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Juan Vásquez (composer)
Juan Vásquez (or ''Vázquez'', c. 1500, Badajoz - c. 1560, Seville) was a Spanish priest and composer of the renaissance music, Renaissance. He can be considered part of the ''School of Andalusia'' group of composers along with Francisco Guerrero (composer), Francisco Guerrero, Cristóbal de Morales, Juan Navarro Hispalensis and others.Juan Vásquez Requiem Survey (website), ''Requiem Survey''.Umeå Academic Choir's early music website /ref>The Spanish Song Companion 2006 -- Page 41 "JUAN VASQUEZ (c.1510—c.1560) Vasquez is a crucial figure in the history of the solo song in Spain. He was born in Badajoz, and spent some time in Madrid and later Seville. His one survi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badajoz
Badajoz is the capital of the Province of Badajoz in the autonomous communities of Spain, autonomous community of Extremadura, Spain. It is situated close to the Portugal, Portuguese Portugal–Spain border, border, on the left bank of the river Guadiana. The population in 2011 was 151,565. Badajoz was conquered by the Moors in the 8th century and re-founded as Baṭalyaws, and later in the 11th century the city became the seat of a separate Moorish kingdom, the Taifa of Badajoz. After the Reconquista, the area was disputed between Spain and Portugal for several centuries with alternating control resulting in several wars including the War of the Spanish Succession, Spanish War of Succession (1705), the Peninsular War (1808–1811), the Siege of Badajoz (1812), Storming of Badajoz (1812), and the Spanish Civil War (1936). Spanish history is largely reflected in the town. Badajoz is the Episcopal see, see of the Roman Catholic Archdiocese of Mérida-Badajoz. Prior to the merger of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villancico
The ''villancico'' ( Spanish, ) or vilancete ( Portuguese, ) was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. Important composers of villancicos were Juan del Encina, Pedro de Escobar, Francisco Guerrero, Manuel de Zumaya, Juana Inés de la Cruz, Gaspar Fernandes, and Juan Gutiérrez de Padilla.Pope, "Villancico." Derived from medieval dance forms, the 15th century Spanish villancico was a type of popular song sung in the vernacular and frequently associated with rustic themes. The poetic form of the Spanish villancico was that of an estribillo (or refrain) and coplas (stanzas), with or without an introduction. While the exact order and number of repetitions of the estribillo and coplas varied, the most typical form was a loose ABA framework, often in triple meter. The villancico developed as a secular polyphonic genre until religious villancicos gained popularity in the second half of the 16th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Responsorium
A responsory or respond is a type of chant in western Christian liturgies. Definition The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been designated by the term responsory. In the Roman Rite and rites strongly influenced by it, such as the pre-reformation English rite and the monastic rite of the Rule of St. Benedict, these chants ordinarily follow readings at services of the Divine Office (also called the Liturgy of the Hours); however, they have also been used as processional chants. Structure and performance A responsory has two parts: a respond (or refrain), and a verse. Methods of performance vary, but typically the respond will be begun by the cantor then taken up by the entire choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphon
An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely composed. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responses (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm
The Book of Psalms ( , ; ; ; ; , in Islam also called Zabur, ), also known as the Psalter, is the first book of the third section of the Tanakh (Hebrew Bible) called ('Writings'), and a book of the Old Testament. The book is an anthology of Hebrew religious hymns. In the Jewish and Western Christian traditions, there are 150 psalms, and several more in the Eastern Christian churches. The book is divided into five sections, each ending with a doxology, a hymn of praise. There are several types of psalms, including hymns or songs of praise, communal and individual laments, royal psalms, imprecation, and individual thanksgivings. The book also includes psalms of communal thanksgiving, wisdom, pilgrimage and other categories. Many of the psalms contain attributions to the name of King David and other Biblical figures including Asaph, the sons of Korah, Moses and Solomon. Davidic authorship of the Psalms is not accepted as historical fact by modern scholars, who view it as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laude
The ''lauda'' (Italian pl. ''laude'') or ''lauda spirituale'' was the most important form of vernacular sacred song in Italy in the late medieval era and the Renaissance. ''Laude'' remained popular into the nineteenth century. The lauda was often associated with Christmas, and so is in part equivalent to the English carol, French noel, Spanish villancico, and like these genres occupies a middle ground between folk and learned lyrics. Origin and spread of the lauda Originally, the ''lauda'' was a monophonic (single-voice) form, but a polyphonic type developed in the early fifteenth century. The early ''lauda'' was probably influenced by the music of the troubadours, since it shows similarities in rhythm, melodic style, and especially notation. Many troubadours had fled their original homelands, such as Provence, during the Albigensian Crusade in the early 13th century, and settled in northern Italy, where their music was influential in the development of the Italian secular styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invitatory
