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Făt-Frumos
Făt-Frumos (from Romanian ''făt'': son, infant; ''frumos'': handsome) is a knight hero in Romanian folklore, usually present in fairy tales. Akin to Prince Charming, he possesses such essential attributes as courage, purity, justness, physical and spiritual strength, cleverness, passion, and unshakable love. Făt-Frumos also displays some minimal abilities in performing miracles, as well as total commitment to a task once his word is given and to the monarch he serves. In some tales, he is so precocious as to be able to weep before he is born. Făt-Frumos is usually the youngest son of a king. In the Romanian folk stories it is common that all the sons of a king try to defeat the ''Zmeu'' or the ''Balaur'', the older sons failing before the younger one succeeds. Făt-Frumos has to go through tests and obstacles that surpass ordinary men's power. With dignity, he always brings these to a positive resolution. He fights demonic monsters and malevolent characters (''zmeu'', ''b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zmeu
The ''Zmeu'' (plural: ''zmei'', feminine: ''zmeoaică'' / ''zmeoaice'') is a fantastic creature of Romanian folklore and Romanian mythology. Though referred by some sources as a dragon, the zmeu is nevertheless distinct, because it usually has clear anthropomorphic traits: it is humanoid and has legs, arms, the ability to create and use artifacts such as weapons, and to ride a horse, and has the desire to marry young girls. There are commentators that class it as a giant (equivalent of an ogre), or a devil, or even a vampire. In some stories, Zmeu appears in the sky and spits fire, or has the ability to change form. In other stories, it has a magical precious stone on its head that shines like the sun. It likes beautiful young girls, whom it kidnaps, usually for the purpose of marrying them. It is almost always defeated by a daring prince or knight-errant. The zmei has also been conflated with or confused with the ''dracu'' or with the ''balaur'' type dragon. Etymology Most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zmeu
The ''Zmeu'' (plural: ''zmei'', feminine: ''zmeoaică'' / ''zmeoaice'') is a fantastic creature of Romanian folklore and Romanian mythology. Though referred by some sources as a dragon, the zmeu is nevertheless distinct, because it usually has clear anthropomorphic traits: it is humanoid and has legs, arms, the ability to create and use artifacts such as weapons, and to ride a horse, and has the desire to marry young girls. There are commentators that class it as a giant (equivalent of an ogre), or a devil, or even a vampire. In some stories, Zmeu appears in the sky and spits fire, or has the ability to change form. In other stories, it has a magical precious stone on its head that shines like the sun. It likes beautiful young girls, whom it kidnaps, usually for the purpose of marrying them. It is almost always defeated by a daring prince or knight-errant. The zmei has also been conflated with or confused with the ''dracu'' or with the ''balaur'' type dragon. Etymology Most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ileana Cosânzeana
Ileana Cosânzeana is a figure in Romanian mythology. She is represented as a beautiful good-natured princess or daughter of an Emperor,Ileana Cosanzeana Petre Ispirescu, Great Romanian Characters, Retrieved 16 April 2017 or described as a fairy with immense powers. Names According to professor Nina Cuciuc, her name can also be translated or written as the following: Cosînzeana, Cosenzeana, Sânziana, Sînziana, Ileana Kossinzana, Hélène Cossinzana and Ileana Cosînzeana Sora Soarelui ("Sister of the Sun"). She can also be described as "Queen of Flowers". According to Adela Ileana Draucean, the name Ileana derives from Elena, and ''cosânzeana'' is linked to '' |
Romanian Mythology
The folklore of Romania is the collection of traditions of the Romanians. A feature of Romanian culture is the special relationship between folklore and the learned culture, determined by two factors. First, the rural character of the Romanian communities resulted in an exceptionally vital and creative traditional culture. Folk creations (the best known is the ballad Miorița) were the main literary genre until the 18th century. They were both a source of inspiration for cultivated creators and a structural model. Second, for a long time learned culture was governed by official and social commands and developed around courts of princes and boyars, as well as in monasteries. Overview Creation of the world Stories suggest God made the earth with the help of animals, while the Devil was trying to thwart his plans.Cosma, Aurel. ''Cosmogonia poporului român'' (The Cosmogony of the Romanian People) (1942). Bucharest: Tipografia Ziarului "Universul".Leeming, David Adams. ''Creation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanian Folklore
The folklore of Romania is the collection of traditions of the Romanians. A feature of Romanian culture is the special relationship between folklore and the learned culture, determined by two factors. First, the rural character of the Romanian communities resulted in an exceptionally vital and creative traditional culture. Folk creations (the best known is the ballad Miorița) were the main literary genre until the 18th century. They were both a source of inspiration for cultivated creators and a structural model. Second, for a long time learned culture was governed by official and social commands and developed around courts of princes and boyars, as well as in monasteries. Overview Creation of the world Stories suggest God made the earth with the help of animals, while the Devil was trying to thwart his plans.Cosma, Aurel. ''Cosmogonia poporului român'' (The Cosmogony of the Romanian People) (1942). Bucharest: Tipografia Ziarului "Universul".Leeming, David Adams. ''Creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balaur
A balaur ( pl. ''balauri'') in Romanian folklore is a type of many-headed dragon or monstrous serpent, sometimes said to be equipped with wings. The number of heads is usually around three, but they can also have seven heads or even twelve heads according to some legends. The balaur in folktale is typically evil, demanding or abducting young maidens or the princess, and defeated by the hero such as Saint George or the fair youth Făt-Frumos. There is some lore in which the balaur is considered weather-making, and living in an airborne state, but these types of balaur are sometimes interchangeably called ''hala'' or ''ala'', being confounded with the pan-Slavic air and water demon. The balaur (instead of the zmeu) is the vehicle of the weather-controlling Solomonari according to some sources. There are also legends about the balaur in which they can produce precious stones from their saliva. Also, it is said that whoever manages to slay it will be forgiven a sin. General ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balaur
