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Gunadhya
''Bṛhatkathā'' (बृहत्कथा) (Sanskrit, "the Great Narrative") is an ancient Indian epic, said to have been written by Guṇāḍhya (गुणाढ्य) in a poorly-understood language known as Paiśācī. The work no longer exists but several later adaptations — the '' Kathāsaritsāgara'' (''कथासरित्सागर''), ''Bṛhatkathāmañjarī'' (''बृहत्कथामंजरी'') and '' Bṛhatkathāślokasaṃgraha'' (''बृहत्कथाश्लोकसंग्रह'') in Sanskrit, as well as the ''Peruṅkatai'' and ''Vasudevahiṃḍi'' in vernaculars — make commentary on the piece. The date of its composition is uncertain. According to testimonials by later Sanskrit poets such as Daṇḍin, the author of the ''Kavyadarsha'', Subandhu, the author of '' Vasavadatta'', and Bāṇabhaṭṭa, the author of the '' Kadambari'', the ''Bṛhatkathā'' existed in the 6th century CE. According to other estimates it pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathasaritsagara
The ''Kathāsaritsāgara'' ("Ocean of the Streams of Stories") (Devanagari: कथासरित्सागर) is a famous 11th-century collection of Indian legends and folk tales as retold in Sanskrit by the Shaivite Somadeva from Kashmir. ''Kathāsaritsāgara'' contains multiple layers of story within a story and is said to have been adopted from Guṇāḍhya's '' Bṛhatkathā'' ("the Great Narrative"), which was written in a poorly-understood language known as Paiśāchī. The ''Bṛhatkathā'' is no longer extant but several later adaptations still exist — the ''Kathāsaritsāgara'', '' Bṛhatkathamanjari'' and '' Bṛhatkathāślokasaṃgraha''. However, none of these recensions necessarily derives directly from Gunadhya, and each may have intermediate versions. Scholars compare Guṇāḍhya with Vyasa and Valmiki even though he did not write the now long-lost '' Bṛhatkathā'' in Sanskrit. Presently available are its two Sanskrit recensions, the '' Bṛhatkatham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunadhya
''Bṛhatkathā'' (बृहत्कथा) (Sanskrit, "the Great Narrative") is an ancient Indian epic, said to have been written by Guṇāḍhya (गुणाढ्य) in a poorly-understood language known as Paiśācī. The work no longer exists but several later adaptations — the '' Kathāsaritsāgara'' (''कथासरित्सागर''), ''Bṛhatkathāmañjarī'' (''बृहत्कथामंजरी'') and '' Bṛhatkathāślokasaṃgraha'' (''बृहत्कथाश्लोकसंग्रह'') in Sanskrit, as well as the ''Peruṅkatai'' and ''Vasudevahiṃḍi'' in vernaculars — make commentary on the piece. The date of its composition is uncertain. According to testimonials by later Sanskrit poets such as Daṇḍin, the author of the ''Kavyadarsha'', Subandhu, the author of '' Vasavadatta'', and Bāṇabhaṭṭa, the author of the '' Kadambari'', the ''Bṛhatkathā'' existed in the 6th century CE. According to other estimates it pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satavahana Dynasty
The Satavahanas (; ''Sādavāhana'' or ''Sātavāhana'', IAST: ), also referred to as the Andhras (also ''Andhra-bhṛtyas'' or ''Andhra-jatiyas'') in the Puranas, were an ancient Indian dynasty. Most modern scholars believe that the Satavahana rule began in the late 2nd century BCE and lasted until the early 3rd century CE, although some assign the beginning of their rule to as early as the 3rd century BCE based on the Puranas, but uncorroborated by archaeological evidence. The Satavahana kingdom mainly comprised the present-day Andhra Pradesh, Telangana, and Maharashtra. At different times, their rule extended to parts of modern Gujarat, Madhya Pradesh, and Karnataka. The dynasty had different capital cities at different times, including Pratishthana (Paithan) and Amaravati ( Dharanikota). The origin of the dynasty is uncertain, but according to the Puranas, their first king overthrew the Kanva dynasty. In the post-Maurya era, the Satavahanas established peace in the Decca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kshemendra
