Church Of São Mateus Da Calheta
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Church Of São Mateus Da Calheta
The Church of São Mateus () is a Baroque architecture, Baroque church in the freguesia, civil parish of São Mateus da Calheta, in the concelho, municipality of Angra do Heroísmo, in the Portugal, Portuguese archipelago of the Azores. The church is the major rural temple on the island of Terceira, and one of the larger churches in the Azores. Apart from its apparent volume, the church is marked by several carvings on its main facade, that include the three of the Cardinal Virtues, while its two lateral bell towers are unique in the archipelago for their size and pyramidal spires. History The first nucleus of the community settled in the area of ''Poço da Luz'', in the 15th century, then a low and marshy area, separated from the sea by a coastal barrier of boulders built by the tide. The first documented reference to the existence of a church came from Pedro Cota da Malha on 6 February 1557, then a resident of Quinta da Prainha. He verified that the Church was in construction in ...
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Angra Do Heroísmo
Angra do Heroísmo (), or simply Angra, is a city and municipality on Terceira Island, Portugal, and one of the three capital cities of the Azores. Founded in 1478, Angra was historically the most important city in the Azores, as seat of the Roman Catholic Diocese of Angra, Bishop of the Azores, government entities, and having previously served as the capital city of Portugal during the Liberal Wars. The population in 2011 was 35,402, in an area of 239.00 km2. It was classified as a World Heritage Site, World Heritage site by UNESCO in 1983. Name Angra is the Portuguese language, Portuguese word for "inlet", "cove", or "bay". The epithet ' ("of Heroism", "the Heroic") was granted to the city by Maria II of Portugal, Maria II to commemorate its citizens' Battle of Praia da Vitória, successful defense of the island against a Miguelist assault in 1829. The full name of the city is the Very Noble, Loyal and Ever Steadfast City of Angra do Heroísmo (). History Some claim tha ...
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Cartouche
upalt=A stone face carved with coloured hieroglyphics. Two cartouches - ovoid shapes with hieroglyphics inside - are visible at the bottom., Birth and throne cartouches of Pharaoh KV17.html" ;"title="Seti I, from KV17">Seti I, from KV17 at the Valley of the Kings, Egypt. Neues Museum, Berlin In Egyptian hieroglyphs, a cartouche ( ) is an oval with a line at one end tangent to it, indicating that the text enclosed is a pharaoh, royal name. The first examples of the cartouche are associated with pharaohs at the end of the Third Dynasty, but the feature did not come into common use until the beginning of the Fourth Dynasty under Pharaoh Sneferu. While the cartouche is usually vertical with a horizontal line, if it makes the name fit better it can be horizontal, with a vertical line at the end (in the direction of reading). The ancient Egyptian word for cartouche was (compare with Coptic ''šne'' yielding eventual sound changes), and the cartouche was essentially an expanded s ...
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Tympanum (architecture)
A tympanum ( tympana; from Greek and wiktionary:tympanum#Latin, Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architecture, architectural styles include this element, although it is most commonly associated with Romanesque architecture, Romanesque and Gothic architecture, Gothic architecture. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. Tympanums in antiquity and the Early Middle Ages Tympanums are by definition inscriptions enclosed by a pediment, however the evolution of tympanums gives them more specific implications. Pediments first emerged early in Classical Greece around 700-480 BCE, with early examples such as the Parthenon remaining famous to this day. Pediments spread across the Hellenistic world with the rest of classical architecture. T ...
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Cardinal Virtues
The cardinal virtues are four virtues of mind and character in classical philosophy. They are prudence, Justice (virtue), justice, Courage, fortitude, and Temperance (virtue), temperance. They form a Virtue ethics, virtue theory of ethics. The term ''cardinal'' comes from the Latin (hinge); these four virtues are called "cardinal" because all other virtues fall under them and hinge upon them. These virtues derive initially from Plato in ''The Republic (Plato), Republic'' Book IV, 426-435. Aristotle expounded them systematically in the ''Nicomachean Ethics''. They were also recognized by the Stoicism, Stoics and Cicero expanded on them. In the Christian tradition, they are also listed in the Deuterocanonical books in and , and the Doctor of the Church, Doctors Ambrose, Augustine of Hippo, Augustine, and Thomas Aquinas, Aquinas expounded their supernatural counterparts, the three theological virtues of faith, hope, and charity. Four cardinal virtues * Prudence (, Phronesis, ; ...
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Plinth
A pedestal or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engineering, it is also called ''basement''. The minimum height of the plinth is usually kept as 45 cm (for buildings). It transmits loads from superstructure to the substructure and acts as the retaining wall for the filling inside the plinth or raised floor. In sculpting, the terms base, plinth, and pedestal are defined according to their subtle differences. A base is defined as a large mass that supports the sculpture from below. A plinth is defined as a flat and planar support which separates the sculpture from the environment. A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. An elevated pedestal or plinth that bears a statue, and which is raised from the substructure supporting it (typically roofs or corniches), is some ...
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Pediment
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns.Summerson, 130 In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The cornice continues round the top of the pediment, as well as below it; the rising sides are often called the "raking cornice". The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative Moulding (decorative), moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves, and rain gutter, gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative a ...
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Frieze
In classical architecture, the frieze is the wide central section of an entablature and may be plain in the Ionic order, Ionic or Corinthian order, Corinthian orders, or decorated with bas-reliefs. Patera (architecture), Paterae are also usually used to decorate friezes. Even when neither column (architecture), columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the molding (decorative), moldings of the cornice (architecture), cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painting, painted, sculpture, sculpted or even calligraphy, calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of ...
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Pilaster
In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall. As an ornament it consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a Classical pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition A pilaster is foremost a load-bearing architectural element used widely throughout the world and its history where a structural load is carried by a thickened section of wall or column integrated into a wall. It is also a purel ...
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Spire
A spire is a tall, slender, pointed structure on top of a roof of a building or tower, especially at the summit of church steeples. A spire may have a square, circular, or polygonal plan, with a roughly conical or pyramidal shape. Spires are typically made of stonework or brickwork, or else of timber structures with metal cladding, ceramic tiling, roof shingles, or slates on the exterior. Since towers supporting spires are usually square, square-plan spires emerge directly from the tower's walls, but octagonal spires are either built above a pyramidal transition section called a '' broach'' at the spire's base, or else free spaces around the tower's summit for decorative elements like pinnacles. The former solution is known as a ''broach spire''. Small or short spires are known as ''spikes'', ''spirelets'', or '' flèches''. Etymology This sense of the word spire is attested in English since the 1590s, ''spir'' having been used in Middle Low German since the 14t ...
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