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Jaroslava Maxová
Jaroslava Maxová (born 6 April 1957; Jaroslava Horská, Jaroslava Horská-Maxová) is a Czech mezzo-soprano opera singer and vocal coach. Biography Jaroslava Maxová was born on 6 April 1957 in Moravská Třebová, Moravia and studied singing at the Bratislava Academy in Slovakia. She made her Slovak National Opera début already during her studies and became a soloist there in 1986. She sang principal roles throughout the next eight years and since 1994 continued to do so at the Prague National Opera Theatre. Her repertoire includes Strauss‘ Octavian in ''Der Rosenkavalier'', Offenbach's Niklausse in '' Les contes d’Hoffmann'', Verdi's Amneris in ''Aida'', Fenena in ''Nabucco'', Maddalena in ''Rigoletto'', Preziosilla in '' La forza del destino'', Mozart's Dorabella in ''Così fan tutte'', Cherubino and Marcellina in ''Le nozze di Figaro'' and Sesto in ''La clemenza di Tito'', Rossini's Berta in ''Il barbiere di Siviglia ''The Barber of Seville, or The Useless Precau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moravská Třebová
Moravská Třebová (; ) is a town in Svitavy District in the Pardubice Region of the Czech Republic. It has about 9,600 inhabitants. The historic town centre is well preserved and is protected as an urban monument reservation. Administrative division Moravská Třebová consists of five municipal parts (in brackets population according to the 2021 census): *Město (1,064) *Předměstí (7,149) *Boršov (645) *Sušice (507) *Udánky (262) Geography Moravská Třebová is located about east of Svitavy and north of Brno. It lies mostly in the Orlické Foothills. The westernmost part of the municipal territory extends into the Svitavy Uplands and includes the Rohová National Nature Reserve. In the nature reserve is located the highest point of Moravská Třebová, the hill Roh at above sea level. The town is situated on the Třebůvka River, which supplies the Moravská Třebová Pond on the southern outskirts of the town. History Moravská Třebová was founded around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' (, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of the 20 operas featured, with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dido And Aeneas
''Dido and Aeneas'' (Z. 626) is an opera in a prologue and three acts, written by the English Baroque music, Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689. Some scholars argue for a date of composition as early as 1683. The story is based on Book IV of Virgil's ''Aeneid''. It recounts the love of Dido, Queen of Carthage, for the Troy, Trojan hero Aeneas, and her despair when he abandons her. A monumental work in Baroque opera, ''Dido and Aeneas'' is remembered as one of Purcell's foremost theatrical works. It was also Purcell's only true opera, as well as his only all-sung dramatic work. One of the earliest known English operas, it owes much to John Blow's ''Venus and Adonis (opera), Venus and Adonis'', both in structure and in overall effect. The influence of F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deidamia (opera)
''Deidamia'' ( HWV 42) is an opera in three acts composed by George Frideric Handel to an Italian libretto by Paolo Antonio Rolli. It premiered on 10 January 1741 at Lincoln's Inn Fields Theatre, London. Performance history A ballad opera on the same story by John Gay had been performed in London in 1733, under the title ''Achilles.'' Handel's opera, a co-production with the Earl of Holderness, was first performed on 10 January 1741 at London's Lincoln's Inn Fields Theatre, but received only two more performances at a time when the public was becoming tired of Italian opera. The work was Handel's last Italian opera, and he subsequently turned his attention to composing oratorios. The opera was revived in the 1950s and it receives staged performances today, e.g. the 2012 staging by David Alden for Netherlands Opera.Loomis, George (27 March 2012)"Twists and Turns on the Achilles Myth in Handel's 'Deidamia'" ''The New York Times''. Retrieved 24 October 2014. Roles Synopsis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bartered Bride
''The Bartered Bride'' (, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre (Prague), Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's second, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libuše (opera)
''Libuše'' () is a "festival opera" in three acts, with music by Bedřich Smetana. The libretto was originally written in German by Josef Wenzig, and was then translated into Czech by . In Czech historical myth, Libuše, the title character, prophesied the founding of Prague. Background The opera was composed in 1871–72. From the very beginning, the new opera's premiere was destined to mark a major, exceptional event. After abandoning an initial idea to dedicate it to the coronation of the Austrian Emperor as King of Bohemia (which actually never happened), Smetana focused on a historic occasion whose dimension was indeed exclusively national, namely, the inauguration of the National Theatre in Prague. Consequently, the premiere had to wait for nine years after the opera's completion, until 11 June, 1881. After that, Libuše was also performed as part of the National Theatre (Prague), National Theatre's definitive reopening on 18 November, 1883, following its previous destructi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Devil And Kate
''The Devil and Kate'', Op. 112, B. 201, (''Čert a Káča'' in Czech) is an opera in three acts by Antonín Dvořák to a Czech libretto by Adolf Wenig. It is based on a farce by Josef Kajetán Tyl, and the story also had been treated as the fairy tale '' Devil and Káča'' by Božena Němcová. The first performance of the opera was at the National Theatre, Prague, on 23 November 1899, under Adolf Čech. ''The Devil and Kate'' is one of the few operas of Dvořák, along with ''Rusalka'', to have remained in the repertory. This can be attributed to the high demand for Italian grand operas in his time and the difficulties of Dvořák's intricate staging. The opera has great appeal because of its combination of fairy tale and folk music; it is very close in feel to a Czech tone poem. At times, it feels like a Czech version of ''Hansel & Gretel''. The overture was written after the opera itself. John Clapham has written critical analysis of the opera and noted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rusalka (opera)
''Rusalka'' (), Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. His ninth opera (1900–1901), it became his most successful, frequenting the standard repertoire worldwide. Jaroslav Kvapil wrote the libretto on Karel Jaromír Erben's and Božena Němcová's fairy tales. The rusalka is a water sprite from Slavic mythology; it usually inhabits a lake or river. For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestral timbres ''Rusalka'' was not a central part of his output or of international lyric theatre. In recent years it has been performed more regularly by major opera companies. In the five seasons from 2008 to 2013 it was performed by opera companies worldwide far more than all of Dvořák's other operas combined. The most popular excerpt from ''Rusalka'' is the soprano aria, the "Song to the Moon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Ed Euridice
(; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the '' azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's ''The Magic Flute'', Beethoven's ''Fidelio'', and Wagner's ''Das Rheingold''. Though originally s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Bis
''Alexandre bis'' (''Alexander Twice''; in Czech: ''Dvakrát Alexandr'') is a surrealist comic opera in one act by Bohuslav Martinů, ( H. 255), composed in 1937 to an original libretto written in French by . History The opera was intended by Martinů, who was then living in Paris, for performance at the Paris World Exhibition of 1937. However, various delays (including the intervening World War II) prevented its performance during the composer's lifetime. The opera's first performance was given at the Nationaltheater Mannheim on 18 February 1964, when it was conducted by Georg Calder. Shortly afterwards it was given its first performance in Martinů's native Czechoslovakia by the Janáček Theatre in Brno. It was first performed in America in October 2014 by Gotham Chamber Opera at the John Jay College of Criminal Justice in Manhattan. The opera is subtitled "The Tragedy of a Man who Had His Beard Cut", and the surrealist libretto is set in Paris about 1900. Although Martin� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; ) is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 Cavalleria rusticana (short story), short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome. Since 1893 in music, 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" and "Seguidilla" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. Jos� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
