HOME



picture info

Bolshoi Theatre, Saint Petersburg
The Saint Petersburg Imperial Bolshoi Kamenny Theatre (The Big Stone Theatre of Saint Petersburg, ) was a Theater (structure), theatre in Saint Petersburg. It was built in 1783 to Antonio Rinaldi (architect), Antonio Rinaldi's Neoclassical design as the Kamenny (i.e., Stone) Theatre; Giovanni Paisiello’s opera ''Il mondo della luna'' was performed at the opening on 24 September. It was rebuilt in 1802 according to the designs of the architect Thomas de Thomon and renamed the Bolshoi, but burned down in 1811. The building was restored in 1818, and modified between 1826 and 1836 by Alberto Cavos to accommodate more modern machinery. Until 1886, the Bolshoi Kamenny Theatre was principal theatre for both the Mariinsky Ballet, Imperial Ballet and the Imperial Russian Opera. In 1886 the building was declared unsafe and, at the behest of the theatre director Ivan Vsevolozhsky, the ballet and opera performances moved to the Imperial Mariinsky Theatre, where they have remained ever ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Ruslan And Lyudmila (opera)
Ruslan may refer to: * ''Ruslan'' (film), a 2009 film starring Steven Segal * '' Ruslaan'', a 2024 Indian film * Ruslan (given name), masculine given name (contains list of people) * Antonov An-124 ''Ruslan'', large Soviet cargo aircraft, later built in Ukraine and Russia * SS ''Ruslan'', a Russian cargo ship in the Third Aliyah in 1919 See also * Aslan (other), cognate * Rusian (other) * Ruslan and Ludmila (other) {{disambig ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Music Venues Completed In 1783
Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of elements of music, specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of musical composition, composition, musical improvisation, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Opera Houses In Russia
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Bolshoi Theatre, Saint Petersburg
The Saint Petersburg Imperial Bolshoi Kamenny Theatre (The Big Stone Theatre of Saint Petersburg, ) was a Theater (structure), theatre in Saint Petersburg. It was built in 1783 to Antonio Rinaldi (architect), Antonio Rinaldi's Neoclassical design as the Kamenny (i.e., Stone) Theatre; Giovanni Paisiello’s opera ''Il mondo della luna'' was performed at the opening on 24 September. It was rebuilt in 1802 according to the designs of the architect Thomas de Thomon and renamed the Bolshoi, but burned down in 1811. The building was restored in 1818, and modified between 1826 and 1836 by Alberto Cavos to accommodate more modern machinery. Until 1886, the Bolshoi Kamenny Theatre was principal theatre for both the Mariinsky Ballet, Imperial Ballet and the Imperial Russian Opera. In 1886 the building was declared unsafe and, at the behest of the theatre director Ivan Vsevolozhsky, the ballet and opera performances moved to the Imperial Mariinsky Theatre, where they have remained ever ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Ludwig Minkus
Ludwig Minkus (), also known as Léon Fyodorovich Minkus (23 March 1826, Vienna – 7 December 1917, Vienna), was an Austrian composer of ballet music, a violinist and teacher of music. Minkus is noted for the music he composed during his career in St. Petersburg, Russia. Beginning in 1871 Minkus served in the official post of ''Composer of Ballet Music'' to the St. Petersburg Imperial Theatres, a position he held until it was abolished upon his retirement in 1886. During his long career in St. Petersburg, Minkus composed for the original works and revivals staged by the ballet masters Arthur Saint-Léon and Marius Petipa. Among the composer's most celebrated compositions is his score for '' La source'' (1866; composed jointly with Léo Delibes), ''Don Quixote'' (1869); and '' La Bayadère'' (1877). Minkus composed many pieces for older works. The most well-known of Minkus's additional music is the ''Grand Pas classique'' and ''Mazurka des enfants'' composed for Petipa's 1881 ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is an 1877 ballet, originally staged in four acts and seven tableaux by the French choreographer Marius Petipa to music by Ludwig Minkus and libretto by . The ballet was staged for the benefit performance of the Russian ''Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was hailed by contemporary critics and audiences as one of the choreographer Petipa's masterpieces, particularly the scene of act II ''The Kingdom of the Shades'', which is one of the most celebrated pieces in all of classical ballet. Nearly all modern versions of ''La Bayadère'' are derived from and Vakhtang Chabukiani's redacted version staged for the Kirov/Mariinsky Ballet in 1941 that has remained in the company's repertory to ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Arthur Saint-Léon
Arthur Saint-Léon (17 September 1821, in Paris – 2 September 1870) was the '' Maître de Ballet'' of St. Petersburg Imperial Ballet from 1859 until 1869 and is famous for creating the choreography of the ballet '' Coppélia''. Biography He was born Charles Victor Arthur Michel in Paris, but was raised in Stuttgart, where his father was dance master for the court and the theatre ballet. Saint-Léon was encouraged by his father, who had also been a dancer of the Paris Opéra Ballet, to study music and dance. Saint-Léon studied violin with Joseph Mayseder and Niccolò Paganini. At the same time, he studied ballet so he could perform both as violinist and dancer. When he was 17 years old, he made his début as first demi-charactére dancer at the Théâtre de la Monnaie in Brussels. He started to tour across Europe dancing in Germany, Italy, England, obtaining a lot of success. In particular, the London audience, who did not like at that time to see men dancing on stage, like ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Little Humpbacked Horse (ballet)
''The Little Humpbacked Horse, or The Tsar Maiden'' (a.k.a. ''Konyok Gorbunok ili Tsar-Devitsa'', or ''Le Petit cheval bossu, ou La Tsar-Demoiselle'') is a ballet in four acts and eight scenes with apotheosis. Story of the ballet The libretto is by Arthur Saint-Léon, based on the fairy tale ''The Little Humpbacked Horse'' by Pyotr Pavlovich Yershov, Pyotr Yershov. However, the choreographer substantially deviated from Yershov's original tale. The ballet shows how Ivan the fool, with the aid of a magical horse, defeats an evil Khan (title), Khan and wins the hand of the Tsar-Maiden. Eventually Ivan replaces the ineffective and incompetent Tsar and becomes Tsar himself. Choreography of Saint-Léon The original choreography was created by Arthur Saint-Léon and was set to music by Cesare Pugni. The ballet was first presented by the Mariinsky Ballet, Imperial Ballet on at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. Marfa Muravyova (as the Tsar Maiden) and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Beauty Of Lebanon Or The Mountain Spirit
''The'' is a grammatical Article (grammar), article in English language, English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a con ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Cesare Pugni
Cesare Pugni (; ; 31 May 1802, in Genoa – ) was an Italian composer of ballet music, a pianist and a violinist. He studied composition with Bonifazio Asioli and violin with Alessandro Rolla. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of ''Premier maître de ballet'' of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as ''Prima ballerina''. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure i ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Marius Petipa
Marius Ivanovich Petipa (; born Victor Marius Alphonse Petipa; 11 March 1818) was a French and Russian ballet dancer, pedagogue and choreographer. He is considered one of the most influential ballet masters and choreographers in ballet history. Petipa is noted for his long career as ''Premier maître de ballet'' (First Ballet Master) of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from his originals. He is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote (ballet), Don Quixote'' (1869); ''La Bayadère'' (1877); ''The Talisman (ballet), Le Talisman'' (1889); ''The Sleeping Beauty Ballet, The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''The Awakeni ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]