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Cywydd
The cywydd (; plural ) is one of the most important metrical forms in traditional Welsh poetry ( cerdd dafod). There are a variety of forms of the cywydd, but the word on its own is generally used to refer to the ("long-lined couplet") as it is by far the most common type. The first recorded examples of the cywydd date from the early 14th century, when it is believed to have been developed. This was the favourite metre of the Poets of the Nobility from the 14th to 17th centuries and is still used in the 21st. The cywydd consists of a series of seven-syllable lines in rhyming couplets, with all lines written in cynghanedd. One of the lines must finish with a stressed syllable, while the other must finish with an unstressed syllable. The rhyme may vary from couplet to couplet, or may remain the same. There is no rule about how many couplets there must be in a cywydd. The and the related , and the all occur in the list of the twenty four traditional Welsh poetic meters adopt ...
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Medieval Welsh Literature
Medieval Welsh literature is the literature written in the Welsh language during the Middle Ages. This includes material starting from the 5th century AD, when Welsh was in the process of becoming distinct from Common Brittonic, and continuing to the works of the 16th century. The Welsh language became distinct from other dialects of Old British sometime between AD 400 and 700; the earliest surviving literature in Welsh is poetry dating from this period. The poetic tradition represented in the work of ''Y Cynfeirdd'' ("The Early Poets"), as they are known, then survives for over a thousand years to the work of the ''Poets of the Nobility'' in the 16th century. The core tradition was praise poetry; and the poet Taliesin was regarded as the first in the line. The other aspect of the tradition was the professionalism of the poets and their reliance on patronage from kings, princes and nobles for their living, similar to the way Irish bards and Norse skalds were patronized for th ...
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Welsh-language Literature
Welsh-language literature () has been produced continuously since the emergence of Welsh from Brythonic as a distinct language in around the 5th century AD. The earliest Welsh literature was poetry, which was extremely intricate in form from its earliest known examples, a tradition sustained today. Poetry was followed by the first British prose literature in the 11th century (such as that contained in the Mabinogion). Welsh-language literature has repeatedly played a major part in the self-assertion of Wales and its people. It continues to be held in the highest regard, as evidenced by the size and enthusiasm of the audiences attending the annual National Eisteddfod of Wales (''Eisteddfod Genedlaethol Cymru''), probably the largest amateur arts festival in Europe, which crowns the literary prize winners in a dignified ceremony. Middle Ages The mediaeval period had three chronological stages of poetry: The earliest poets (Cynfeirdd), Poets of the Princes, and the Poets of Nobi ...
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Welsh Poetry
Welsh poetry refers to poetry of the Welsh people or nation. This includes poetry written in Welsh, poetry written in English by Welsh or Wales-based poets, poetry written in Wales in other languages or poetry by Welsh poets around the world. History Wales has one of the earliest literary traditions in Northern Europe, stretching back to the days of Aneirin (fl. 550) and Taliesin (second half of the 6th century), and the haunting ''Stafell Cynddylan'', which is the oldest recorded literary work by a woman in northern Europe. The 9th-century '' Canu Llywarch Hen'' and '' Canu Heledd'' are both associated with the earlier prince Llywarch Hen. Welsh poetry is connected directly to the bardic tradition, and is historically divided into four periods. The first period, before 1100, is known as the period of ''Y Cynfeirdd'' ("The earliest poets") or ''Yr Hengerdd'' ("The old poetry"). It roughly dates from the emergence of the Welsh language from Common Brittonic in the sixth c ...
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Cerdd Dafod
''Cerdd dafod'' (literally "tongue craft") is the Welsh tradition of creating verse or poetry to a strict metre in the Welsh language. History The history of ''cerdd dafod'' can be traced to 6th-century Welsh poets such as Aneirin and Taliesin, but is probably much older. Studies also suggest that features of this form of poetry are comparable to the ancient Irish versifications and therefore point to an older shared Celtic inheritance. The composition of ''cerdd dafod'' requires strict observance of the rules of ''cynghanedd'': an intricate system of sound arrangement based on stress, alliteration, and internal rhyme within each line. One of the earliest texts on the subject is credited to Einion Offeiriad (fl c. 1320–c. 1349) a bard considered to have been under the patronage of Sir Rhys ap Gruffydd, a powerful nobleman of south-west Wales. In it, he lists 24 canonical metres used for all poems in the writing of ''cerdd dafod''. This was later revised by Dafydd ab Edmwnd ...
