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Exsultate, Jubilate
(Exult, rejoice), K. 165, is a 1773 motet by Wolfgang Amadeus Mozart. History This religious solo motet was composed when Mozart was staying in Milan during the production of his opera '' Lucio Silla'' which was being performed there in the Teatro Regio Ducale. It was written for the castrato Venanzio Rauzzini, who had sung the part of the '' primo uomo'' Cecilio in ''Lucio Silla'' the previous year. While waiting for the end of the run (from 26 December 1772 to 25 January 1773), Mozart composed the motet for his singer, whose technical excellence he admired. Its first performance took place at the Theatine Church on 17 January 1773, while Rauzzini was still singing in Mozart's opera at night. Mozart made some revisions around 1780. On 30 May 1779, a Trinity Sunday, a revised version was performed by Francesco Ceccarelli at the Holy Trinity Church, Salzburg. Another revised version was intended for Christmas. The manuscripts of the two Salzburg versions were discovered in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Ceccarelli
Francesco Ceccarelli (1752, in Foligno – 21 September 1814, in Dresden) was a castrato soprano known for his grace and excellent singing technique. After early opera appearances in his native Umbria, he sang mainly in the German-speaking countries and was thought better suited to church and concert music. He was notably engaged by Count Hieronymus von Colloredo as a court singer at Salzburg (1777–88), where he became a friend of the Mozart family; Mozart wrote a mass, K275/272b, and a rondò, K374, for him. At the premiere on 21 December 1777 of Wolfgang Amadeus Mozart's ''Missa Brevis'', K. 272b, Ceccarelli was among the soloists singled out for praise for his performance. Around 1780, Mozart revised "Exsultate, jubilate (Exult, rejoice), K. 165, is a 1773 motet by Wolfgang Amadeus Mozart. History This religious solo motet was composed when Mozart was staying in Milan during the production of his opera '' Lucio Silla'' which was being performed there in the T ...," ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Aria
A concert aria is normally an aria or operatic scene (''scena'') composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particular singers, the composer always bearing that singer's voice and skill in mind when composing the work. The term also refers to insertion arias for operas, that is those that were written as additions to the score after its initial completion or as possible substitutions for other arias. These are sometimes performed in concerts because they are no longer required for their original purpose, though they were not, strictly speaking, composed for performance in concert. The concert arias of Wolfgang Amadeus Mozart most frequently performed today, but there are many examples by other composers, such as: *"Son qual nave ch'agitata" by Riccardo Broschi (written for the famous castrato Farinelli) *"Ermina" by Juan Arriaga *" Ah! perfido" by Ludwig van Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The A major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic major and melodic major scales are: In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. Scale degree chords The scale degree chords of A major are: * Tonic – A major * Supertonic – B minor * Mediant – C-sharp minor * Subdominant – D major * Dominant – E major * Submediant – F-sharp minor * Leading-tone – G-sharp diminished History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by Basso continuo, continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Major
F major is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat.Music Theory'. (1950). United States: Standards and Curriculum Division, Training, Bureau of Naval Personnel. 28. Its relative minor is D minor and its parallel minor is F minor. The F major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic major and melodic major scales are: F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. Scale degree chords The scale degree chords of F major are: * Tonic – F major * Supertonic – G minor * Mediant – A minor * Subdominant – B-flat majo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Davis
