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Clonmacnoise Crucifixion Plaque
The Clonmacnoise Crucifixion Plaque is a late-10th or early-11th century (often given as c. 1090–1110) Irish gilt-bronze sculpture showing the Crucifixion of Jesus, with two attendant angels hovering above his arms to his immediate left and right. Below them are representations of the Roman soldiers Stephaton (the sponge-bearer) and Longinus (the lance-bearer) driving spears into his chest. The plaque is one of eight such Early Medieval Irish crucifixion plaques to have survived,Moss (2014), p. 272 but was, in its closely observed detail, especially around the figure's clothing, described by the art historian Máire de Paor as the "most charming of the series".de Paor (1954), p. 40 It measures x , and was acquired by the National Museum of Ireland – Archaeology, Dublin, in 1935.de Paor (1954), p. 35 Description Christ is shown as still alive and with open eyes.Mitchell (1977), p. 99 His head and outstretched arms are disproportionally large compared to the rest of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chasuble
The chasuble () is the outermost liturgical vestment worn by clergy for the celebration of the Eucharist in Western-tradition Christian churches that use full vestments, primarily in Roman Catholic, Anglican, and Lutheran churches. In the Eastern Orthodox Churches and in the Eastern Catholic Churches, the equivalent vestment is the phelonion. "The vestment proper to the priest celebrant at Mass and other sacred actions directly connected with Mass is, unless otherwise indicated, the chasuble, worn over the alb and stole" (''General Instruction of the Roman Missal'', 337). Like the stole, it is normally of the liturgical colour of the Mass being celebrated. Origins The chasuble originated as a sort of conical poncho, called in Latin a paenula or casula or "little house", that was the common outer traveling garment in the late Roman Empire. It was simply a roughly oval piece of cloth, with a round hole in the middle through which to pass the head, that fell below the kne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachel Moss (art Historian)
Rachel Moss is an Irish art historian and professor specialising in medieval art, with a particular interest in Insular art, medieval Irish Gospel books and monastic history.O'Rourke, Frances.First encounters: Rachel Moss and Catherine Marshall. ''Irish Times'', 23 November 2014. Retrieved 18 July 2021 She is the current head of the Department of the History of Art at Trinity College Dublin, where she was became a fellow in 2022. Moss has written extensively on the sources and iconography of medieval Irish art, its materials, methods and political and cultural settings. Her work includes detailed examinations of Irish round towers, high crosses, psalters, Celtic broochs, chalicees and house-shaped and other reliquary shrines, with a close focus on illuminated manuscripts such as the Stowe Missal, Book of Durrow and Book of Mulling. Career Moss has said that her interest in the medieval came from her grandfather, an archaeologist living in County Sligo, who took her on digs when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of America ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Francis Mitchell
George Francis Mitchell, (15 October 1912 – 25 November 1997) was an Irish geologist and naturalist. He was generally known as Frank Mitchell. Career He was born in Dublin, the son of David William Mitchell, a merchant, and his wife Frances Elizabeth Kirkby. He was educated at the High School in Dublin then studied Natural Sciences at Trinity College, Dublin, where he graduated BA. He was later awarded M.Sc (1935) and M.A. (1937). He became Assistant to the Professor of Geology, Knud Jessen, in 1934 and under his guidance carried out field studies of post-glacial sediments in Ireland. His lifetime interest, however, was in integrating the various disciplines in the study of the Irish natural environment and he developed interests in fields such as botany and archaeology. He bought Townley Hall from Trinity College and turned it into a study centre, which he personally funded and which enabled research in several different disciplines, particularly archaeological investigations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antependium
An ''antependium'' (from Latin ''ante-'' and ''pendēre'' "to hang before"; pl: ''antependia''), also known as a '' parament'' or ''hanging'', or, when speaking specifically of the hanging for the altar, an altar frontal (Latin: ''pallium altaris''), is a decorative piece, usually of textile, but also metalwork, stone or other material that can adorn a Christian altar. Specifically, and as the etymology of the word suggests, an antependium hangs down in front of whatever it covers, and is to be distinguished from the altar linens which are used in the service of the Eucharist, and an altar cloth which covers the top of the altar table (''mensa''). Types of antependia Western Christianity "Antependium" is the word used for elaborate fixed altar frontals, which, in large churches and especially in the Ottonian art of the Early Medieval period, were sometimes of gold studded with gems, enamels and ivories, and in other periods and churches often carved stone, painted wood pan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Cross
