Isolation (Joy Division Song)
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Isolation (Joy Division Song)
"Isolation" is a song by the English rock band Joy Division. It appears on their second and final studio album '' Closer'' (1980). The song is based on an electronic drum beat by Stephen Morris, accompanied by a thin, trebly keyboard part by Bernard Sumner. Midway through the song, a rushing drum and hi-hat motif come in, propelling the song toward its dramatic end. Composition "Isolation" is a song that contains elements of synth-pop and electronic music and lasts for a duration of two minutes and fifty-two seconds. According to the sheet music published at Musicnotes.com by Universal Music Publishing Group, it is written in the time signature of common time, with a tempo of 148 beats per minute. "Isolation" is played in the key of C major, while Ian Curtis's vocal range spans one octave, from the low-note of B3 to the high-note of B4. The song has a basic sequence of G–F–G in the verses, changes to B–A–G–F–G at the chorus and follows G–F–G–G†...
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Joy Division
Joy Division were an English Rock music, rock band formed in Salford in 1976. The group consisted of vocalist, guitarist and lyricist Ian Curtis, guitarist and keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris (musician), Stephen Morris. Sumner and Hook formed the band after attending a June 1976 Sex Pistols concert. While Joy Division's first recordings were heavily influenced by early punk rock, they soon developed a sparse sound and style that made them one of the pioneering groups of the post-punk genre. Their self-released 1978 debut EP ''An Ideal for Living'' drew the attention of the Manchester television personality Tony Wilson, who signed them to his independent label Factory Records. Their debut album ''Unknown Pleasures'', recorded with producer Martin Hannett, was released in 1979. Curtis struggled with personal problems, including a failing marriage, Major depressive disorder, depression, and epilepsy. As the band's popularity grew, ...
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Time Signature
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * ...
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New Order (band)
New Order are an English Rock music, rock band formed in Salford in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook, and drummer Stephen Morris (musician), Stephen Morris. Their fusion of post-punk and electronic dance music made them one of the most acclaimed and influential bands of the 1980s.Ankeny, Jason. [ "New Order > Biography"]. AllMusic. Retrieved 16 March 2025. The band was formed after the disbandment of their previous band, Joy Division, following the suicide of lead singer Ian Curtis. Later that year, keyboardist Gillian Gilbert joined the band. They became the flagship band for the Manchester-based independent record label Factory Records, and its nightclub, The Haçienda. They worked in a long-term collaboration with graphic designer Peter Saville (graphic designer), Peter Saville who worked on their album covers. While the band's early years were initially overshadowed by Joy Division's post-punk legacy, their experience in the early 1980s New ...
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AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ...
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Serendipity
Serendipity is an unplanned fortunate discovery. The term was coined by Horace Walpole in 1754. The concept is often associated with scientific and technological breakthroughs, where accidental discoveries led to new insights or inventions. Many significant discoveries in history were serendipitous, including penicillin, Post-it notes, Popsicles, and the microwave oven, arising from unforeseen circumstances that were then recognized and capitalized upon. Definition Christian Busch views serendipity as "active luck", where chance encounters and human action come together. A missed flight or a casual walk in the park can lead to new friendships, interests, or even career opportunities. While serendipity in popular usage is often understood as a matter of pure chance, scientific discussions emphasize the crucial role of human agency—recognizing, interpreting, and acting upon unexpected opportunities. This interaction between chance and conscious action has been a key theme ...
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Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed ...
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Coda (music)
In music, a coda (; ; plural ) is a passage (music), passage that brings a piece (or a movement (music), movement) to an end. It may be as simple as a few bar (music), measures, or as complex as an entire section (music), section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and Variation (music), variation movements during the Classical era. In a sonata form movement, the recapitulation (music), recapitulation section will, in general, follow the exposition (music), exposition in its thematic content, while adhering to the home key (music), key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last va ...
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B (musical Note)
B, also known as Si, Ti, or, in some European countries, H, is the seventh note and the twelfth semitone of the fixed-Do solfège. Its enharmonic equivalents are C (C-flat) and A (A-double sharp). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of Middle B (B4) is 493.883 Hz. See musical pitch for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on B * B major: B C D E F G A B * B natural minor: B C D E F G A B * B Harmonic minor: B C D E F G A B * B Melodic minor ascending: B C D E F G A B * B melodic minor descending: B A G F E D C B Diatonic scales * B Ionian: B C D E F G A B * B Dorian: B C D E F G A B * B Phrygian: B C D E F G A B * B Lydian: B C D E F G A B * B Mixolydian: B C D E F G A B * B Aeolian: B C D E F G A B * B Locrian: B C D E F G A B Jazz melodic minor * B Ascending melodic minor: B C D E F G A B * B Dorian ♭2: B C D E F G A B * ...
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Octave
In music, an octave (: eighth) or perfect octave (sometimes called the diapason) is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music", the use of which is "common in most musical systems". The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' (), ''8va bassa'' (, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing this mark above or below the staff. ...
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Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performan ...
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