Janez Vrečko
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Janez Vrečko
Janez Vrečko (born 1946) is a Slovene literary historian and theorist. Life and work He is a professor of comparative literature at the University of Ljubljana's Faculty of Arts. He received his PhD in 1986 for his dissertation entitled ''Slovenian Historical Avant-Garde and Zenitism''.''Enciklopedija Slovenije'', 2000. Vol. 14, pp. 375. In 1978 he received an MA for his thesis on mimetic and non-mimetic poetics. In 1974 he received a Student Prešeren Award for his graduate thesis. He has been employed in the Department of Comparative Literature and Literary Theory since 1978. He has spent more than two years researching or as a visiting lecturer at universities in Munich, Zagreb, Belgrade, Katowice, Salzburg, Brussels, St. Petersburg and Vienna. He has held visiting positions at the Universities of Nova Gorica, Koper and Maribor. His fields of specialization in research and graduate teaching are European and Slovenian historical Avant-Garde. His extensive monograph on the ...
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Ljubljana
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Koper
Koper (; ) is the List of cities and towns in Slovenia, fifth-largest city in Slovenia. Located in the Slovenian Istria, Istrian region in the southwestern part of the country, Koper is the main urban center of the Slovene coast. Port of Koper is the country's only container port and a major contributor to the economy of the City Municipality of Koper, Municipality of Koper. The city is a destination for a number of Mediterranean cruising lines. Koper is also one of the main road entry points into Slovenia from Italy, which lies to the north of the municipality. The main motorway crossing is at Spodnje Škofije to the north of the city of Koper. The motorway continues into Rabuiese and Trieste. Koper also has a rail connection with the capital city, Ljubljana. On the coast, there is a crossing at Lazaret into Lazzaretto in Muggia municipality in Trieste province. The Italian border crossing is known as San Bartolomeo. Sights Major sights in Koper include the 15th-century Praeto ...
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Bertold Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Elisabeth Hauptmann and Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, Brecht wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . When the Nazis came to power in Germany in 1933, Brecht fled his home country, initially to Scandinavia. During World War II he moved to Southern California where he established himself as a screenwriter, while also being surveilled by the FBI. In 1947, he was part of the first group of Hollywood film artists to be subpoenaed by the House Un-A ...
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Aristotle
Aristotle (; 384–322 BC) was an Ancient Greek philosophy, Ancient Greek philosopher and polymath. His writings cover a broad range of subjects spanning the natural sciences, philosophy, linguistics, economics, politics, psychology, and the arts. As the founder of the Peripatetic school of philosophy in the Lyceum (classical), Lyceum in Athens, he began the wider Aristotelianism, Aristotelian tradition that followed, which set the groundwork for the development of modern science. Little is known about Aristotle's life. He was born in the city of Stagira (ancient city), Stagira in northern Greece during the Classical Greece, Classical period. His father, Nicomachus (father of Aristotle), Nicomachus, died when Aristotle was a child, and he was brought up by a guardian. At around eighteen years old, he joined Plato's Platonic Academy, Academy in Athens and remained there until the age of thirty seven (). Shortly after Plato died, Aristotle left Athens and, at the request ...
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Baudelaire
Charles Pierre Baudelaire (, ; ; 9 April 1821 – 31 August 1867) was a French poet, essayist, translator and art critic. His poems are described as exhibiting mastery of rhythm and rhyme, containing an exoticism inherited from the Romantics, and are based on observations of real life. His most famous work, a book of lyric poetry titled ''Les Fleurs du mal'' (''The Flowers of Evil''), expresses the changing nature of beauty in the rapidly industrialising Paris caused by Haussmann's renovation of Paris during the mid-19th century. Baudelaire's original style of prose-poetry influenced a generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé. He coined the term modernity (''modernité'') to designate the fleeting experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience. Marshall Berman has credited Baudelaire as being the first Modernist. Early life Baudelaire was born in Paris, France, on 9 A ...
