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Antependium
An ''antependium'' (from Latin ''ante-'' and ''pendēre'', "to hang before"; : ''antependia''), also known as a pulpit fall, parament or hanging, or, when speaking specifically of the hanging for the altar, an altar frontal (Latin: ''pallium altaris''), is a decorative piece, usually of textile, but also metalwork, stone or other material, that can adorn a Christian altar. Antependium can also be used to describe the decorated front of the altar itself, especially if it is in an inflexible material such as wood, stone or metal. Specifically, and as the etymology of the word suggests, an antependium hangs down in front of whatever it covers, and is to be distinguished from the altar linens which are used in the service of the Eucharist, and an altar cloth which covers the top of the altar table (''mensa''). The true liturgical decoration of the altar and its oldest adornment is the frontal. Types of ''antependia'' Western Christianity “''Antependium''” is the word used ...
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Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late Middle Ages, late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the Church (congregation), congregation below, especially prior to the invention of modern audio equipment. Most pulpits have one or more book-stands for the preacher to rest his bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not a ...
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Ottonian Art
Ottonian art is a style (visual arts), style in Pre-Romanesque art, pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and Northern Italy between 919 and 1024 under the kings Henry the Fowler, Henry I, Otto I, Otto II, Otto III and Emperor Henry II, Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951–1024). However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own.Suckale-Redlefsen, 524 In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudde ...
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Altar Cloth
An altar cloth is used in the Christian liturgy to cover the altar. It serves as a sign of reverence as well as a decoration and a protection of the altar and the sacred vessels. In the orthodox churches it is covered by the antimension, which also contains the relics of saints. Since the 2nd century the altar cloth has been seen as a symbol for the shroud of Jesus Christ; therefore it should be made of white linen. Another interpretation used two cloths and compared them with the body and soul of Christ. Christian altar cloths Western Churches Special cloths (not necessarily made of linen) cover the altar in many Christian churches during services and celebrations, and are often left on the altar when it is not in use. In the early 20th century the Catholic Church considered only linen or hemp to be acceptable as material for altar cloths, although in earlier centuries silk or cloth of gold or silver were used. The Anglican Communion had similar rules in that period. At ...
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St Mark's Basilica
The Patriarchal Cathedral Basilica of Saint Mark (), commonly known as St Mark's Basilica (; ), is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the fall of the republic in 1797, it was the chapel of the Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark for administrative and financial affairs. The present structure is the third church, begun probably in 1063 to express Venice's growing civic consciousness and pride. Like the two earlier churches, its model was the sixth-century Church of the Holy Apostles in Constanti ...
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Altar Cloth
An altar cloth is used in the Christian liturgy to cover the altar. It serves as a sign of reverence as well as a decoration and a protection of the altar and the sacred vessels. In the orthodox churches it is covered by the antimension, which also contains the relics of saints. Since the 2nd century the altar cloth has been seen as a symbol for the shroud of Jesus Christ; therefore it should be made of white linen. Another interpretation used two cloths and compared them with the body and soul of Christ. Christian altar cloths Western Churches Special cloths (not necessarily made of linen) cover the altar in many Christian churches during services and celebrations, and are often left on the altar when it is not in use. In the early 20th century the Catholic Church considered only linen or hemp to be acceptable as material for altar cloths, although in earlier centuries silk or cloth of gold or silver were used. The Anglican Communion had similar rules in that period. At ...
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Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic, and Lutheranism, Lutheran churches. The most common subjects include Jesus, Mary, mother of Jesus, Mary, saints, and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most of the religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal or carved in stone or embroidered on cloth or done in mosaic or fresco work or printed on paper or metal, etc. Comparable images from Western Christianity may be classified as "icons", although "iconic" may also be used to describe the static style of a devotional image. In the Greek language, the term for icon painting uses ...
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Eastern Orthodox Church
The Eastern Orthodox Church, officially the Orthodox Catholic Church, and also called the Greek Orthodox Church or simply the Orthodox Church, is List of Christian denominations by number of members, one of the three major doctrinal and jurisdictional groups of Christianity, with approximately 230 million baptised members. It operates as a Communion (Christian), communion of autocephalous churches, each governed by its Bishop (Orthodox Church), bishops via local Holy Synod, synods. The church has no central doctrinal or governmental authority analogous to the pope of the Catholic Church. Nevertheless, the Ecumenical Patriarch of Constantinople is recognised by them as ''primus inter pares'' (), a title held by the patriarch of Rome prior to 1054. As one of the oldest surviving religious institutions in the world, the Eastern Orthodox Church has played an especially prominent role in the history and culture of Eastern Europe, Eastern and Southeastern Europe. Since 2018, the ...
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Holy Table
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in Christianity, Buddhism, Hinduism, and modern paganism. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word ''altar'' was derived from Middle English ''altar'', from Old English '' alter'', taken from Latin ''altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity In antiquity, altars were used for making sacrifices to deities; this could include both libations and animal sacrifice. In Ancient Roman religion, altars were often inscribed with the donor's name and the deity to whom the altar was dedicated. One of the most ...
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Analogion
An analogion ( oἀναλογεῖον is a lectern or slanted stand on which icons or the Gospel Book are placed for veneration by the faithful in the Eastern Orthodox Church and Eastern Catholic Churches. It may also be used as a lectern to read from liturgical books during the divine services. Design The analogion is normally slanted slightly, to make it easier for the one standing in front of it to see the icon or book laid on it. The analogion may have four legs or only one in the center. It is often covered with a rich cloth ( antipendium), which either partially or completely covers the analogion on top and all sides. Some analogia are made so they fold for easy portability, some are intricately carved of fine wood, and some are simple frameworks intended to be completely covered with cloth. These are normally light enough to be moved about without too much difficulty. There is also a type of analogion which is used in the kliros by the chanters. This often has t ...
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Altar
An altar is a table or platform for the presentation of religion, religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, Church (building), churches, and other places of worship. They are used particularly in Christianity, Buddhism, Hinduism, and modern paganism. Many historical-medieval faiths also made use of them, including the Religion in ancient Rome, Roman, Religion in ancient Greece, Greek, and Norse paganism, Norse religions. Etymology The modern English language, English word ''wikt:altar#English, altar'' was derived from Middle English ''wikt:alter#Latin, altar'', from Old English ''wikt:alter, alter'', taken from Latin ''wikt:altare#Latin, altare'' ("altar"), probably related to ''wikt:adolere#Etymology 2, adolere'' ("burn"); thus "burning place", influenced by ''wikt:altus#Latin, altus'' ("high"). It displaced the native Old English word ''wikt:weofod#Old English, wēofod''. Altars in antiquity In antiquity, alta ...
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Orphrey
An orphrey, also spelt orfrey or orfray, is a form of often highly detailed embroidery, in which typically simple materials are made into complex patterns. Orphreys are broad bands used on priests' albs and knights' robes. In 1182 and 1183 Henry II of England spent lavishly on orphreys.The Mercery of London, Anne F. Sutton, p. 9 The word comes from Old French ''orfreis'', from Late Latin ''auriphrygium'', from Latin ''aurum'' "gold" and ''Phrygius'' "Phrygian," as the Phrygians were known for their needlework with gold and silver threads. Orphrey bands are often worn on clerical vestments, a tradition that began in the 12th-century Roman Catholic Church. The bands are placed vertically, and may be of rich fabrics, such as gold lace, cloth of gold, velvet or silk, embroidered or decorated with jewels and enamels. The finest examples of orphrey can take hundreds of hours of work and sell for thousands of dollar Dollar is the name of more than 25 currencies. The United Sta ...
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