Kshemendra (; ) was an 11th-century Sanskrit polymath-poet, satirist, philosopher, historian, dramatist, translator and art-critic from Kashmir. Biography Kshemendra was born into an old, cultured, and affluent family. His father was Prakashendra, a descendant of Narendra who was the minister to Jayapida. Both his education and literary output were broad and varied. He studied literature under "the foremost teacher of his time, the celebrated Shaiva philosopher and literary exponent Abhinavagupta". Kshemendra was born a Shaiva, but later became a Vaishnava. He studied and wrote about both Vaishnavism and Buddhism. His son, Somendra, provides details about his father in his introduction to the ''Avadana Kalpalata'' and other works. Kshemendra refers to himself in his works as Vyasadasa (; ''Slave of Vyasa''), a title which was perhaps won or adopted after the completion of his . Kshemendra was in great demand as a skilled abridger of long texts. His literary career extended fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paisaci
Paishachi or Paisaci () is a largely unattested literary language of the middle kingdoms of India mentioned in Prakrit and Sanskrit grammars of antiquity. It is generally grouped with the Prakrits, with which it shares some linguistic similarities, but is still not considered a spoken Prakrit by the grammarians because it was purely a literary language, and because of its archaicism. Identity The etymology of the name suggests that it is spoken by piśācas, ( demons). In works of Sanskrit poetics such as Daṇḍin's '' Kavyadarsha'', it is also known by the name of , an epithet which can be interpreted either as a "dead language" (i.e. with no surviving speakers), or as "a language spoken by the dead" (i.e. ghouls or ghosts), the former interpretation being more realistic and the latter being the more fanciful. Evidence which lends support to the former interpretation is that literature in Paiśācī is fragmentary and extremely rare but may have been once common. The Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paiśācī
Paishachi or Paisaci () is a largely unattested literary language of the middle kingdoms of India mentioned in Prakrit and Sanskrit grammars of antiquity. It is generally grouped with the Prakrits, with which it shares some linguistic similarities, but is still not considered a spoken Prakrit by the grammarians because it was purely a literary language, and because of its archaicism. Identity The etymology of the name suggests that it is spoken by piśācas, ( demons). In works of Sanskrit poetics such as Daṇḍin's ''Kavyadarsha'', it is also known by the name of , an epithet which can be interpreted either as a "dead language" (i.e. with no surviving speakers), or as "a language spoken by the dead" (i.e. ghouls or ghosts), the former interpretation being more realistic and the latter being the more fanciful. Evidence which lends support to the former interpretation is that literature in Paiśācī is fragmentary and extremely rare but may have been once common. The Siddha- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govardhana (poet)
Govardhana or Govardhanacharya was the court poet of the 12th-century Sena king, Lakshmana Sena. He was a contemporary of Jayadeva and is known for his ''aryasaptashati'' (), a collection of 700 stanzas of erotic poetry following the arya metre ''Āryā metre'' is a metre used in Sanskrit, Prakrit and Marathi verses. A verse in metre is in four metrical lines called ''pāda''s. Unlike the majority of metres employed in classical Sanskrit, the metre is based on the number of s ( morae) .... This was a response to the 700 verses in the more demotic Prakrit language traditionally attributed to King Hala, composed almost a thousand years earlier. Both sets of poems were composed in the āryā metre. References Sanskrit poets {{India-writer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dashakumaracharita
''Dashakumaracharita'' (''The narrative of ten young men'', IAST: ''Daśa-kumāra-Carita'', Devanagari: दशकुमारचरित) is a prose romance in Sanskrit, attributed to Dandin (दण्डी), believed to have flourished in the seventh to eighth centuries CE. However, there is some obscurity surrounding its textual tradition, the identity of the author and the date of composition. It describes the adventures of ten young men, the ''Kumaras'', all of whom are either princes or sons of royal ministers, as narrated by the men themselves (however, there are irregularities in the text). These narratives are replete with accounts of demigods, ghosts, prostitutes, gamblers, intrigues with voluptuous women, astonishing coincidences, cockfights, anthropophagy, sorcery, robberies, murders and wars. The reader is treated to some very striking passages; for instance, a seductive young girl (all of whose anatomical features are very frankly described) deftly prepares a fragra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valmiki