Sir Colin Rex Davis (25 September 1927 – 14 April 2013) was an English conductor, known for his association with the London Symphony Orchestra, having first conducted it in 1959. His repertoire was broad, but among the composers with whom he was particularly associated were Mozart, Berlioz, Elgar, Sibelius, Stravinsky and Tippett. Davis studied as a clarinetist, but was intent on becoming a conductor. After struggling as a freelance conductor from 1949 to 1957, he gained a series of appointments with orchestras including the BBC Scottish Orchestra, the BBC Symphony Orchestra and the Bavarian Radio Symphony Orchestra. He also held the musical directorships of Sadler's Wells Opera and the Royal Opera House, where he was principal conductor for over fifteen years. His guest conductorships included the Boston Symphony Orchestra, the New York Philharmonic and the Staatskapelle Dresden, among many others. As a teacher, Davis held posts at the Royal Academy of Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiri Te Kanawa
Dame Kiri Jeanette Claire Te Kanawa (; born Claire Mary Teresa Rawstron, 6 March 1944) is a New Zealand opera singer. She had a full lyric soprano voice, which has been described as "mellow yet vibrant, warm, ample and unforced". On 1 December 1971 she was recognised internationally when she appeared as the Countess in Mozart's ''Le nozze di Figaro'' at the Royal Opera House in London. Te Kanawa received accolades in many countries, performing works composed in the 17th, 18th, 19th and 20th centuries and singing in several languages. She was particularly associated with the music of Wolfgang Amadeus Mozart, Mozart, Giuseppe Verdi, Verdi, and Giacomo Puccini, Puccini and Richard Strauss, and was often cast as an aristocrat. Her extensive discography includes three albums which featured in the top forty in charts in Australia in the mid-1980s. Towards the end of her career, Te Kanawa appeared in opera only rarely, preferring to perform in concerts and recitals. She also devoted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jagiellonian Library
The Jagiellonian Library (, popular nickname ''Jagiellonka'') is the library of the Jagiellonian University in Kraków and with almost 6.7 million volumes, one of the largest libraries in Poland, serving as a public library, university library and part of the Polish national library system.Official national library of Poland is the National Library of Poland in Warsaw; however Jagiellonian Library is considered a part of the ''Narodowy Zasób Biblioteczny''. It was ''the'' National Library before the creation of the National Library in Warsaw, and today it contains the National Library collection for the period before 1801. It has a large collection of medieval manuscripts, for example the Autograph of Nicolaus Copernicus' De revolutionibus, autograph of Copernicus' ''De revolutionibus orbium coelestium, De Revolutionibus'' and Jan Długosz's ''Banderia Prutenorum'', and a large collection of Counterculture, underground literature (so-called ''drugi obieg'' or samizdat) from the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Fagioli
Franco Maximiliano Fagioli (born May 4 1981, in San Miguel de Tucumán, Tucumán) is an Argentine operatic countertenor. Life Born in Argentina, Fagioli initially studied piano and then singing at the Superior Art Institute of the Teatro Colón in Buenos Aires. He began his international career in 2003, when he won the Bertelsmann singing competition Neue Stimmen in Gütersloh, Germany. Franco Fagioli has since made regular appearances at opera houses in Buenos Aires, Karlsruhe, Bonn, Zurich, Essen and Genoa, at the Theater an der Wien in Vienna and the Théâtre des Champs-Elysées in Paris. He has also been invited to perform at a number of festivals, including those in Halle, Ludwigsburg, Innsbruck and Froville. He has worked with conductors such as Rinaldo Alessandrini, Alan Curtis, Gabriel Garrido, Nikolaus Harnoncourt, René Jacobs, José Manuel Quintana, Marc Minkowski, Riccardo Muti and Christophe Rousset. Franco Fagioli is one of the five countertenors to appear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Maniaci
Michael Maniaci (born May 3, 1976) is an American opera singer. Possessing a male soprano voice, Maniaci is noted for his claim to be able to sing into the upper soprano range without resorting to falsetto, an otherwise common phonation for men who sing in high registers, such as countertenors. Although this was possible for castrati because of the hormonal imbalance following castration, Maniaci claims that, for some unknown reason, his larynx did not develop and lengthen completely during puberty, causing his voice not to "break" in the usual manner. Maniaci claims that this physical particularity has given him the ability to sing in the soprano register without sounding like a typical countertenor or a female singer. There are, however, critics who claim that Maniaci actually sings in falsetto. Maniaci is becoming an important presence on the international classical music scene, having already appeared in lead roles at companies such as the Metropolitan Opera, La Fenice, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
