Hàng Trống Painting
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Hàng Trống Painting
Hàng Trống painting () is a genre of Vietnamese woodcut painting that originated from the area of Hàng Trống ( vi) and Hàng Nón streets in the Old Quarter of Hanoi, Vietnam. In the past, Hàng Trống painting was an essential element of the Tết Nguyên Đán holiday in Hanoi, but today this tradition almost has disappeared and authentic Hàng Trống paintings are found only in museums or fine art galleries. However, the art of making Hàng Trống paintings is always considered a symbol of traditional culture and aesthetic value of Vietnam. Themes and making The common themes in Hàng Trống paintings are spiritual and cultural symbols such as the white tiger (hổ trắng) or carp (cá chép), which indicate a stronger influence of Buddhism and Taoism than in Đông Hồ painting. However, besides the pictures of worshipping themes, Hàng Trống craftsmen also made paintings with folk themes like Đông Hồ such as ''Bịt mắt bắt dê'' (blind-man's buff), ''R ...
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Vietnamese Art
Vietnamese art is visual art that, whether ancient or modern, originated in or is practiced in Vietnam or by Vietnamese artists. Vietnamese art has a long and rich history, the earliest examples of which date back as far as the Stone Age around 8,000 BCE. With the millennium of Chinese domination of Vietnam, Chinese domination starting in the 2nd century BC, Vietnamese art undoubtedly absorbed many Chinese influences, which would continue even following independence from China in the 10th century AD. However, Vietnamese art has always retained many distinctively Vietnamese characteristics. By the 19th century, the influence of French art took hold in Vietnam, having a large hand in the birth of modern Vietnamese art. Traditional art Prehistory art Pottery dating to the Stone Age () has been found in Bắc Sơn, Vietnam. This pottery was made from clay, and in its beginnings was largely basic and lacking any artistic flare. Moving into the Neolithic era Vietnamese pottery and ...
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Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller ( brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colours can be printed by keying the paper to a frame around the woodblocks (using a different block for each colour). The art of carving the woodcut can be called ''xylography'', but this is rarely used in English for images alone, although that term and ''xylographic'' are used in connection with block books, which are small books containing text ...
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Kim Hoàng Painting
Kim Hoàng painting () is a genre of Vietnamese woodcut paintings originated from Kim Hoàng village of Hoài Đức, Hanoi, Vietnam. In the past, Kim Hoàng painting was a popular element of the Tết holiday, together with Đông Hồ and Hàng Trống painting, but this tradition was lost in the middle of the 20th century and today several authentic pictures of Kim Hoàng painting are found only in museums or fine art galleries. However, the art of making Kim Hoàng painting is still considered a symbol of traditional culture and aesthetic value of Vietnam. Themes and making Produced in the countryside as Đông Hồ painting, pictures of Kim Hoàng share many common themes with ones of Đông Hồ such as everyday activities, animals and sprititual signs. The distinct feature of Kim Hoàng painting is several lines of poem written in form of chữ thảo at the left corner of the painting, the content of those lines along with the illustration help emphasize the meaning of th ...
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Tết
Tết (, ), short for (; ), is the most important celebration in Vietnamese culture. Tết celebrates the arrival of spring based on the Vietnamese calendar and usually falls on January or February in the Gregorian calendar. is not to be confused with Tết Trung Thu, which is also known as Children's Festival in Vietnam. "'" itself only means festival but it would generally refer to the Lunar New Year in Vietnamese, as it is often seen as the most important festival amongst the Vietnamese and the Vietnamese diaspora, with regarded as the second-most important. Vietnamese people celebrate annually, which is based on a lunisolar calendar (calculating both the motions of Earth around the Sun and of the Moon around Earth). Tết is generally celebrated on the same day as Chinese New Year (also called Spring Festival), with the one-hour time difference between Vietnam and China resulting in the new moon occurring on different days. Rarely, the dates of Vietnamese and Chine ...
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Vietnamese Calendar
The Vietnamese calendar (; ) is a lunisolar calendar that is mostly based on the lunisolar Chinese calendar. As Vietnam's official calendar has been the Gregorian calendar since 1954, the Vietnamese calendar is used mainly to observe lunisolar holidays and commemorations, such as Tết Nguyên Đán and Tết Trung Thu. Historical developments After Vietnam regained independence following the third Chinese domination of Vietnam, the following dynasties established their own calendars based on Chinese prototypes, and every subsequent dynasty had appointed officers to man and create the calendar to be used in the realm. According to the '' Đại Việt sử lược'' historical chronicles, the Vietnamese rulers started building astronomical/astrological facilities in the capital Thăng Long (; i.e. modern Hanoi) as early as 1029. Beginning in 1324, the Yuan dynasty introduced the Thụ Thời () calendar to the Trần dynasty. Beginning in 1954, Vietnamese administrati ...
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Lê Dynasty
The Lê dynasty, also known in historiography as the Later Lê dynasty (, chữ Hán: 朝後黎, chữ Nôm: 茹後黎), officially Đại Việt (; Chữ Hán: 大越), was the longest-ruling List of Vietnamese dynasties, Vietnamese dynasty, having ruled from 1428 to 1789, with an interregnum between 1527 and 1533. The Lê dynasty is divided into two historical periods: the Initial Lê dynasty (Vietnamese language, Vietnamese: triều Lê sơ, chữ Hán: 朝黎初, or Vietnamese: nhà Lê sơ, chữ Nôm: 茹黎初; 1428–1527) before the usurpation by the Mạc dynasty, in which emperors ruled in their own right, and the Revival Lê dynasty (Vietnamese language, Vietnamese: triều Lê Trung hưng, chữ Hán: 朝黎中興, or Vietnamese language, Vietnamese: nhà Lê trung hưng, chữ Nôm: 茹黎中興; 1533–1789), in which emperors were figures reigned under the auspices of the powerful Trịnh lords, Trịnh family. The Revival Lê dynasty was marked by two lengthy civ ...
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Tu Binh
Tu or TU may refer to: Language * Tu language * Tu (cuneiform), a cuneiform sign * ''tu'' or ''tú'' the 2nd-person singular subject pronoun in many languages; see personal pronoun * T–V distinction (from the Latin pronouns ''tu'' and ''vos''), the use in some languages, of a different personal pronoun for formality or social distance * Tsu (kana), also romanized as ''tu'' People and names * Tū (Tūmatauenga), a supernatural being in Māori mythology * Tu people, the Monguor people of the People's Republic of China ** Tu language * Tu Holloway (born 1989), basketball player for Maccabi Rishon LeZion in the Israeli Basketball Premier League * Tu (surname) 屠, a rare Chinese family name * Du (surname) 杜 or Tu, a common Chinese family name Music * Tú (Canadian band), a Canadian pop music duo in the late-1980s * Tu (American band), an American duo, formed by member of King Crimson Albums * ''Tū'' (album), a 2018 studio album by Alien Weaponry *''Tu'', a 1978 album by Umbe ...
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Pigment
A pigment is a powder used to add or alter color or change visual appearance. Pigments are completely or nearly solubility, insoluble and reactivity (chemistry), chemically unreactive in water or another medium; in contrast, dyes are colored substances which are soluble or go into solution at some stage in their use. Dyes are often organic compounds whereas pigments are often inorganic compound, inorganic. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli. Economic impact In 2006, around 7.4 million tons of inorganic chemistry, inorganic, organic chemistry, organic, and special pigments were marketed worldwide. According to an April 2018 report by ''Bloomberg Businessweek'', the estimated value of the pigment industry globally is $30 billion. The value of titanium dioxide – used to enhance the white brightness of many products – was placed at $13.2 billion per year, while the color Ferrari red is valued at $300 million each yea ...
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