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Display Typeface
A display typeface is a typeface that is intended for use in display type (display copy) at large sizes for titles, headings, pull quotes, and other eye-catching elements, rather than for extended passages of body text. Display typefaces will often have more eccentric and variable designs than the simple, relatively restrained typefaces generally used for body text. They may take inspiration from other genres of lettering, such as handpainted signs, calligraphy or an aesthetic appropriate to their use, perhaps ornamented, exotic, abstracted or drawn in the style of a different writing system. Several genres of font are particularly associated with display setting, such as slab serif, script font, reverse-contrast and to a lesser extent sans serif. Walter Tracy defines display typefaces in the metal type sense as "sizes of type over 14 point" and in design that "text types when enlarged can be used for headings, display types, if reduced, cannot be used for text setting." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Display Face Genres
Common may refer to: As an Irish surname, it is anglicised from Irish language, Irish Gaelic surname Ó Comáin. Places * Common, a townland in County Tyrone, Northern Ireland * Boston Common, a central public park in Boston, Massachusetts * Cambridge Common, common land area in Cambridge, Massachusetts * Clapham Common, originally common land, now a park in London, UK * Common Moss, a townland in County Tyrone, Northern Ireland * Lexington Battle Green, Lexington Common, a common land area in Lexington, Massachusetts * Salem Common Historic District (Salem, Massachusetts), Salem Common Historic District, a common land area in Salem, Massachusetts People * Common (rapper) (born 1972), American hip hop artist, actor, and poet * Andrew Ainslie Common (1841–1903), English amateur astronomer * Andrew Common (1889–1953), British shipping director * John Common, American songwriter, musician and singer * Thomas Common (1850–1919), Scottish translator and literary critic Arts, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackletter
Blackletter (sometimes black letter or black-letter), also known as Gothic script, Gothic minuscule or Gothic type, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for Danish, Norwegian, and Swedish until the 1870s, Finnish until the turn of the 20th century, Estonian and Latvian until the 1930s, and for the German language until the 1940s, when Adolf Hitler officially Antiqua–Fraktur dispute, discontinued it in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
X-height
upright 2.0, alt=A diagram showing the line terms used in typography In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the letter ''x'' in the font (the source of the term), as well as the letters ''v'', ''w'', and ''z''. (Curved letters such as ''a'', ''c'', ''e'', ''m'', ''n'', ''o'', ''r'', ''s'', and ''u'' tend to exceed the x-height slightly, due to overshoot; ''i'' has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters. Display typefaces intended to be used at large sizes, such as on signs and posters, vary in x-height. Many have high x-heights to be read clearly from a distance. This, though, is not universal: some display typefaces such as Cochin and Koch-Antiqua intended for publicity uses have low x ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koch-Antiqua
Koch-Antiqua is a serif In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface ( ... typeface intended for decorative and Display type, display use, designed by Rudolf Koch and published by the Klingspor Type Foundry from 1922 onwards. It is a delicate face with a low x-height, intended for decorative printing rather than for extended body text. Koch-Antiqua was Koch's first Roman type, roman or "Antiqua" type (the kind generally used in western Europe, as opposed to blackletter writing) and achieved considerable attention both in Germany and abroad. It was exported under the names ''Locarno'' and ''Eve''. Walter Tracy described it as "a highly individual design" that "reveals the working of a fastidious mind and a skilful hand . . . perfectly suited to express in print the idea of elegance." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cochin (typeface)
Cochin is a serif typeface designed by Georges Peignot for the Paris foundry G. Peignot et Fils (future Deberny & Peignot) in 1912. It is based on the copperplate engravings of 18th century French artist Charles-Nicolas Cochin, from whom the typeface also takes its name. The font has a small x-height with long ascenders. Georges Peignot also created the design Nicolas-Cochin as a looser variation in the same style. Characteristics With a very low x-height and delicate design, Cochin is described by Walter Tracy an example of a style of lettering and graphic design popular in the early twentieth century in several countries. Similar designs are Astrée and later Bernhard Modern and Koch-Antiqua, as well as several designs by Frederic Goudy such as Pabst and Goudy Modern. It had considerable success, for example becoming available on Monotype's hot metal typesetting system in the United States (Tracy describes this version as disappointing due to changes to the italic) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wood Type
In letterpress printing, wood type is movable type made out of wood. First used in China for printing body text, wood type became popular during the nineteenth century for making large display typefaces for printing posters, because it was lighter and cheaper than large sizes of metal type. Wood has been used since the earliest days of European printing for woodcut decorations and emblems, but it was not generally used for making typefaces due to the difficulty of reproducing the same shape many times for printing. In the 1820s, Darius Wells introduced Mechanization, mechanised wood type production using the powered Router (woodworking), router, and William Leavenworth in 1834 added a second major innovation of using a pantograph to cut a letter's shape from a pattern. This made it possible to mass-produce the same design in wood repeatedly. Wood type was manufactured and used worldwide in the nineteenth century for display use. In the twentieth century lithography, phototype ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantograph
