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Kim Hoàng Painting
Kim Hoàng painting () is a genre of Vietnamese woodcut paintings originated from Kim Hoàng village of Hoài Đức, Hanoi, Vietnam. In the past, Kim Hoàng painting was a popular element of the Tết holiday, together with Đông Hồ and Hàng Trống painting, but this tradition was lost in the middle of the 20th century and today several authentic pictures of Kim Hoàng painting are found only in museums or fine art galleries. However, the art of making Kim Hoàng painting is still considered a symbol of traditional culture and aesthetic value of Vietnam. Themes and making Produced in the countryside as Đông Hồ painting, pictures of Kim Hoàng share many common themes with ones of Đông Hồ such as everyday activities, animals and sprititual signs. The distinct feature of Kim Hoàng painting is several lines of poem written in form of chữ thảo at the left corner of the painting, the content of those lines along with the illustration help emphasize the meaning of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lon Doc
Lon or LON may refer to: People * Lon (photographer), pseudonym of Alonzo Hanagan, also known as "Lon of New York" * Lon (name), a list of people with the given name, nickname or surname Fictional characters * Lon Cohen, a character in the Nero Wolfe novels by Rex Stout * Lon Suder, a character on the television series ''Star Trek: Voyager'' Science and technology * Launch on Need, a Space Shuttle rescue mission which would have been mounted to rescue the crew of a Space Shuttle if needed * Local Operating Network, a networking platform by Echelon Corporation * Local oxidation nanolithography, a nanofabrication technique * ''Lon'' (butterfly), a genus of butterflies * Lon protease family, in molecular biology * Longitude (lon.), a geographic coordinate Other uses * League of Nations, the predecessor of the United Nations * Airports of London (IATA airport code: LON), UK * Malawi Lomwe language (ISO 639-3 code: lon), spoken in southeastern Malawi See also * Lons, a French commun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Từ điển Bách Khoa Toàn Thư Việt Nam
''Từ điển bách khoa Việt Nam'' ( lit: ''Encyclopaedic Dictionary of Vietnam'') is a state-sponsored Vietnamese-language encyclopedia that was first published in 1995. It has four volumes consisting of 40,000 entries, the final of which was published in 2005. The encyclopedia was republished in 2011. It is the first state encyclopedia of the Socialist Republic of Vietnam. The compilation process began in 1987 and was completed in 2005, involving 1200 scientists across Vietnam at a cost of 32 billion Vietnamese dong.E. Ulrich Kratz Southeast Asian Languages and Literatures: A Bibliographic Guide ... 1996 - Page 393 ''Từ điển bách khoa Việt Nam''. The encyclopedia was published by Vietnam's Encyclopedia Publishing House, a constituent unit of Vietnam Academy of Social Sciences. Arranged by Vietnamese-alphabet order, the encyclopedia covers diverse topics ranging from history to child rearing. Since then, it has been converted to electronic versions (CD and eb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lê Dynasty
The Lê dynasty, also known in historiography as the Later Lê dynasty (, chữ Hán: 朝後黎, chữ Nôm: 茹後黎), officially Đại Việt (; Chữ Hán: 大越), was the longest-ruling List of Vietnamese dynasties, Vietnamese dynasty, having ruled from 1428 to 1789, with an interregnum between 1527 and 1533. The Lê dynasty is divided into two historical periods: the Initial Lê dynasty (Vietnamese language, Vietnamese: triều Lê sơ, chữ Hán: 朝黎初, or Vietnamese: nhà Lê sơ, chữ Nôm: 茹黎初; 1428–1527) before the usurpation by the Mạc dynasty, in which emperors ruled in their own right, and the Revival Lê dynasty (Vietnamese language, Vietnamese: triều Lê Trung hưng, chữ Hán: 朝黎中興, or Vietnamese language, Vietnamese: nhà Lê trung hưng, chữ Nôm: 茹黎中興; 1533–1789), in which emperors were figures reigned under the auspices of the powerful Trịnh lords, Trịnh family. The Revival Lê dynasty was marked by two lengthy civ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardenia
''Gardenia'' is a genus of flowering plants in the coffee family, Rubiaceae, native to the tropical and subtropical regions of Africa, Asia, Madagascar, Pacific Islands, and Australia. The genus was named by Carl Linnaeus and John Ellis after Alexander Garden (1730–1791), a Scottish naturalist. The type species is '' Gardenia jasminoides'', as first published by Ellis in 1761. Description Gardenia species typically grow as shrubs or small trees, however some species, such as those native to New Guinea, may grow to 20-30m tall. A small number of species found in tropical East Africa and southern Africa grow as small pyrophytic subshrubs. At least one species, ''Gardenia epiphytica'', native to Gabon and Cameroon, grows as an epiphyte. Most species are unarmed and spineless, but some species such as some of those found in Africa are spinescent. The leaf arrangement is typically opposite or verticillate may (arranged in whorls). Leaves vary by species; many species are glos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vermilion
Vermilion (sometimes vermillion) is a color family and pigment most often used between antiquity and the 19th century from the powdered mineral cinnabar (a form of mercury sulfide). It is synonymous with red orange, which often takes a modern form, but is 11% brighter (at full brightness). Etymology and common name Used first in English in the 13th century, the word ''vermilion'' came from the Old French word ''vermeillon'', which was derived from ''vermeil'', from the Latin ''vermiculus'' the diminutive of the Latin word ''vermis'' for worm. The name originated because it had a similar color to the Kermes (dye), natural red dye made from an insect, '' Kermes vermilio'', which was widely used in Europe. The first recorded use of "vermilion" as a color name in English was in 1289. The term cinnabar is used in mineralogy and crystallography for the red crystalline form of mercury sulfide HgS. Thus, the natural mineral pigment is called "cinnabar", and its synthetic form i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gypsum
