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Haseki Hürrem Sultan Hamamı
The Hagia Sophia Hurrem Sultan Bathhouse (, aka Hagia Sophia Haseki Bathhouse () and Haseki Hurrem Sultan Bathhouse ()) is a sixteenth-century Turkish bath (''hamam'') in Istanbul, Turkey. It was commissioned by Hurrem Sultan (also known as Roxelana, the wife and consort of Suleiman the Magnificent, Sulieman the Magnificent), consort and wife of the Ottoman sultan Suleiman the Magnificent, Süleyman the Magnificent. It was designed by Mimar Sinan on the site of the historical Baths of Zeuxippus for the religious community of the nearby Hagia Sophia. Architecture The public bathhouse was constructed as a charitable project by architect Mimar Sinan in 1556. The long structure is designed in the style of classical Ottoman baths, having two symmetrical separate sections for males and females. Both sections, situated in a north–south direction, are on the same axis that was a novelty in Turkish bath architecture. The men's section is to the north, while the women's section is to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fatih
Fatih () is a municipality and district of Istanbul Province, Turkey. Its area is 15 km2, and its population is 368,227 (2022). It is home to almost all of the provincial authorities (including the mayor's office, police headquarters, metropolitan municipality and tax office) but not the courthouse. It encompasses the historical peninsula, coinciding with old Constantinople. In 2009, the district of Eminönü, which had been a separate municipality located at the tip of the peninsula, was once again remerged into Fatih because of its small population. Fatih is bordered by the Golden Horn to the north and the Sea of Marmara to the south, while the Western border is demarked by the Theodosian wall and the east by the Bosphorus Strait. History Byzantine era Historic Byzantine districts encompassed by present-day Fatih include: ''Exokiónion'', ''Aurelianae'', ''Xerólophos'', '' ta Eleuthérou'', ''Helenianae'', ''ta Dalmatoú'', ''Sígma'', '' Psamátheia'', ''ta K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palmette
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion (from the Greek ανθέμιον, a flower). It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his '' Stilfragen'' of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament. Description The essence of the palmette is a symmetrical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures Completed In 1556
A building or edifice is an enclosed Structure#Load-bearing, structure with a roof, walls and window, windows, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, monument, prestige, and aesthetic reasons. To better understand the concept, see ''Nonbuilding structure'' for contrast. Buildings serve several societal needs – occupancy, primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical separation of the :Human habitats, human habitat (a place of comfort and safety) from the ''outside'' (a place that may be harsh and harmful at times). buildings have been objects or canvasses of much architecture, artistic expression. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
