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Matrix (printing)
In the manufacture of metal type used in letterpress printing, a matrix (from the Latin meaning ''womb'' or ''a female breeding animal'') is the mould used to cast a letter, known as a sort. Matrices for printing types were made of copper. However, in printmaking the matrix is whatever is used, with ink, to hold the image that makes up the print, whether a plate in etching and engraving or a woodblock in woodcut. Description In letterpress or "cold metal" typesetting, used from the beginning of printing to the late nineteenth century, the matrix of one letter is inserted into the bottom of an adjustable-width hand mould, the mould is locked and molten type metal is poured into a straight-sided vertical cavity above the matrix. When the metal has cooled and solidified the mould is unlocked and the newly cast metal sort is removed. The matrix can then be reused to produce more copies of the sort.Meggs, Philip B. ''A History of Graphic Design.'' John Wiley & Sons, Inc. 1998. (pp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wood Type
In letterpress printing, wood type is movable type made out of wood. First used in China for printing body text, wood type became popular during the nineteenth century for making large display typefaces for printing posters, because it was lighter and cheaper than large sizes of metal type. Wood has been used since the earliest days of European printing for woodcut decorations and emblems, but it was not generally used for making typefaces due to the difficulty of reproducing the same shape many times for printing. In the 1820s, Darius Wells introduced Mechanization, mechanised wood type production using the powered Router (woodworking), router, and William Leavenworth in 1834 added a second major innovation of using a pantograph to cut a letter's shape from a pattern. This made it possible to mass-produce the same design in wood repeatedly. In the twentieth century lithography, phototypesetting and digital typesetting replaced it as a mass-market technology. It continues to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Print Matrix
A digital print matrix is the digital state from which a print art object can be instanced with original intent. The traditional term '' print matrix'' is the physical surface from which an image is printed, woodblock, plate, stone or screen. Although these may in themselves be produced digitally they comprise a traditional (physical) matrix. A digital matrix however is a repository of material which, stored digitally, is combined by the artist's hand and instanced with original intent; Philip George's “fluid diary” providing an early example.{{cite journal , author-last=George , author-first=Philip , date=April 2002 , title=Mnemonic Notations: A Decade of Art Practice within a Digital Environment. , journal= Leonardo , volume=35 , number=2 , pages=121–127 Technically the digital matrix comprises stable digital storage mechanisms (which retain the data when switched off) rather than volatile random access memory. Conceptually as there is no need for this storage to be in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Western Typography
Modern typographers view typography as a craft with a very long history tracing its origins back to the first punches and dies used to make seals and coinage currency in ancient times. The basic elements of typography are at least as old as civilization and the earliest writing systems—a series of key developments that were eventually drawn together into one systematic craft. While woodblock printing and movable type had precedents in East Asia, typography in the Western world developed after the invention of the printing press by Johannes Gutenberg in the mid-15th century. The initial spread of printing throughout Germany and Italy led to the enduring legacy and continued use of blackletter, roman, and italic types. Medieval design roots Typography, type-founding, and typeface design began as closely related crafts in mid-15th-century Europe with the introduction of movable type printing at the junction of the medieval era and the Renaissance. Handwritten letterfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font
In movable type, metal typesetting, a font is a particular #Characteristics, size, weight and style of a typeface. Each font is a matched set of type, with a piece (a "Sort (typesetting), sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface "Bauer Bodoni" (sample shown here) includes fonts "Roman (typeface), Roman" (or "Regular"), "Emphasis (typography), Bold" and ''"Italic type, Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metro (typeface)
Metro is a sans-serif typeface family created by William Addison Dwiggins and released by the American Mergenthaler Linotype Company from 1929 onwards. Metro was Dwiggins's first typeface, which he created at the age of 49 after establishing himself as one of the pre-eminent lettering artists and book designers of the early 20th century. In 1928, Dwiggins wrote ''Layout in Advertising'', in which he criticized the lack of "good" sans-serif types available. Harry L. Gage, assistant director of typography at Linotype, reviewed the book, and in 1929 he offered to hire Dwiggins to design the "good" sans-serif he felt was lacking. Dwiggins was brought in as a consultant and quickly established a rapport with Chauncey H. Griffith, the company's head of type design, who would manage the production of all his typefaces for the rest of his career. Metro was inspired by a wave of new "geometric" sans-serif designs such as Futura, which had attracted attention for their basis on simple ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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