Doña Francisquita
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Doña Francisquita
''Doña Francisquita'' is a zarzuela in three acts composed by Amadeo Vives to a Spanish libretto by Federico Romero and Guillermo Fernández-Shaw and based on Lope de Vega's play ' (''The Ingenious Lover''). With its colourful score and comic story of multiple love triangles which ends happily for the young lovers, Francisquita and Fernando, ''Doña Francisquita'' is considered a classic of the zarzuela genre, and Vives' masterpiece. Performance history ''Doña Francisquita'' premiered at the Teatro Apolo in Madrid on 17 October 1923. It became very popular, receiving over 5000 performances throughout the Spanish-speaking world in the years immediately following its premiere. The work is still regularly performed in Spain and Latin America, but like most works in this genre, has only rarely been seen elsewhere. It was, however, performed in French translation at Monte Carlo, Brussels and Vichy in 1934 and received a major production at Washington National Opera in 1998. There ...
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Zarzuela
() is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of a royal hunting lodge, the Palace of Zarzuela, near Madrid, where that type of entertainment was allegedly first presented to the court. The palace in turn was named after the brambles () that grew there. There are two main forms of ''zarzuela'': Baroque ''zarzuela'' (), the earliest style, and Romantic ''zarzuela'' (). Romantic zarzuelas can be further divided into two main subgenres, ''género grande'' and '' género chico'', although other sub-divisions exist. ''Zarzuela'' spread to the Spanish dominions, and many Spanish-speaking countries – notably Cuba – developed their own traditions. ''Zarzuela'' is also a strong tradition in the Philippines, where it is also referred to in certain languages as . Other regional an ...
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Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ...
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Antoni Ros-Marbà
Antoni Ros-Marbà (; born 1937 in L'Hospitalet de Llobregat) is a Spanish people, Spanish conducting, conductor and composer from Catalonia. He began his musical education at the Conservatori Superior de Música de Barcelona. He studied conducting with Eduard Toldrà, Sergiu Celibidache, and Jean Martinon. He coached the last ''Giravolt de maig'' directed by Eduard Toldrà: "I worked directly with him. Accompanying the singers with piano, it was a wonderful moment", says Ros-Marbà. In 1992, he took part in the first theatrical performance of Robert Gerhard's only opera, ''La Dueña'', at the Teatro de la Zarzuela and the Liceu, Gran Teatre del Liceu. In 1966, after the founding of the RTVE Symphony Orchestra in Madrid, Ros-Marbà won a conducting competition and was named the Principal Conductor of this orchestra. In 1967, he became Principal Conductor of the Orquestra Simfònica de Barcelona, Orquestra Ciutat de Barcelona, until 1978, and again from 1981 to 1986. In 1978 he was ...
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Orquesta Sinfónica De Tenerife
The Orquesta Sinfónica de Tenerife (OST, "Tenerife Symphony Orchestra") is an orchestra in the city of Santa Cruz de Tenerife on the island of Tenerife in the Canary Islands. The Tenerife Symphony Orchestra is considered one of the best symphony orchestras in Spain. Founded as the ''Orquesta de Cámara de Canarias'' in 1935, it became a symphony orchestra in 1970. Its seat is the Auditorio de Tenerife. Much of its prestige is due to Víctor Pablo Pérez, who conducted the orchestra between 1986 and 2006. From 2006 until 2010 the orchestra conductor was Lü Jia. Since then Michal Nesterowics and Antonio Mendez have been the ensemble's principal conductors. The orchestra has performed in the main symphony halls in Spain, Germany and the United Kingdom. They have played with several renowned artists including Krystian Zimerman and Kyung Wha Chung. The OST has been awarded with the ''Grand prix de l'Académie française du disque lyrique'', the '' Cannes Classical Awards'', ''Diap ...