Gypsum is a soft sulfate mineral composed of calcium sulfate Hydrate, dihydrate, with the chemical formula . It is widely mined and is used as a fertilizer and as the main constituent in many forms of plaster, drywall and blackboard or sidewalk chalk. Gypsum also Crystallization, crystallizes as translucent crystals of selenite (mineral), selenite. It forms as an evaporite mineral and as a Mineral hydration, hydration product of anhydrite. The Mohs scale of mineral hardness defines gypsum as hardness value 2 based on Scratch hardness, scratch hardness comparison. Fine-grained white or lightly tinted forms of gypsum known as alabaster have been used for sculpture by many cultures including Ancient Egypt, Mesopotamia, Ancient Rome, the Byzantine Empire, and the Nottingham alabasters of Medieval England. Etymology and history The word ''wikt:gypsum, gypsum'' is derived from the Greek language, Greek word (), "plaster". Because the quarry, quarries of the Montmartre district of P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Ink
India ink (British English: Indian ink; also Chinese ink) is a simple black or coloured ink once widely used for writing and printing and now more commonly used for drawing and outlining, especially when inking comic books and comic strips. India ink is also used in medical applications. Compared to other inks, such as the iron gall ink previously common in Europe, India ink is noted for its deep, rich black color. It is commonly applied with a paintbrush (such as an ink brush) or a dip pen. In East Asian traditions such as ink wash painting and Chinese calligraphy, India ink is commonly used in a solid form called an inkstick. Composition Basic India ink is composed of a variety of fine soot, known as ''lampblack'', combined with water to form a liquid. No binder material is necessary: the carbon molecules are in colloidal suspension and form a waterproof layer after drying. A binding agent such as gelatin or, more commonly, shellac may be added to make the ink more durab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cursive Script (East Asia)
Cursive script (; , ''sōshotai''; , ''choseo''; ), often referred to as ''grass script'', is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. The cursive script functions primarily as a kind of shorthand script or calligraphic style and is faster to write than other styles, but it can be difficult to read for those unfamiliar with it because of its abstraction and alteration of character structures. People who can read only standard or printed forms of Chinese or related scripts may have difficulty reading the cursive script. Names The character primarily means "grass", and the character means script in this context, which has led to the literal calque for as "grass script". However, can be extended to mean "hurried" or "rough", from which the name came. Thus, the name of this script is literally "draft script", "quick script" or "rough script". The character ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vietnamese Art
Vietnamese art is visual art that, whether ancient or modern, originated in or is practiced in Vietnam or by Vietnamese artists. Vietnamese art has a long and rich history, the earliest examples of which date back as far as the Stone Age around 8,000 BCE. With the millennium of Chinese domination of Vietnam, Chinese domination starting in the 2nd century BC, Vietnamese art undoubtedly absorbed many Chinese influences, which would continue even following independence from China in the 10th century AD. However, Vietnamese art has always retained many distinctively Vietnamese characteristics. By the 19th century, the influence of French art took hold in Vietnam, having a large hand in the birth of modern Vietnamese art. Traditional art Prehistory art Pottery dating to the Stone Age () has been found in Bắc Sơn, Vietnam. This pottery was made from clay, and in its beginnings was largely basic and lacking any artistic flare. Moving into the Neolithic era Vietnamese pottery and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hàng Trống Painting
Hàng Trống painting () is a genre of Vietnamese woodcut painting that originated from the area of Hàng Trống ( vi) and Hàng Nón streets in the Old Quarter of Hanoi, Vietnam. In the past, Hàng Trống painting was an essential element of the Tết Nguyên Đán holiday in Hanoi, but today this tradition almost has disappeared and authentic Hàng Trống paintings are found only in museums or fine art galleries. However, the art of making Hàng Trống paintings is always considered a symbol of traditional culture and aesthetic value of Vietnam. Themes and making The common themes in Hàng Trống paintings are spiritual and cultural symbols such as the white tiger (hổ trắng) or carp (cá chép), which indicate a stronger influence of Buddhism and Taoism than in Đông Hồ painting. However, besides the pictures of worshipping themes, Hàng Trống craftsmen also made paintings with folk themes like Đông Hồ such as ''Bịt mắt bắt dê'' (blind-man's buff), ''R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Đông Hồ Painting
Ðông Hồ painting (), full name Đông Hồ folk woodcut painting () is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province). With the consent of the Prime Minister, the Ministry of Culture, in collaboration with the Provincial People's Committee of Bắc Ninh and the specialized agencies conducting research, have set records for Đông Hồ folk paintings to be submitted to UNESCO for the recognition of intangible cultural heritage. Themes Đông Hồ painting is considered a fine reflection of traditional aesthetic value, social philosophies, and humanitarian desires. The traditional themes of Đông Hồ painting are good luck signs, historical figures, folk allegories, popular stories, and social commentaries. Elements of everyday life are well integrated in Đông Hồ paintings to express the thoughts and wishes of people. Following is a table of main themes in Đông Hồ paintings and e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
