|
Frieze
In classical architecture, the frieze is the wide central section of an entablature and may be plain in the Ionic order, Ionic or Corinthian order, Corinthian orders, or decorated with bas-reliefs. Patera (architecture), Paterae are also usually used to decorate friezes. Even when neither column (architecture), columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the molding (decorative), moldings of the cornice (architecture), cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painting, painted, sculpture, sculpted or even calligraphy, calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parthenon Frieze
The Parthenon frieze is the low-relief Mount Pentelicus#Pentelic marble, Pentelic marble sculpture created to adorn the upper part of the Parthenon's Cella, naos. It was sculpted between and 437 BC, most likely under the direction of Phidias. Of the 160 meters (524 ft) of the original frieze, 128 meters (420 ft) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Parthenon#Destruction, Venetian bombardment that ruined the temple. Along with the 64 Metopes of the Parthenon and 28 figures Pediments of the Parthenon, it forms the bulk of surviving sculpture from the building. All of the frieze has been removed from the Parthenon. 56 blocks of the frieze are at the British Museum in London (forming the major part of the Elgin Marbles); 40 blocks are in the Acropolis Museum in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze Pattern
In mathematics, a frieze or frieze pattern is a two-dimensional design that repeats in one direction. The term is derived from friezes in architecture and decorative arts, where such repeating patterns are often used. Frieze patterns can be classified into seven types according to their symmetries. The set of symmetry, symmetries of a frieze pattern is called a frieze group. Frieze groups are two-dimensional line groups, having repetition in only one direction. They are related to the more complex wallpaper groups, which classify patterns that are repetitive in two directions, and crystallographic groups, which classify patterns that are repetitive in three directions. History Mathematical friezes have their origins in the formulas for the '' pentagramma mirificum'' found by Carl Friedrich Gauss in 1843 and Harold Scott MacDonald Coxeter's study of symmetries in the mid-20th century. Frieze patterns were formally introduced by Coxeter in 1971. In the 1970s to 1980s, frieze patt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bas-relief
Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erechtheum
The Erechtheion (, Latinisation of names, latinized as Erechtheum ; , ) or Temple of Athena Polias is an Classical Greece, ancient Greek Ionic order, Ionic Ancient Greek temple, temple on the north side of the Acropolis of Athens, Acropolis, Athens, which was primarily dedicated to the goddess Athena. The Ionic building, which housed the statue of Athena Polias, has in modern scholarship been called the Erechtheion (the sanctuary of Erechtheus or Poseidon) in the belief that it encompassed two buildings mentioned by the Greek-Roman geographer Pausanias (geographer), Pausanias: the Temple of Athena Polias and the Erechtheion. However, whether the Erechtheion referred to by Pausanias and other sources is indeed the Ionic temple or an entirely different building has become a point of contention in recent decades, with various scholars ruling out that Athena and Erechtheus were worshipped in a single building. Alternative suggested locations of the true Erechtheion include the structu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persepolis
Persepolis (; ; ) was the ceremonial capital of the Achaemenid Empire (). It is situated in the plains of Marvdasht, encircled by the southern Zagros mountains, Fars province of Iran. It is one of the key Iranian cultural heritage sites and a UNESCO World Heritage Site. The earliest remains of Persepolis date back to 515 BC. The city, acting as a major center for the empire, housed a palace complex and citadel designed to serve as the focal point for governance and ceremonial activities. It exemplifies the Achaemenid style of architecture. The complex was taken by the army of Alexander the Great in 330 BC, and soon after, its wooden parts were completely destroyed by fire, likely deliberately. The function of Persepolis remains unclear. It was not one of the largest cities in ancient Iran, let alone the rest of the empire, but appears to have been a grand ceremonial complex that was only occupied seasonally; the complex was raised high on a walled platform, with five "palac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (, ''Korinthiakós rythmós''; ) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Ancient Roman architecture, Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture. A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic volutes ("helices"), at the corners, perhaps reduced in size and importance, scrolling out above the two ranks of Acanthus (ornament), stylized acanthus leaves and stalks ("cauliculi" or ''caulicoles''), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Architecture
Classical architecture typically refers to architecture consciously derived from the principles of Ancient Greek architecture, Greek and Ancient Roman architecture, Roman architecture of classical antiquity, or more specifically, from ''De architectura'' (c. 10 AD) by the Roman architect Vitruvius. Variations of classical architecture have arguably existed since the Carolingian Renaissance, and became especially prominent during the Italian Renaissance and the later period known as neoclassical architecture or Classical revival. While classical styles of architecture can vary, they generally share a common "vocabulary" of decorative and structural elements. Across much of the Western world, classical architectural styles have dominated the history of architecture from the Renaissance until World War II. Classical architecture continues to influence contemporary architects. The term ''classical architecture'' can also refer to any architectural tradition that has evolved to a highl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathematics
Mathematics is a field of study that discovers and organizes methods, Mathematical theory, theories and theorems that are developed and Mathematical proof, proved for the needs of empirical sciences and mathematics itself. There are many areas of mathematics, which include number theory (the study of numbers), algebra (the study of formulas and related structures), geometry (the study of shapes and spaces that contain them), Mathematical analysis, analysis (the study of continuous changes), and set theory (presently used as a foundation for all mathematics). Mathematics involves the description and manipulation of mathematical object, abstract objects that consist of either abstraction (mathematics), abstractions from nature orin modern mathematicspurely abstract entities that are stipulated to have certain properties, called axioms. Mathematics uses pure reason to proof (mathematics), prove properties of objects, a ''proof'' consisting of a succession of applications of in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Northern Mannerism
Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, especially Mannerist ornament in architecture; this article concentrates on those times and places where Northern Mannerism generated its most original and distinctive work. The three main centres of the style were in France, especially in the period 1530–1550, in Prague from 1576, and in the Netherlands from the 1580s—the first two phases very much led by royal patronage. In the last 15 years of the century, the style, by then becoming outdated in Italy, was widespread across northern Europe, spread in large part through prints. In painting, it tended to recede rapidly in the new century, under the new influence of Caravaggio and the early Baroque, but in architecture and the decorative arts, its influence was more sustained. Backgro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