The invitatory (Latin: invitatorium; also invitatory psalm) is the psalm used to start certain daily prayer offices in Catholic and Anglican traditions. Most often it is Psalm 94(95), also known as the Venite.Numbered 94 in the Greek Septuagint, 95 in the Hebrew Masoretic text: see Psalms > Numbering. The term derives from Medieval Latin ''invītātōrium'', derived from ''invītāre'', "to invite." Catholic The invitatory is used to start Nocturns in the Liturgy of the Hours, the Catholic Church's Divine Office. It is usually Psalm 94(95), which begins ''Venite exsultemus'' in Latin. After the reform of the Liturgy of the Hours following the Second Vatican Council, the Invitatory is said either before the Office of Readings or Lauds, whichever is said first in a liturgical day. In place of Psalm 94(95), Psalm 99(100), Psalm 66(67), or Psalm 23(24) may be used as circumstances may suggest. Verse 17 of Psalm 50(51) ''Domine, labia mea aperies'' is often used as the invitato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liber Usualis
The ''Liber Usualis'' (''Liber Usualis missæ et officii pro Dominicis et festis cum cantu Gregoriano'' or "Book for Use at Masses and Offices of Sundays and Feasts with their Gregorian Chants") is a liturgical book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France and first published in 1898. It gathered between two covers the ordinary and proper chants from the '' Kyriale'' and ''Graduale'' needed for Masses of Sunday and important Holy Days; those for Vespers from the ''Antiphonale''; and Matins of Christmas, Holy Week and the Office of the Dead from the '' Nocturnale''. Its most important omissions are the chants for the weekdays of Lent and the Ember Days. The ''Liber'' was first edited in 1896 by Solesmes Abbot Dom André Mocquereau (1849–1930). Its use has decreased since the Second Vatican Ecumenical Council (opened by Pope John XXIII in 1962), where the constitution on the liturgy (''Sacro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomás Luis De Victoria
Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". His surviving ''oeuvre'', unlike that of his colleagues, is almost exclusively sacred and polyphonic vocal music, set to Latin texts. As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. However, he preferred the life of a composer to that of a performer. Life and career Family background and early years Tomás Luis de Victoria was born around 1548, most likely in Ávila, the main residence of his family at the time. Victoria’s birthplace has been the subject of debate, and remains unclear since his baptismal record has never been found. The town of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prima Pratica
''Stile antico'' (literally "ancient style", ), is a term describing a manner of musical composition from the sixteenth century onwards that was historically conscious, as opposed to '' stile moderno'', which adhered to more modern trends. ''Prima pratica'' (Italian, 'first practice') refers to early Baroque music which looks more to the style of Palestrina, or the style codified by Gioseffo Zarlino, than to more "modern" styles. It is contrasted with '' seconda pratica'' music. These terms are synonymous to ''stile antico'' and ''stile moderno'', respectively. History ''Stile antico'' has been associated with composers of the high Baroque and early Classical periods of music, in which composers used controlled dissonance and modal effects and avoided overtly instrumental textures and lavish ornamentation, to imitate the compositional style of the late Renaissance. ''Stile antico'' was deemed appropriate in the conservative confines of church music, or as a compositional exerc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (liturgy)
Mass is the main Eucharistic liturgical service in many forms of Western Christianity. The term ''Mass'' is commonly used in the Catholic Church, Western Rite Orthodoxy, Old Catholicism, and Independent Catholicism. The term is also used in many Lutheran churches, as well as in some Anglican churches, and on rare occasion by other Protestant churches. Other Christian denominations may employ terms such as '' Divine Service'' or '' worship service'' (and often just "service"), rather than the word ''Mass''. For the celebration of the Eucharist in Eastern Christianity, including Eastern Catholic Churches, other terms such as ''Divine Liturgy'', ''Holy Qurbana'', ''Holy Qurobo'' and ''Badarak'' (or ''Patarag'') are typically used instead. Etymology The English noun ''Mass'' is derived from the Middle Latin . The Latin word was adopted in Old English as (via a Vulgar Latin form ), and was sometimes glossed as ''sendnes'' (i.e. 'a sending, dismission'). The Latin term itself w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespers
Vespers /ˈvɛspərz/ () is a Christian liturgy, liturgy of evening prayer, one of the canonical hours in Catholic (both Latin liturgical rites, Latin and Eastern Catholic liturgy, Eastern Catholic liturgical rites), Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran liturgies. The word for this prayer time comes from the Latin ''vesper'', meaning "evening". Vespers typically follows a set order that focuses on the performance of psalms and other biblical canticles. Eastern Orthodox liturgies recognised as vespers (, ) often conclude with compline, especially the all-night vigil. Performing these liturgies together without break was also a common practice in medieval Europe, especially outside of monastic and religious communities. Old English speakers translated the Latin word as , which became evensong in modern English. The term is now usually applied to the Anglican variant of the liturgy that combines vespers with compline, following the conception of early sixtee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
