Hera Farnese
The Hera Farnese is a type of sculpture of Hera. Its main example is a 63 cm high Roman marble copy of the 1st century AD of a Greek original of the second half of the 5th century BC, now in the Naples National Archaeological Museum. It was part of a colossal acrolithic statue, and shows the goddess with a central parting and wearing a diadem. It was named Hera by the first archaeologists to see it, due to its severe style and unsmiling expression, and they also interpreted these features as making it a Roman copy of an original by Polycleitus. As part of the Farnese collection it was brought to Naples in 1844 by German archaeologist Heinrich Brunn. File:Hera Ludovisi Altemps Inv8631.jpg, Hera Ludovisi See also giant statue ''Hera Ludovisi'' (portrait of Antonia Minor) in , Rome. Notes Skulpturhalle Basel External links Hera In ancient Greek religion, Hera (; ; in Ionic Greek, Ionic and Homeric Greek) is the goddess of marriage, women, and family, and the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Artemis Ariccia MAN Napoli Inv6005
In ancient Greek religion and mythology, Artemis (; ) is the goddess of the hunt, the wilderness, wild animals, transitions, nature, vegetation, childbirth, care of children, and chastity. In later times, she was identified with Selene, the personification of the Moon.Smiths.v. Artemis/ref> She was often said to roam the forests and mountains, attended by her entourage of nymphs. The goddess Diana is her Roman equivalent. In Greek tradition, Artemis is the daughter of Zeus and Leto, and twin sister of Apollo. In most accounts, the twins are the products of an extramarital liaison. For this, Zeus' wife Hera forbade Leto from giving birth anywhere on solid land. Only the island of Delos gave refuge to Leto, allowing her to give birth to her children. In one account, Artemis is born first and then proceeds to assist Leto in the birth of the second twin, Apollo. Artemis was a kourotrophic (child-nurturing) deity, being the patron and protector of young children, especially y ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hera
In ancient Greek religion, Hera (; ; in Ionic Greek, Ionic and Homeric Greek) is the goddess of marriage, women, and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea (mythology), Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offended her, especially Zeus's numerous adulterous lovers and illegitimate offspring. Her iconography usually presents her as a dignified, matronly figure, upright or enthroned, crowned with a ''polos'' or diadem, sometimes veiled as a married woman. She is the patron goddess of lawful marriage. She presides over weddings, blesses and legalises marital unions, and protects women from harm during childbirth. Her sacred animals include the Cattle, cow, cuckoo, and Peafowl, peacock. She is sometimes shown holding a pomegranate as an emblem of immort ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Naples National Archaeological Museum
The National Archaeological Museum of Naples (, ) is an important Italian archaeological museum. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as the Royal Bourbon Museum (). Building The building was built as a cavalry barracks in 1585. From 1616 to 1777, it was the seat of the University of Naples. During the 19th century, after it became a museum, it suffered many changes to the main structure. Collections The museum hosts extensive collections of Greek and Roman antiquities. Their core is from the Farnese Collection, which includes a collection of engraved gems (including the Farnese Cup, a Ptolemaic bowl made of sardonyx agate and the most famous piece in the "Treasure of the Magnificent", and is founded upon gems collected by Cosimo de' Medici and Lorenzo il Magnifico in the 15th century) and the Farnese Marbles. Amo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Acrolith
An acrolith is a composite sculpture made of stone together with other materials such as wood or inferior stone such as limestone, as in the case of a figure whose clothed parts are made of wood, while the exposed flesh parts such as head, hands, and feet are made of marble. The wood was covered either by drapery or by gilding. This type of statuary was common and widespread in Classical antiquity. Greek etymology: ''acros'' and ''lithos'', English translation: "extremity" and "stone". Similarly, chryselephantine sculpture used ivory instead of marble, and often gold on parts of the body and ornaments. Acroliths are frequently mentioned by Pausanias (2nd century AD), the best known example being the Athene Areia ("Warlike Athena") of the Plataeans. It was common practice in antiquity to drape statues with clothing. "If such statues were draped, only the visible areas of the body, the head, feet and hands needed to be rendered in an attractive material, namely stone. If the st ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Diadem
A diadem is a Crown (headgear), crown, specifically an ornamental headband worn by monarchs and others as a badge of Monarch, royalty. Overview The word derives from the Ancient Greek, Greek διάδημα ''diádēma'', "band" or "fillet", from διαδέω ''diadéō'', "I bind round", or "I fasten". The term originally referred to the embroidered white silk ribbon, ending in a knot and two fringed strips often draped over the shoulders, that surrounded the head of the monarch, king to denote his authority. Such ribbons were also used to crown victorious athletes in important sports games in antiquity. It was later applied to a metal crown (headgear), crown, generally in a circular or "fillet (clothing), fillet" shape. For example, the crown worn by Queen Juliana of the Netherlands was a diadem, as was that of a baron later (in some countries surmounted by three globes). The ancient Celts were believed to have used a thin, semioval gold plate called a ''mind'' (Old Irish) as a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Polykleitos
