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Dionysos
In ancient Greek religion and myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphism, he was variously a son of Zeus and Persephone; ...
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Διόνυσος
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ...
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Cult Of Dionysus
The cult of Dionysus consisted of devotees who involved themselves in forms of ecstatic worship in reverence of Dionysus. An ecstatic ritual performed by the cult included the '' orgeia,'' a forest rite involving ecstatic dance during the night. The Dionysia and Lenaia festivals in Athens were dedicated to Dionysus, as well as the phallic processions. These processions often featured villagers parading through the streets with large phallic representations. The cult of Dionysus traces back to at least Mycenaean Greece, since his name is found on Mycenean Linear B tablets as ''(di-wo-nu-so)''. However, many view Thrace and Phrygia as the birthplace of Dionysus, and therefore the concepts and rites attributed to his worship. Dionysian worship was especially fervent in Thrace and parts of Greece that were previously inhabited by Thracians, such as Phocis and Boeotia. Initiates worshipped him in the Dionysian Mysteries, which were comparable to and linked with the Orphic Myste ...
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Bacchae
''The Bacchae'' (; , ''Bakkhai''; also known as ''The Bacchantes'' ) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon. It premiered posthumously at the Theatre of Dionysus in 405 BC as part of a tetralogy that also included '' Iphigeneia at Aulis'' and '' Alcmaeon in Corinth'', and which Euripides' son or nephew is assumed to have directed. It won first prize in the City Dionysia festival competition. The tragedy recounts the Greek myth of King Pentheus of Thebes and his mother Agave, who were punished by the god Dionysus (who is Pentheus's cousin) for rejecting his cult. The play opens with Dionysus proclaiming that he has arrived in Thebes with his votaries to avenge the slander, repeated by his aunts, that he is not the son of Zeus. Disguised as a foreign holy man, the god intends to introduce Dionysian rites into the city, but the Thebans reject his divinity and ki ...
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Ariadne
In Greek mythology, Ariadne (; ; ) was a Cretan princess, the daughter of King Minos of Crete. There are variations of Ariadne's myth, but she is known for helping Theseus escape from the Minotaur and being abandoned by him on the island of Naxos. There, Dionysus saw Ariadne sleeping, fell in love with her, and later married her. Many versions of the myth recount Dionysus throwing Ariadne's jeweled crown into the sky to create a constellation, the Corona Borealis. Ariadne is associated with mazes and labyrinths because of her involvement in the myths of Theseus and the Minotaur. There are also festivals held in Cyprus and Naxos in Ariadne's honor. Etymology Greek lexicographers in the Hellenistic period claimed that ''Ariadne'' is derived from the ancient Cretan dialectical elements ''ari'' (ἀρι-) "most" (which is an intensive prefix) and ''adnós'' (ἀδνός) "holy". Conversely, Stylianos Alexiou has argued that despite the belief being that Ariadne's name is of ...
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Dionysia
The Dionysia (; Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were processions and sacrifices in honor of Dionysus, the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. Rural Dionysia Origins The Dionysia was originally a rural festival in Eleutherae, Attica ( – ''Dionysia ta kat' agrous''), celebrating the cultivation of vines. Archaeological evidence suggests that theatres for the Rural Dionysia had been constructed as early as the 6th century BCE , but the festival is generally believed to have been celebrated even before that. This "rural Dionysia" was held during the winter, in the month of Poseideon (the month straddling the winter solstice, i.e., ...
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Ancient Roman Sculpture
The study of Roman sculpture is complicated by its relation to Sculpture of Ancient Greece, Greek sculpture. Many examples of even the most famous Greek sculptures, such as the ''Apollo Belvedere'' and ''Barberini Faun'', are known only from Roman Empire, Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry. The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin literature, Latin and some ancient Greek ...
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Ancient Greek Religion
Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and Greek mythology, mythology, in the form of both popular public religion and Cult (religious practice), cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The Ancient Greece, ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer is known to have classified either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs". Most ancient Greeks recognized the Twelve Olympians, twelve major Olympian gods and goddesses—Zeus, Hera, Poseidon, Demeter, Athena, Ares, Aphrodite, Apollo, Artemis, Hephaestus, Hermes, and either Hestia or Dionysus—although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a s ...
