constant Lambert and Malcolm Sargent, and composition with Ralph Vaughan Williams. (She later asserted that the idea that opens Vaughan Williams' 4th Symphony was taken from her Sinfonietta for Small Orchestra (1935), and it reappears in her 1953 opera '' The Transposed Heads''). Her teachers also included Egon Wellesz, in Vienna, and Nadia Boulanger, in Paris. She was the first Australian composer whose work, her Choral Suite, was performed at an International Society for Contemporary Music (ISCM) Festival (1938). Fr ...
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Roberto Gerhard
Robert Gerhard i Ottenwaelder (; 25 September 1896 – 5 January 1970) was a Spanish and British composer, musical scholar, and writer, generally known outside his native region of Catalonia as Roberto Gerhard.Malcolm MacDonald. 'Gerhard, Roberto' in ''Grove Music Online'' (2001) Life Gerhard was born in Valls, near Tarragona, Spain. His father was of German and Swiss ancestry; his mother was from Alsace-Lorraine. He studied piano with Enrique Granados and composition with scholar-composer Felip Pedrell, teacher of Isaac Albéniz, Granados and Manuel de Falla. Gerhard visited Falla in Granada, but dismissed him as a possible teacher and decided to shut himself away in a Catalan farmhouse to reflect on his professional future and concentrate on his work. Seeking systematicity, he turned his gaze to German avant-garde music and decided to send a long letter to the composer Arnold Schoenberg, enclosing his compositions, on 21 October 1923, begging to be accepted as his pupil. After ...
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Jean Françaix
Jean René Désiré Françaix (pronunciation Fran-say or Fran-seks) was born on 23 May 1912, in Le Mans and died in 25 September 1997, in Paris). Françaix was a French neoclassical composer, pianist, and orchestrator known for his prolific output and vibrant style. Françaix composed for various genres, and is particularly known for his chamber works for piano as well as winds. Life Early Life Françaix's natural gifts were encouraged from an early age by his family. His father, Alfred Françaix, was Director of the Conservatoire of Le Mans as well as a musicologist, composer, and pianist; His mother, Jeanne Françaix, was a teacher of singing. Jean Françaix studied at the Conservatoire of Le Mans and then at the Paris Conservatory, and was only six when he took up composing, with a style heavily influenced by Ravel."Françaix, Jean René (23 May 1912, Le Mans)." ''Harvard Biographical Dictionary of Music''. Cambridge: Harvard University Press, 2003. Credo Reference. Web. 1 ...
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Wolfgang Fortner
Wolfgang Fortner (12 October 1907 – 5 September 1987) was a German composer, academic composition teacher and conductor. Life and career Fortner was born in Leipzig. From his parents, who were both singers, Fortner very early on had intense contact with music. In 1927 he began his studies at the Leipzig Conservatory ( organ with Karl Straube, composition with Hermann Graubner) and at University of Leipzig, (philosophy with Hans Driesch, musicology with Theodor Kroyer, and German studies with Hermann August Korff) . While still a student, two of his early compositions were publicly performed: ''Die vier marianischen Antiphonen'' at the Lower Rhineland Festival in Düsseldorf in 1928, and his First String Quartet in Königsberg in 1930 . In 1931 he completed his studies with the State Exam for a high teaching office, after he accepted a lectureship in music theory at the Hochschule für Kirchenmusik Heidelberg. There his music was attacked as Cultural Bolshevism. In 19 ...
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Lorenzo Ferrero
Lorenzo Ferrero (; born 1951) is an Italian composer, librettist, author, and book editor. He started composing at an early age and has written over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral, chamber music, solo instrumental, and vocal works. His musical idiom is characterized by eclecticism, stylistic versatility, and a neo-tonal language. Biography Born in Turin, he studied composition from 1969 to 1973 with Massimo Bruni and Enore Zaffiri at Turin Music Conservatory, and philosophy with Gianni Vattimo and Massimo Mila at the University of Turin, earning a degree in aesthetics with a thesis on John Cage in 1974. His early interest in the psychology of perception and psychoacoustics led him to IMEB, the International Electroacoustic Music Institute of Bourges, where he did research on electronic music between 1972 and 1973, IRCAM in Paris, and to the Musik/Dia/Licht/Film Galerie in Munich in 1974. Lorenzo Ferrero has recei ...
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David Farquhar
David Andross Farquhar (5 April 1928 – 8 May 2007) was a New Zealand composer and professor of music at Victoria University of Wellington. Biography Farquhar was born in Cambridge, New Zealand, in 1928 but spent most of his early years in Fiji. He was educated in New Zealand, and was a pupil at St Peter's School in Cambridge and Wanganui Collegiate School. He was an accomplished sportsman and academic at both schools, captaining the cricket team in summer and hockey team in winter. He also broke many of their short- and middle-distance running records. He began his university studies in Christchurch before completing his degree at Victoria University College where he studied with Douglas Lilburn. He went to the United Kingdom where he completed a Master of Arts at the University of Cambridge, and also studied composition with Benjamin Frankel at the Guildhall School of Music in London. On his return to New Zealand in 1953, Farquhar joined the staff of the Department of Mus ...
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