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Cárcel Real (Cádiz)
The Cárcel Real (Spanish: Royal Prison) is a historical building in Cádiz, southern Spain, an example of Neoclassical architecture. History In 1792, the city of Cádiz decided to replace its inadequate, poorly situated, and poorly constructed prison. The new, larger prison would be in a place with better air. Torcuato Benjumeda, the most representative architect of Cádiz at that time, designed the building. This was at the time neoclassicism was beginning to eclipse Baroque architecture in Spain. As Spain entered its long economic decline, the more elaborate Baroque was seen as decadent and in poor taste. The cost of construction was 3.5 million Spanish reales. Although Benjumeda's plans are dated 1794, they almost certainly were backdated, because he signed with the title ''"Académico de mérito"'', which he was not granted until 1807. The city of Cádiz itself is referred to as ''"Muy Heroica"'', a title it was conceded in 1816 as a result of the Peninsular War (Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giant Order
In classical architecture, a giant order, also known as colossal order, is an order whose columns or pilasters span two (or more) storeys. At the same time, smaller orders may feature in arcades or window and door framings within the storeys that are embraced by the giant order. The giant order was rare in antiquity. Vitruvius' depiction of the lost Basilica of Fanum contains columns spanning two stories. Roman architectural historian Mark Wilson Jones also cites the columns at the Basilica of Pompeii, the Baths of Diocletian, and the Temple of Baachus at Baalbek as early examples of the giant order. To an extent buildings with giant orders resemble a Roman temple adapted for post-classical use, as many were (the survivors have now usually been stripped of later filling-in). In Renaissance and Beaux-Arts architecture One of the earliest uses of this feature in the Renaissance was at the Basilica of Sant'Andrea, Mantua, designed by Leon Battista Alberti and begun in 1472; this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Cádiz
A building or edifice is an enclosed structure with a roof, walls and windows, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the concept, see ''Nonbuilding structure'' for contrast. Buildings serve several societal needs – occupancy, primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical separation of the human habitat (a place of comfort and safety) from the ''outside'' (a place that may be harsh and harmful at times). buildings have been objects or canvasses of much artistic expression. In recent years, interest in sustainable planning and building practi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique Romero De Torres
Enrique () is the Spanish variant of the given name Heinrich of Germanic origin. Equivalents in other languages are Henry (English), Enric (Catalan), Enrico (Italian), Henrik (Swedish, Danish, and Norwegian), Heinrich (German), Hendrik, Henk (Dutch), Henri (French), and Henrique (Portuguese). Common nicknames of Enrique are Kiki, Kiko, Kike, Rick, Ricky, and Quique. Enrique is also a surname. A variant surname is '' Enriquez'' (son of Enrique). Notable people with the name include: Given name * Enrique of Malacca (fl. 1511–1521), Malay slave who may have been the first person to travel around the world * Enrique Aguirre (born 1979), Argentine athlete * Enrique Álvarez Félix (1934–1996), Mexican actor * Enrique Bátiz (1942–2025), Mexican conductor and concert pianist * Enrique Bolaños (1928–2021), President of Nicaragua from 2002 to 2007 * Enrique Bunbury (born 1967), Spanish singer and band member of Heroes Del Silencio * Enrique Campos (born 1961), Venezuelan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concepción Arenal
Concepción Arenal Ponte ( Ferrol, 31 January 1820 – Vigo, 4 February 1893) was a graduate in law, thinker, journalist, poet and Galician dramatic author within the literary Realism and pioneer in Spanish feminism. Born in Ferrol, Galicia, she excelled in literature and was the first woman to attend university in Spain. She was also a pioneer and founder of the feminist movement in Spain. Life Her father, Ángel del Arenal y de la Cuesta, was a liberal military officer who was often imprisoned for his ideology and opposition to the regime of Ferdinand VII. He fell ill in prison and died in 1829, when Concepción was aged 9. She moved to Armaño (Cantabria) with her mother, María Concepción Ponte Mandiá Tenreiro, and then to Madrid in 1834, to attend the school of the Count of Tepa. Against her mother's wishes in 1841 she went to law school at the Central University (now the Complutense University of Madrid), becoming the first woman in Spain to attend university, where s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oculus (architecture)
An oculus (; ) is a circular opening in the center of a dome or in a wall. Originating in classical architecture, it is a feature of Byzantine architecture, Byzantine and Neoclassical architecture. A horizontal oculus in the center of a dome is also called opaion (; ). Oeil-de-boeuf An ''oeil-de-boeuf'' (; ), also ''œil de bœuf'' and sometimes anglicized as ''ox-eye window'', is a relatively small ellipse, elliptical window, typically for an upper storey, and sometimes set in a roof slope as a dormer, or above a door to let in Daylighting (architecture), natural light. These are relatively small windows, traditionally oval. The term is increasingly used for circular windows (in which case it could also be called an oculus), but not for holes in domes or ceilings. Windows of this type are commonly found in the grand architecture of baroque architecture, Baroque France. The term is also applied to similar round windows, such as those found in Georgian architecture in Great B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gutta
A gutta (Latin pl. guttae, "drops") is a small water-repelling, cone-shaped projection used near the top of the architrave of the Doric order in classical architecture. At the top of the architrave blocks, a row of six ''guttae'' below the narrow projection of the taenia (fillet) formed an element called a regula. A ''regula'' was aligned under each triglyph of the Doric frieze. In addition, the underside of the projecting geison above the frieze had rectangular protrusions termed '' mutules'' that each had three rows of six ''guttae''. These mutules were aligned above each triglyph and each metope. It is thought that the guttae were a skeuomorphic representation of the pegs used in the construction of the wooden structures that preceded the familiar Greek architecture in stone. However, they have some functionality, as water drips over the edges, away from the edge of the building. Outside the Doric In the strict tradition of classical architecture, a set of guttae alwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In classical architecture, the frieze is the wide central section of an entablature and may be plain in the Ionic order, Ionic or Corinthian order, Corinthian orders, or decorated with bas-reliefs. Patera (architecture), Paterae are also usually used to decorate friezes. Even when neither column (architecture), columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the molding (decorative), moldings of the cornice (architecture), cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painting, painted, sculpture, sculpted or even calligraphy, calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilasters
In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall. As an ornament it consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a Classical pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition A pilaster is foremost a load-bearing architectural element used widely throughout the world and its history where a structural load is carried by a thickened section of wall or column integrated into a wall. It is also a purel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