Polykleitos (; ) was an ancient Greek sculptor, active in the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered as one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise, the ''Canon of Polykleitos'' (a canon of body proportions), which set out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but many marble works, mostly Roman, are believed to be later copies. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' (, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' or ''Polyclitus''. He is called Sicyonius (lit. "The Sicyonia ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Farnese Collection
The Farnese Collection is one of the first collections of artistic items from Greco-Roman antiquity. It includes some of the most influential classical works, including the sculptures that were part of the Farnese Marbles, their collection of statuary, which includes world-famous works like the Farnese Hercules, Farnese Cup, Farnese Bull and the Farnese Atlas. These statues are now displayed in the National Archaeological Museum, Naples, National Archaeological Museum of Naples in Italy with some in the British Museum in London. History The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534–1549). Classical artworks were routinely uncovered in Roman lands, and during the Italian Renaissance had become much desired. Many were family heirlooms of prominent families in Rome. Alessandro purchased the Sassi and Bernardino Fabio collections, confiscated the Colonna family, Colonna collection, and received the collect ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heinrich Brunn
Heinrich Brunn, since 1882 Ritter von Brunn (23 January 1822, Wörlitz, Anhalt-Dessau – 23 July 1894, Josephstal near Schliersee, Upper Bavaria) was a German archaeologist. He was known for taking a scientific approach in his investigations of classical Greek and Roman art, being credited with introducing the method of determining the date and source of sculptural fragments by way of thorough analysis of the account of anatomic detail.A Biographical Dictionary of Historic Scholars, Museum Professionals and Academic Historians of Art (biography of Brunn). Biography Brunn studied archaeology and at th ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Juno Ludovisi
The Juno Ludovisi (also called Hera Ludovisi) is a colossal Roman marble head of the 1st century CE from an acrolithic statue of an idealized and youthful Antonia Minor as the goddess Juno. Added to the Ludovisi collection formed by Cardinal Ludovico Ludovisi, it is now in the Palazzo Altemps, Museo Nazionale Romano, Rome. Casts of it are in the University of Cambridge Classics Department Casts Gallery, UK; Bryn Mawr College, Pennsylvania, USA; the Goethehaus in Weimar, Germany; George Mason University, Johnson Center, Fairfax, USA; the University of Helsinki, Department of Art History, Finland; and the University of Tartu Art Museum, Estonia. Description The sculpture was made of Parian marble, and is generally considered to be a posthumous and deified portrait of Antonia Minor, mother of Claudius. The bust was probably found in Rome, and prior to joining the Ludovisi Collection, was owned by Cardinal Federico Cesi. There is debate over whether in addition to Antonia Min ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antonia Minor
Antonia Minor (31 January 36 BC – 1 May 37 AD) was the younger of two surviving daughters of Mark Antony and Octavia Minor. She was a niece of the Emperor Augustus, sister-in-law of the Emperor Tiberius, paternal grandmother of the Emperor Caligula and Empress Agrippina the Younger, mother of the Emperor Claudius, and maternal great-grandmother and paternal grandaunt of the Emperor Nero. She outlived her husband Drusus, her oldest son, her daughter, and several of her grandchildren. Biography Birth and early life She was born in Athens, and after 36 BC was taken to Rome by her mother with her siblings. She was the youngest of five. Her mother had three children, named Claudia Marcella Major, Claudia Marcella Minor, and Marcus Claudius Marcellus, from her first marriage and another daughter, named Antonia Major, by the same father (Mark Antony). Antonia never knew her father; Mark Antony divorced her mother in 32 BC and committed suicide in 30  ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Farnese Collection
The Farnese Collection is one of the first collections of artistic items from Greco-Roman antiquity. It includes some of the most influential classical works, including the sculptures that were part of the Farnese Marbles, their collection of statuary, which includes world-famous works like the Farnese Hercules, Farnese Cup, Farnese Bull and the Farnese Atlas. These statues are now displayed in the National Archaeological Museum, Naples, National Archaeological Museum of Naples in Italy with some in the British Museum in London. History The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534–1549). Classical artworks were routinely uncovered in Roman lands, and during the Italian Renaissance had become much desired. Many were family heirlooms of prominent families in Rome. Alessandro purchased the Sassi and Bernardino Fabio collections, confiscated the Colonna family, Colonna collection, and received the collect ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sculptures Of Hera
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |