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K-System
The K-system is an audio level measuring technique proposed by mastering engineer Bob Katz in the paper "An integrated approach to Metering, Monitoring and Levelling". It proposes a studio monitor calibration system and a set of meter ballistics to help engineers produce consistent sounding music while preserving appropriate dynamic range Dynamic range (abbreviated DR, DNR, or DYR) is the ratio between the largest and smallest values that a certain quantity can assume. It is often used in the context of Signal (electrical engineering), signals, like sound and light. It is measured .... References {{Sound-tech-stub Audio engineering ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Katz
Bob Katz is an American audio mastering engineer and author of a popular book on audio mastering. Katz has mastered three Grammy Award–winning albums and one nominated album. Projects he has worked on have received Grammys and acclaim from audiophiles, and his book on mastering is considered by some to be the "definitive work on mastering". Career Katz taught at the Institute of Audio Research from 1978 to 1979. In 1988, Katz joined Chesky Records and began recording jazz and classical artists there, as well as producing oversampled commercial recordings. In 1990, he founded an audio-mastering company called Digital Domain Mastering, where he continues to work. In early 2015, Katz began a regular blog, Katz's Corner, on the headphone enthusiast site InnerFidelity. Grammy Award–winning albums Grammy Award–winning albums mastered by Bob Katz: * 1985: Ben Kingsley, ''The Words of Gandhi'' * 1997: Paquito D'Rivera, '' Portraits of Cuba'' * 2001: Olga Tañón, ''Olga Viva, Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Monitor
Studio monitors are loudspeakers in speaker enclosures specifically designed for professional audio production applications, such as recording studios, filmmaking, television studios, radio studios and project or home studios, where accurate audio reproduction is crucial. Among audio engineers, the term ''monitor'' implies that the speaker is designed to produce relatively flat (linear) phase and frequency responses. In other words, it exhibits minimal emphasis or de-emphasis of particular frequencies, the loudspeaker gives an accurate reproduction of the tonal qualities of the source audio ("uncolored" or "transparent" are synonyms), and there will be no relative phase shift of particular frequencies—meaning no distortion in sound-stage perspective for stereo recordings. Beyond stereo sound-stage requirements, a linear phase response helps impulse response remain true to source without encountering "smearing". An unqualified reference to a ''monitor'' often refers to a ''ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamic Range
Dynamic range (abbreviated DR, DNR, or DYR) is the ratio between the largest and smallest values that a certain quantity can assume. It is often used in the context of signals, like sound and light. It is measured either as a ratio or as a base-10 ( decibel) or base-2 (doublings, bits or stops) logarithmic value of the difference between the smallest and largest signal values. Electronically reproduced audio and video is often processed to fit the original material with a wide dynamic range into a narrower recorded dynamic range that can more easily be stored and reproduced; this processing is called dynamic range compression. Human perception The human senses of sight and hearing have a relatively high dynamic range. However, a human cannot perform these feats of perception at both extremes of the scale at the same time. The human eye takes time to adjust to different light levels, and its dynamic range in a given scene is actually quite limited due to optical glare. The ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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