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Lyrics
Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a " librettist". Rap songs and grime contain rap lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression. Etymology The word ''lyric'' derives via Latin ' from the Greek ('), the adjectival form of '' lyre''. It first appeared in English in the mid-16th century in reference to the Earl of Surrey's translations of Petrarch and to his own sonnets. Greek lyric poetry had been defined by the manner in which it was sung accompanied by the lyre or cithara, as opposed t ...
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Artistic Inspiration
Inspiration (from the Latin ''inspirare'', meaning "to breathe into") is a burst of creativity in a literary, musical, or visual art and other artistic endeavours without thinking. The concept has origins in both Hellenism and Hebraism. The Greeks believed that inspiration or "enthusiasm" came from the muses, as well as the gods Apollo and Dionysus. Similarly, in the Ancient Norse religions, inspiration derives from the gods, such as Odin. Inspiration is also a divine matter in Hebrew poetics. In the Book of Amos the prophet speaks of being overwhelmed by God's voice and compelled to speak. In Christianity, inspiration is a gift of the Holy Spirit. In the 18th century philosopher John Locke proposed a model of the human mind in which ideas associate or resonate with one another in the mind. In the 19th century, Romantic poets such as Coleridge and Shelley believed that inspiration came to a poet because the poet was attuned to the (divine or mystical) "winds" and because t ...
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Catharsis
Catharsis is from the Ancient Greek word , , meaning "purification" or "cleansing", commonly used to refer to the purification and purgation of thoughts and emotions by way of expressing them. The desired result is an emotional state of renewal and restoration. In dramaturgy, the term usually refers to arousing negative emotion in an audience, who subsequently expels it, making them feel happier. In Greek the term originally had only a physical meaning, describing purification practices. In medicine, it can still refer to the evacuation of the '' catamenia'' ("monthlies", menstrual fluid). Similarly, a cathartic is a substance that accelerates the defecation of faeces. The first recorded uses of the term in a mental sense were by Aristotle in the ''Politics'' and '' Poetics'', comparing the effects of music and tragedy on the mind of a spectator to the effect of catharsis on the body.Aristotle, ''Poetics''1449b/ref> The term is also used in Greek to refer to the spiritual p ...
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Mimesis
Mimesis (; , ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including '' imitatio'', imitation, similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self. The original Ancient Greek term ''mīmēsis'' () derives from ''mīmeisthai'' (, 'to imitate'), itself coming from ''mimos'' ( μῖμος, 'imitator, actor'). In ancient Greece, ''mīmēsis'' was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted ''mimesis'', or imitation, with '' diegesis'', or narrative. After Plato, the meaning of ''mimesis'' eventually shifted toward a specifically literary function in ancient Greek society. One of the best-known modern studies of mimesis—understood in literature as a form of realism—is Erich Auerbach's '' Mimesis: The ...
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Classical Antiquity
Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, is the period of cultural History of Europe, European history between the 8th century BC and the 5th century AD comprising the interwoven civilizations of ancient Greece and ancient Rome, Rome known together as the Greco-Roman world, centered on the Mediterranean Basin. It is the period during which ancient Greece and Rome flourished and had major influence throughout much of Europe, North Africa, and West Asia. Classical antiquity was succeeded by the period now known as late antiquity. Conventionally, it is often considered to begin with the earliest recorded Homeric Greek, Epic Greek poetry of Homer (8th–7th centuries BC) and end with the fall of the Western Roman Empire in 476 AD. Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized vision among later people of what was, in Ed ...
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Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ...
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Epic (genre)
Epic is a narrative genre characterised by its length, scope, and subject matter. The defining characteristics of the genre are mostly derived from its roots in ancient poetry (epic poems such as Homer's ''Iliad'' and ''Odyssey''). An epic is not limited to the traditional medium of oral poetry, but has expanded to include modern mediums including film, theater, television shows, novels, and video games. The use of epic as a genre, specifically for epic poetry, dates back millennia, all the way to the ''Epic of Gilgamesh'', widely agreed to be the first epic. But critique and discourse has continuously arisen over this long period of time, with attempts to clarify what the core characteristics of the “epic” genre really are beginning only in the past two centuries as new mediums of storytelling emerged with developing technologies. Most significantly, the advent of the novel, such as classics like Tolstoy's '' War and Peace'' which began to be referred to as “epic novels” ...
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