A pantograph (, from their original use for copying writing) is a Linkage (mechanical), mechanical linkage connected in a manner based on parallelograms so that the movement of one pen, in tracing an image, produces identical movements in a second pen. If a line drawing is traced by the first point, an identical, enlarged, or miniaturized copy will be drawn by a pen fixed to the other. Using the same principle, different kinds of pantographs are used for other forms of duplication in areas such as sculpting, Mint (facility), minting, engraving, and Milling (machining), milling. History The ancient Greek engineer Hero of Alexandria described pantographs in his work ''Mechanics''. In 1603, Christoph Scheiner used a pantograph to copy and scale diagrams, and wrote about the invention over 27 years later, in ''"Pantographice seu Ars delineandi res quaslibet per parallelogrammum lineare seu cavum"'' (Rome 1631). One arm of the pantograph contained a small pointer, while the oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif (), gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and Modern typography, modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: , , , , and . Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for Display typeface, display use and less for body text. Before the term "sans-serif" became standard in English typography, a number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Figgins
Vincent Figgins (1766 – 29 February 1844) was a British typefounder based in London, who cast and sold metal type for printing. After an apprenticeship with typefounder Joseph Jackson, he established his own type foundry in 1792. His company was extremely successful and, with its range of modern serif faces and display typefaces, had a strong influence on the styles of British printing in the nineteenth century. A successor company continued to make type until the 1970s. Figgins introduced or popularised both slab-serif and sans-serif typefaces, which have since become two of the main genres of typeface. He was also involved in local politics as a Councilman of the City of London. Family and early life The son of a bookkeeper, Figgins was born in 1766 and started his career as an apprentice to the typefounder Joseph Jackson. He worked for Jackson from 1782 until Jackson's death in 1792. According to Talbot Baines Reed, Figgins was largely the manager of Jackson's foundry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fat Face Typefaces
In nutrition, biology, and chemistry, fat usually means any ester of fatty acids, or a mixture of such compounds, most commonly those that occur in living beings or in food. The term often refers specifically to triglycerides (triple esters of glycerol), that are the main components of vegetable oils and of fatty tissue in animals; or, even more narrowly, to triglycerides that are solid or semisolid at room temperature, thus excluding oils. The term may also be used more broadly as a synonym of lipid—any substance of biological relevance, composed of carbon, hydrogen, or oxygen, that is insoluble in water but soluble in non-polar solvents. In this sense, besides the triglycerides, the term would include several other types of compounds like mono- and diglycerides, phospholipids (such as lecithin), sterols (such as cholesterol), waxes (such as beeswax), and free fatty acids, which are usually present in human diet in smaller amounts. Fats are one of the three main macron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrix (printing)
In the manufacture of metal type used in letterpress printing, a matrix (from the Latin meaning ''womb'' or ''a female breeding animal'') is the mould used to cast a letter, known as a sort (typesetting), sort. Matrices for printing types were made of copper. However, in printmaking the matrix is whatever is used, with ink, to hold the image that makes up the print, whether a plate in etching and engraving or a woodblock in woodcut. Description In letterpress or "cold metal" typesetting, used from the beginning of printing to the late nineteenth century, the matrix of one letter is inserted into the bottom of an adjustable-width hand mould, the mould is locked and molten type metal is poured into a straight-sided vertical cavity above the matrix. When the metal has cooled and solidified the mould is unlocked and the newly cast metal sort is removed. The matrix can then be reused to produce more copies of the sort.Meggs, Philip B. ''A History of Graphic Design.'' John Wiley & Sons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrix (journal)
Whittington Court is an Elizabethan manor house, five miles east of Cheltenham in Gloucestershire, England. Adjacent to the house is the Whittington parish church which dates from the 12th century and now dedicated to St Bartholomew. The origins of the manor site are unclear, but probably date back to Anglo-Saxon times; however, in 1948 the remains of a Roman villa were found in an adjacent field. The current building was probably begun by Richard Cotton's son John Cotton in 1556 on an earlier moated site. It was completed in anticipation of Queen Elizabeth I's visit to the house in 1592 en route to Sudeley Castle. It passed to Sir John Denham by his marriage to Anne Cotton (died 1646); Sir John, who became Surveyor General to Charles II, died in 1669. Whittington Court then passed through the female line to the Earls of Derby, and by the mid-late 18th century belonged to Thomas Tracey, Member of Parliament for Gloucester, who died in 1770. The Misses Timbrell and Mrs. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
