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Raimon de Miraval(h) (c. 1135/1160 – c. 1220) was a troubadour (fl. 1180–1220) and, according to his '' vida'', "a poor knight from Carcassonne who owned less than a quarter of the castle of Miraval."Graham-Leigh, 28. Favoured by Raymond VI of Toulouse, he was also later associated with Peter II of Aragon and Alfonso VIII of Castile. His ''senhal'' for Raymond VI was Audiart. Raimon has been identified with a person of the same name who undersigned a charter of 1151, which led some to place his birth date as early as c. 1135, while others reject the identification with the Raimon de Miraval of the charter and estimate his birth date at 1160 based on the height of his career c. 1200. That Raimon owned only a quarter of his family's ancestral castle is an indication either of partible inheritance or clan structure. Miraval was captured by Simon de Montfort during the Albigensian Crusade. After the Battle of Muret in 1213 Raimon probably fled to Spain, after swearing neve ...
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Troubadour
A troubadour (, ; ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female equivalent is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, '' trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his '' De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) and since died out. The texts of troubado ...
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12th-century Births
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural numbe ...
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12th-century French Troubadours
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural num ...
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Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la l ...
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Courtly Love
Courtly love ( ; ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love was originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love spread to popular culture and attracted a larger literate audience. In the High Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and disc ...
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Raymond Roger Trencavel
Raymond Roger Trencavel (also Raimond, ; 1185 – 10 November 1209) was a member of the noble Trencavel family. He was viscount of Béziers and Albi (and thus a vassal of the count of Toulouse), and viscount of Carcassonne and the Razès (and thus a vassal of the count of Barcelona, which was also ruling Aragon at this time). Raymond-Roger was the son of Roger II Trencavel (d. 1194), and of Azalais of Toulouse (also known as the "Countess of Burlats"), daughter of Raymond V of Toulouse and sister of Raymond VI. Raymond-Roger was married to Agnes of Montpellier. His aunt, Beatrice of Béziers, was the second wife of Raymond VI of Toulouse. Raymond-Roger lived in the Château Comtal in the fortified hill town of Carcassonne. The château was built by his ancestors in the 11th century. Raymond-Roger was not a Cathar, although many of his subjects were. He adopted a ''laissez-faire'' attitude to Catharism – and to other cultures and religions. He relied strongly on Jews to ...
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Trobar Leu
The ''trobar leu'' (), or light style of poetry, was the most popular style used by the troubadours. Its accessibility gave it a wide audienc See also *'' Trobar ric'' *''Trobar clus ''Trobar clus'' (), or closed form, was a complex and obscure style of poetry used by troubadours for their more discerning audiences, and it was only truly appreciated by an elite few. It was developed extensively by Marcabru and Arnaut Daniel, ...'' Old Occitan literature Western medieval lyric forms {{Poetry-stub References

# Ruud, Jay. “Trobar Leu.” ''Encyclopedia of Medieval Literature, Second Edition'', Facts On File, 2014. ''History Research Center'', online.infobase.com/Auth/Index?aid=195926&itemid=WEHRC&articleId=44000. ...
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Raymond-Roger, Count Of Foix
Raimond Roger (; Occitan: ''Ramon Roger'') (died 27 March 1223) was the sixth Count of Foix from the House of Foix. He was the son and successor of Roger Bernard I and his wife Cécilia Trencavel. When Raimond Roger and Arnaud, viscount of Castelbon, wished to join their possessions, the Count Ermengol VIII of Urgell and Bernard de Villemur, bishop of Urgell, saw in this a threat and declared war. Overcome and captured, the count of Foix and Arnaud were imprisoned from February to September 1203. King Peter II of Aragón intervened, however, wishing to spare them for his fight to conquer Languedoc. Moreover, Peter II gave as a fief the castles of Trenton and Quérigut (1209) to Raimond Roger, after having already given various other Catalan seigniories (1208). Raimond Roger was a close relative and staunch ally of Raymond VI of Toulouse. He was famed for his generalship, chivalry, fidelity, and affection for ''haute couture''. He was also a patron of troubadours and an auth ...
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Spain
Spain, or the Kingdom of Spain, is a country in Southern Europe, Southern and Western Europe with territories in North Africa. Featuring the Punta de Tarifa, southernmost point of continental Europe, it is the largest country in Southern Europe and the fourth-most populous European Union member state. Spanning across the majority of the Iberian Peninsula, its territory also includes the Canary Islands, in the Eastern Atlantic Ocean, the Balearic Islands, in the Western Mediterranean Sea, and the Autonomous communities of Spain#Autonomous cities, autonomous cities of Ceuta and Melilla, in mainland Africa. Peninsular Spain is bordered to the north by France, Andorra, and the Bay of Biscay; to the east and south by the Mediterranean Sea and Gibraltar; and to the west by Portugal and the Atlantic Ocean. Spain's capital and List of largest cities in Spain, largest city is Madrid, and other major List of metropolitan areas in Spain, urban areas include Barcelona, Valencia, Seville, ...
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Battle Of Muret
The Battle of Muret (Occitan: Batalha de Murèth), fought on 12 September 1213 near Muret, 25 km south of Toulouse, was the last major battle of the Albigensian Crusade and one of the most notable pitched battles of the Middle Ages. Although estimates of the sizes of the respective armies vary considerably even among distinguished modern historians, it is most well known for a small force of French knights and crusaders commanded by Simon de Montfort the Elder defeating a much larger allied army led by King Peter II of Aragon and Count Raymond VI of Toulouse. Like Hastings and Bouvines, Muret is regarded as one of the most decisive tactical victories of the High Middle Ages and a much more complete victory than the first two. It showed Montfort had no equal as a battlefield commander, having now after his previous exploits defeated, against all odds, a man whose status as a sovereign king, general and crusader matched or exceeded the Frenchman's own reputation. Charles Om ...
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Simon De Montfort, 5th Earl Of Leicester
Simon de Montfort, 5th Earl of Leicester ( – 25 June 1218), known as Simon IV (or V) de Montfort and as Simon de Montfort the Elder, was a French nobleman and knight of the early 13th century. He is widely regarded as one of the great military commanders of the Middle Ages. He took part in the Fourth Crusade and was one of the prominent figures of the Albigensian Crusade. Montfort is mostly noted for his campaigns in the latter, notably for his battle at Battle of Muret, Muret. He died at the Siege of Toulouse (1217–1218), Siege of Toulouse in 1218. He was Seigneur of Montfort, Lord of Montfort from 1188 to his death and Earl of Leicester in England from 1204. He was also Viscount of Albi, Béziers and Carcassonne from 1213, as well as Count of Toulouse from 1215. Early life He was the son of Simon de Montfort (died 1188), Simon de Montfort (d. 1188), lord of Montfort l'Amaury in France near Paris, and Amice (Countess), Amicia de Beaumont, daughter of Robert de Beaumont, 3rd ...
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