Valmiki (; , ) was a legendary poet who is celebrated as the traditional author of the epic ''Ramayana'', based on the attribution in the text itself. He is revered as ''Ādi Kavi'', the first poet, author of ''Ramayana'', the first epic poem. The ''Ramayana'', originally written by Valmiki, consists of 24,000 shlokas and seven cantos (kaṇḍas). The is composed of about 480,002 words, being a quarter of the length of the full text of the ''Mahabharata'' or about four times the length of the ''Iliad''. The ''Ramayana'' tells the story of a prince, Rama of the city of Ayodhya (Ramayana), Ayodhya in the Kosala, Kingdom of Kosala, whose wife Sita is abducted by Ravana, the demon-king (Rakshasa) of Lanka. The scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE, although original date of composition is unknown. As with many traditional epics, it has gone through a process of interp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harshacharita
The ''Harshacharita'' (, ; English: ''The deeds of Harsha'') is the biography of Indian emperor Harsha by Banabhatta, also known as Bana, who was a Sanskrit writer of seventh-century CE India. He was the ''Asthana Kavi'', meaning ''Court Poet'', of Harsha. The ''Harshacharita'' was the first composition of Bana and is considered to be the beginning of writing of historical poetic works in the Sanskrit language. Historical Biography The ''Harshacharita'' ranks as the first historical biography in Sanskrit although it is written in a florid and fanciful style. Bana's detailed and vivid descriptions of rural India's natural environment as well as the extraordinary industry of the Indian people exudes the vitality of life at that time. Since he received the patronage of the emperor Harsha, his descriptions of his patron are not an unbiased appraisal and presents the emperor's actions in an overly favourable light. Contents The ''Harṣacharita'', written in ornate poetic pros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathura
Mathura () is a city and the administrative headquarters of Mathura district in the states and union territories of India, Indian state of Uttar Pradesh. It is located south-east of Delhi; and about from the town of Vrindavan. In ancient times, Mathura was an economic hub, located at the junction of important caravan (travellers), caravan routes. The 2011 Census of India estimated the population of Mathura at 441,894. In Hinduism, the birthplace of Krishna, one of the main deities in that religion, is believed to be located in Mathura at the Krishna Janmasthan Temple Complex. It is one of the Sapta Puri, the seven cities considered holy by Hindus, also is called Mokshyadayni Tirth. The Kesava Deo Temple was built in ancient times on the site of Krishna's birthplace (an underground prison). Mathura was the capital of the kingdom of Surasena, ruled by Kamsa, the maternal uncle of Krishna. Mathura is part of the Krishna circuit (Mathura, Vrindavan, Barsana, Govardhan, 48 kos pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skanda Purana
The ''Skanda Purana'' ( IAST: Skanda Purāṇa) is the largest '' Mukhyapurāṇa'', a genre of eighteen Hindu religious texts. The text contains over 81,000 verses, and is of Shaivite literature, titled after Skanda, a son of Shiva and Parvati (who is also known as Murugan in Tamil literature). While the text is named after Skanda, he does not feature either more or less prominently in this text than in other Shiva-related Puranas. The text has been an important historical record and influence on the Hindu traditions and rituals related to the war-god Skanda. The earliest text titled ''Skanda Purana'' likely existed by the 8th century CE, but the ''Skanda Purana'' that has survived into the modern era exists in many versions. It is considered as a living text, which has been widely edited, over many centuries, creating numerous variants. The common elements in the variant editions encyclopedically cover cosmogony, mythology, genealogy, dharma, festivals, gemology, temples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