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Couplet
In poetry, a couplet ( ) or distich ( ) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's ''Arcadia ''in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope in the 18th century were both well known for their w ...
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Cynghanedd
In Welsh-language poetry, ''cynghanedd'' (, literally "harmony") is the basic concept of sound-arrangement within one line, using Stress (linguistics), stress, alliteration and rhyme. The various forms of ''cynghanedd'' show up in the definitions of all formal Welsh Verse (poetry), verse forms, such as the ''awdl'' and ''cerdd dafod''. Though of ancient origin, ''cynghanedd'' and variations of it are still used today by many Welsh-language poets. A number of poets have experimented with using ''cynghanedd'' in English-language verse, for instance Gerard Manley Hopkins. Some of Dylan Thomas's work is also influenced by ''cynghanedd''. Forms of ''cynghanedd'' Note that ⟨dd⟩, ⟨ll⟩ and ⟨ch⟩ are digraphs in the Welsh alphabet, each representing a single consonant /ð/, /ɬ/ and /χ/ respectively. ''Cynghanedd groes'' ("cross-harmony") All consonants surrounding the main stressed vowel before the caesura must be repeated after it in the same order. However, the final ...
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Traditional Welsh Poetic Meters
The traditional Welsh poetic meters consist of 24 types of poetic meter, called Y Pedwar Mesur ar Hugain in Welsh. They are all written in cynghanedd of varying degrees of complexity. Although called "traditional," they were compiled – and later redefined at least once – in the Late Middle Ages and omit some of the older forms such as the ''englyn milwr''. Only a few of them were widely used by the professional poets (''Beirdd yr Uchelwyr''), and the use of some of the more complicated ones is confined to occasional poems of technical virtuosity dating to the end of the Middle Ages. The twenty four traditional Welsh poetic meters are: *Awdl-gywydd *Byr-a-thoddaid *Cadwynfyr *Clogyrnach *Cyhydedd Fer *Cyhydedd Hir *Cyhydedd Naw Ban *Cyrch-a-chwta *Cywydd Deuair Fyrion *Cywydd Deuair Hirion: see Cywydd *Cywydd Llosgyrnog * Englyn Proest Cyfnewidiog * Englyn Proest Cadwynog * Englyn Unodl Crwca * Englyn Unodl Union *Gorchest Beirdd *Gwawdodyn Byr *Gwawdodyn Hir *Hir-a-thoddaid ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire� ...
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Englyn
(; plural ) is a traditional Welsh short poem form. It uses quantitative metres, involving the counting of syllables, and rigid patterns of rhyme and half rhyme. Each line contains a repeating pattern of consonants and accent known as . Early history The is found in the work of the earliest attested Welsh poets (the ), where the main types are the three-line and . It is the only set stanzaic metre found in the early Welsh poetic corpus, and explanations for its origins have tended to focus on stanzaic Latin poetry and hymns; however, it is as likely to be a development within the Brittonic poetic tradition. Whereas the metrical rules of later are clear (and are based on counting syllables), the precise metre of the early is debated and could have involved stress-counting. The earliest are found as marginalia written in a tenth-century hand in the Juvencus Manuscript. Many early form poems which seem to represent moments of characters' emotional reflection in stories n ...
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Meic Stephens
Meic Stephens, FLSW (23 July 1938 – 2 July 2018) was a Welsh literary editor, journalist, translator, and poet. Birth and education Meic Stephens was born on 23 July 1938 in the village of Treforest, near Pontypridd, Glamorgan. He was educated at Pontypridd Boys' Grammar School and then studied at the University College of Wales, Aberystwyth, graduating in 1961, at the University of Rennes, Brittany, and the University College of North Wales, Bangor, Gwynedd. Career From 1962 to 1966 he taught French at Ebbw Vale, Monmouthshire. In Merthyr Tydfil he established the Triskel Press and in 1965 he began the periodical, '' Poetry Wales''. He learnt Welsh as an adult, and became a member of the Welsh Language Society () and of Plaid Cymru. After working for the '' Western Mail'' for almost a year, from 1967 to 1990 Stephens was literature director of the Welsh Arts Council. Before retiring he was professor of Welsh Writing in English at the University of Glamorgan. He wa ...
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Western Medieval Lyric Forms
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