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Semele
Semele (; ), or Thyone (; ) in Greek mythology, was the youngest daughter of Cadmus and Harmonia (Greek goddess), Harmonia, and the mother of Dionysus by Zeus in one of his many origin myths. Certain elements of the cult of Dionysus and Semele came from the Phrygians. These were modified, expanded, and elaborated by the Ionian Greeks, Greek invaders and colonists. Dorians, Doric Greek historian Herodotus (c. 484–425 BC), born in the city of Halicarnassus under the Achaemenid Empire, who gives the account of Cadmus, estimates that Semele lived either 1,000 or 1,600 years prior to his visit to Tyre, Lebanon, Tyre in 450 BC at the end of the Greco-Persian Wars (499–449 BC) or around 2050 or 1450 BC. In Rome, the goddess #In Roman culture, Stimula was identified as Semele. Semele was the subject of the now lost Greek tragedy, tragedy by Aeschylus called ''Semele'' (''Σεμέλη'') or ''Wool-Carders'' (''Ξάντριαι''). Etymology According to some linguists the name Seme ...
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Religious Ecstasy
Religious ecstasy is a purported form of altered state of consciousness characterized by greatly reduced external awareness and reportedly expanded interior mental and spiritual awareness, frequently accompanied by visions and emotional (and sometimes physical) euphoria. Although the experience is usually brief in time, there are records of such experiences lasting several days or even more, and of recurring experiences of ecstasy during a person's lifetime. In Sufism, the term is referred to as ''wajd''. In Buddhism, ''piti'', usually translated as "joy" or "rapture", is an element of ''jhana'', a state of mental oneness with an object that one focuses on in meditation. Context The adjective "religious" means that the experience occurs in connection with religious activities or is interpreted in the context of a religion. Journalist Marghanita Laski writes in her study "Ecstasy in Religious and Secular Experiences", first published in 1961: Epithets are very often applied t ...
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Greek Mythology
Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world; the lives and activities of List of Greek deities, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures; and the origins and significance of the ancient Greeks' cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century&n ...
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Cardinal Richelieu
Armand Jean du Plessis, 1st Duke of Richelieu (9 September 1585 – 4 December 1642), commonly known as Cardinal Richelieu, was a Catholic Church in France, French Catholic prelate and statesman who had an outsized influence in civil and religious affairs. He became known as the Red Eminence (), a term derived from the style of Eminence (style), Eminence applied to Cardinal (Catholic Church), cardinals and their customary red robes. Consecrated a bishop in 1607, Richelieu was appointed Secretary of State for Foreign Affairs (France), Foreign Secretary in 1616. He continued to rise through the hierarchy of both the Catholic Church and the French government, becoming a Cardinal (Catholic Church), cardinal in 1622 and Chief minister of France, chief minister to King Louis XIII, Louis XIII of France in 1624. He retained that office until his death in 1642, when he was succeeded by Cardinal Cardinal Mazarin, Jules Mazarin, whose career the cardinal had fostered. Richelieu became enga ...
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Bacchanalia
The Bacchanalia were unofficial, privately funded popular Roman festivals of Bacchus, based on various ecstatic elements of the Greek Dionysia. They were almost certainly associated with Rome's native cult of Liber, and probably arrived in Rome itself around 200 BC. Like all mystery religions of the ancient world, very little is known of their rites. They seem to have been popular and well-organised throughout the central and southern Italian peninsula. Livy, writing some 200 years after the event, offers a scandalized and extremely colourful account of the Bacchanalia, with frenzied rites, sexually violent initiations of both sexes, all ages and all social classes; he represents the cult as a murderous instrument of conspiracy against the state. Livy claims that seven thousand cult leaders and followers were arrested, and that most were executed. Livy believed the Bacchanalia scandal to be one of several indications of Rome's inexorable moral decay. Modern scholars take a s ...
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