A balaur ( pl. ''balauri'') in Romanian folklore is a type of many-headed dragon or monstrous serpent, sometimes said to be equipped with wings. The number of heads is usually around three, but they can also have seven heads or even twelve heads according to some legends. The balaur in folktale is typically evil, demanding or abducting young maidens or the princess, and defeated by the hero such as Saint George or the fair youth Făt-Frumos. There is some lore in which the balaur is considered weather-making, and living in an airborne state, but these types of balaur are sometimes interchangeably called ''hala'' or ''ala'', being confounded with the pan-Slavic air and water demon. The balaur (instead of the zmeu) is the vehicle of the weather-controlling Solomonari according to some sources. There are also legends about the balaur in which they can produce precious stones from their saliva. Also, it is said that whoever manages to slay it will be forgiven a sin. General ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Romania
The culture of Romania is an umbrella term used to encapsulate the ideas, customs and social behaviours of the people of Romania that developed due to the country's distinct geopolitical history and evolution. It is theorized and speculated that Romanians and related peoples (Aromanians, Megleno-Romanians, and Istro-Romanians) are the combinations of descendants of Roman colonists and people indigenous to the region who were Romanized. The Dacian people, one of the major indigenous peoples of southeast Europe, are one of the predecessors of the Proto-Romanians. It is believed that a mixture of Dacians, Thracians, Romans, and Illyrians are the predecessors of the modern Romanians, Aromanians, Megleno-Romanians, and Istro-Romanians. In addition, Romanian culture shares several similarities with other ancient cultures, such as that of the Armenians. Background During the Late Antiquity and Middle Ages, the major influences came from medieval Greeks and the Byzantine Empire; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanian Culture
The culture of Romania is an umbrella term used to encapsulate the ideas, customs and social behaviours of the people of Romania that developed due to the country's distinct geopolitical history and evolution. It is theorized and speculated that Romanians and related peoples (Aromanians, Megleno-Romanians, and Istro-Romanians) are the combinations of descendants of Roman colonists and people indigenous to the region who were Romanized. The Dacian people, one of the major indigenous peoples of southeast Europe, are one of the predecessors of the Proto-Romanians. It is believed that a mixture of Dacians, Thracians, Romans, and Illyrians are the predecessors of the modern Romanians, Aromanians, Megleno-Romanians, and Istro-Romanians. In addition, Romanian culture shares several similarities with other ancient cultures, such as that of the Armenians. Background During the Late Antiquity and Middle Ages, the major influences came from medieval Greeks and the Byzantine Emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragonslayer
A dragonslayer is a person or being that slays dragons. Dragonslayers and the creatures they hunt have been popular in traditional stories from around the world: they are a type of story classified as type 300 in the Aarne–Thompson classification system. They continue to be popular in modern books, films, video games and other forms of entertainment. Dragonslayer-themed stories are also sometimes seen as having a chaoskampf theme - in which a heroic figure struggles against a monster that epitomises chaos. Description A dragonslayer is often the hero in a "Princess and dragon" tale. In this type of story, the dragonslayer kills the dragon in order to rescue a high-class female character, often a princess, from being devoured by it. This female character often then becomes the love interest of the account. One notable example of this kind of legend is the story of Ragnar Loðbrók, who slays a giant serpent, thereby rescuing the maiden, Þóra borgarhjörtr, whom he later m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess And Dragon
Princess and dragon is a archetypical premise common to many legends, fairy tales, and chivalric romances. Northrop Frye identified it as a central form of the quest romance. The story involves an upper-class woman, generally a princess or similar high-ranking nobility, saved from a dragon, either a literal dragon or a similar danger, by the virtuous hero (see Damsel in distress). She may be the first woman endangered by the peril, or may be the end of a long succession of women who were not of as high birth as she is, nor as fortunate. Normally the princess ends up married to the dragon-slayer. The motifs of the hero who finds the princess about to be sacrificed to the dragon and saves her, the false hero who takes his place, and the final revelation of the true hero, are the identifying marks of the Aarne–Thompson folktale type 300, the Dragon-Slayer. They also appear in type 303, the Two Brothers. These two tales have been found, in different variants, in countries all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tudor Arghezi
Tudor Arghezi (; 21 May 1880 – 14 July 1967) was a Romanian writer, best known for his unique contribution to poetry and children's literature. Born Ion N. Theodorescu in Bucharest, he explained that his pen name was related to ''Argesis'', the Latin name for the Argeș River. Biography Early life He graduated from Saint Sava High School in October 1896, started working to pay for his studies, and made his debut in 1896, publishing verses in Alexandru Macedonski's magazine ''Liga Ortodoxă'' under the name ''Ion Theo''. Soon after, Macedonski, the herald of Romanian Symbolism, publicized his praise for the young poet: "This young man, at an age when I was still prattling verses, with an audacity that knows no boundaries, but not yet crowned by the most glittering success, parts with the entire old versification technique, with all banalities in images in ideas that have for long been judged, here and elsewhere, as a summit of poetry and art." He began stating his admirat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