A high cross or standing cross ( ga, cros ard / ardchros, gd, crois àrd / àrd-chrois, cy, croes uchel / croes eglwysig) is a free-standing Christian cross made of stone and often richly decorated. There was a unique Early Medieval tradition in Ireland and Britain of raising large sculpted stone crosses, usually outdoors. These probably developed from earlier traditions using wood, perhaps with metalwork attachments, and earlier pagan Celtic memorial stones; the Pictish stones of Scotland may also have influenced the form. The earliest surviving examples seem to come from the territory of the Anglo-Saxon kingdom of Northumbria, which had been converted to Christianity by Irish missionaries; it remains unclear whether the form first developed in Ireland or Britain. Their relief decoration is a mixture of religious figures and sections of decoration such as knotwork, interlace and in Britain vine-scrolls, all in the styles also found in insular art in other media such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soiscél Molaisse
The Soiscél Molaisse ( ;Stokes (1871), p. 14 'Gospel of St. Molaisse')Stevick (2008), p. 37 is an Irish (a type of ornamented metal reliquary box or carrying case for a holy book) that originated from an 8th-century wooden core embellished in the 11th and 15th centuries with metal plates decorated in the Insular style. Until the late 18th century, the shrine held a now-lost companion text, presumed to be a small illuminated gospel book associated with Saint Laisrén mac Nad Froích ( 564 or 571), also known as Molaisse or "Mo Laisse". In the 6th century, Molaisse founded a church on Devenish Island in the southern part of Lough Erne in County Fermanagh, with which the cumdach is associated. The shrine was constructed in three phases. The 8th-century original wooden box was embellished sometime between 1001 and 1025 with a silver frame under the direction of Cennefaelad, abbot of Devenish. This included embossed silver plates, a front piece depicting a cross, the fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isle Of Man
) , anthem = " O Land of Our Birth" , image = Isle of Man by Sentinel-2.jpg , image_map = Europe-Isle_of_Man.svg , mapsize = , map_alt = Location of the Isle of Man in Europe , map_caption = Location of the Isle of Man (green) in Europe (dark grey) , subdivision_type = Sovereign state , subdivision_name = United Kingdom , established_title = Norse control , established_date = 9th century , established_title2 = Scottish control , established_date2 = 2 July 1266 , established_title3 = English control , established_date3 = 1399 , established_title4 = Revested into British Crown , established_date4 = 10 May 1765 , official_languages = , capital = Douglas , coordinates = , demonym = Manx; Manxman (plural, Manxmen); Manxwoman (plural, Manxwomen) , ethnic_groups = , ethnic_groups_year = 2021 , ethnic_groups_ref = Official census statistics provided by Statistics Isle of Man, Isle of Man Government: * * , religion = , religion_year = 2021 , religi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calf Of Man
Calf of Man ( gv, Yn Cholloo ) is a island, off the southwest coast of the Isle of Man. It is separated from the Isle of Man by a narrow stretch of water called the Calf Sound. Like the nearby rocky islets of Chicken Rock and Kitterland, it is part of the historic parish of Rushen and the current parish district of Arbory and Rushen. It has only two seasonal inhabitants. The word 'calf' derives from the Old Norse word ''kalfr'' which means a small island lying near a larger one. One can reach the Calf of Man by boat from either Port Erin or Port St Mary. Cow Harbour and South Harbour are the main landing places. The highest part of the island is in the west where an unnamed peak reaches above sea level. Until 1939 the island was under private ownership by the Keig family, but the island was purchased by Mr F J Dickens of Silverdale, Lancashire, who then donated it to the National Trust for it to become a bird sanctuary. In 1951 the Manx Museum & National Trust, which beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rinnegan Crucifixion Plaque
The Rinnegan Crucifixion Plaque (or the Athlone Crucifixion Plaque) is a late 7th or early 8th century Irish gilt-bronze crucifixion plaque sculpture found in the 19th century in the churchyard of St. John’s on the head of Lough Ree in Rinnegan County Westmeath, and near Athlone, County Roscommon.Mitchell (1977), p. 84 It is one of the earliest extant representations of the crucifixion in Irish art, and outside of illuminated manuscripts, a rare example of both representation and a narrative scene in early Irish Insular art.O'Toole (2013) The Rinnegan Crucifixion is the earliest of the eight such medieval Irish plaques to have survived, and at 21.0 cm x 12.5 cm is the largest,Moss (2014), p. 272 and is widely considered the finest.Johnson (1998), p. 95 Its dating to the late 7th or early 8th centuries is based on the curvilinear designs, including spirals and interlace.Johnson (1998), p. 99 It held at the archaeology branch of the National Museum of Ireland (NMI) i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nail (relic)
Relics that are claimed to be the Holy Nails with which Jesus was crucified are objects of veneration among some Christians, particularly Roman Catholics and the Eastern Orthodox. In Christian symbolism and art, they figure among the '' Arma Christi'' or Instruments of the Passion, the objects associated with the Passion of Jesus. Like the other Instruments, the Holy Nails have become an object of veneration among many Christians and have been pictured in paintings. The authenticity of these relics is doubtful. The ''Catholic Encyclopedia'' wrote: Very little reliance can be placed upon the authenticity of the thirty or more holy nails which are still venerated, or which have been venerated until recent times, in such treasuries as that of Santa Croce in Rome, or those of Venice, Aachen, the Escurial, Nuremberg, Prague, etc. Probably the majority began by professing to be facsimiles which had touched or contained filings from some other nail whose claim was more ancient. Wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