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Raquel Pierotti
Raquel Pierotti (born December 17, 1952, Montevideo, Uruguay) is a mezzo-soprano opera singer. She specialized in coloratura roles in the Rossini and Handel repertoire. Biography Raquel Pierotti was born in Montevideo, Uruguay where she got her graduation at the National Opera School and made her operatic debut in 1973 as Damigella nuziale in Mozart's Nozze di Figaro. During the next six years she worked in many operatic productions singing Magic Flute, Don Giovanni, Madama Butterfly, Rigoletto as well as in many chamber and symphonic concerts. She won the First Prize in the "Maurice Ravel National Contest" and in the "Artigas - Washington Contest". In 1979 she moved to Spain. She won the "Plácido Domingo Award" in 1979 and the 2º Grand Prix in 1980 both in the "Francisco Viñas Singing Competition". In the same year she won the First Prize in the "Mozart Singing Competition" organized by Barcelona's Mozarteum and the Gold Medal from Radio Nacional de España (Spanish Nationa ...
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Alfredo Kraus
Alfredo Kraus Trujillo (; 24 November 192710 September 1999) was a distinguished Spanish tenor from the Canary Islands (known professionally as Alfredo Kraus), particularly known for the artistry he brought to opera's bel canto roles. He was also considered an outstanding interpreter of the title role in Massenet's opera '' Werther'', and especially of its famous aria "Pourquoi me réveiller?" Early years Kraus was born in Las Palmas de Gran Canaria. His father was Austrian and his mother was Spanish. He began his musical career with piano lessons at the age of four, and he sang in the school choir by age eight. His older brother, Francisco Kraus Trujillo, a baritone, studied music and opera alongside him. Career After refining his technique singing Spanish zarzuela on stage in Madrid and Barcelona, Kraus made his professional opera debut in Cairo during 1956 as the Duke in ''Rigoletto'', which became one of his signature roles. In 1958, he sang Alfredo at the Teatro N ...
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María Bayo
María Josefina Bayo Jiménez (born 28 May 1961 in Fitero) is a Spanish soprano. Bayo studied at the Conservatorio Navarro de Música Pablo Sarasate in Pamplona and the Hochschule für Musik Detmold The Hochschule für Musik Detmold is a university-level music school situated in Detmold, North Rhine-Westphalia, Germany. Academics The Hochschule offers performance degrees in composition, all orchestral instruments, piano, voice, opera, ar ....The Grove book of opera singers - Page 32 Laura Williams Macy - 2008 "Bayo, Maria (b Fitero, 28 May 1962). Spanish soprano. She studied at the Conservatorio Pablo Sarasate in Pamplona and the Hochschule für Musik in Detmold. After winning a series of international competitions, " References External links * Streamopera.com/Marìa Bayo Spanish operatic sopranos 1961 births Living people Musicians from Navarre Hochschule für Musik Detmold alumni 20th-century Spanish women opera singers 21st-century Spanish women opera singe ...
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Carnival
Carnival (known as Shrovetide in certain localities) is a festive season that occurs at the close of the Christian pre-Lenten period, consisting of Quinquagesima or Shrove Sunday, Shrove Monday, and Shrove Tuesday or Mardi Gras. Carnival typically involves public party, celebrations, including events such as parades, public street party, street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity.Bakhtin, Mikhail. 1984. ''Rabelais and his world''. Translated by H. Iswolsky. Bloomington: Indiana University Press. Original edition, ''Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia i Renessansa'', 1965. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", r ...
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Madrid
Madrid ( ; ) is the capital and List of largest cities in Spain, most populous municipality of Spain. It has almost 3.5 million inhabitants and a Madrid metropolitan area, metropolitan area population of approximately 7 million. It is the Largest cities of the European Union by population within city limits, second-largest city in the European Union (EU), and its wikt:monocentric, monocentric Madrid metropolitan area, metropolitan area is the List of metropolitan areas in Europe by population, second-largest in the EU.United Nations Department of Economic and Social AffairWorld Urbanization Prospects (2007 revision), (United Nations, 2008), Table A.12. Data for 2007. The municipality covers geographical area. Madrid lies on the Manzanares (river), River Manzanares in the central part of the Iberian Peninsula at about above mean sea level. The capital city of both Spain and the surrounding Community of Madrid, autonomous community of Madrid (since 1983), it is also th ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ...
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Contralto
A contralto () is a classical music, classical female singing human voice, voice whose vocal range is the lowest of their voice type, voice types. The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable Voice classification in non-classical music, system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technic ...
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