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Aṣṭāvakra
Ashtavakra ( sa, अष्टावक्रः, ) or Ushtaavukruhu is a revered Vedic sage in Hinduism. His name literally means "eight deformities", reflecting the eight physical deformities he was born with. His maternal grandfather was the Vedic sage Aruni, his parents were both Vedic students at Aruni's school. Ashtavakra studied, became a sage and a celebrated character of the Hindu Itihasa epics and Puranas. Ashtavakra is the author of the text '' Aṣṭāvakra Gītā'', also known as ''Aṣṭāvakra Saṃhitā'', in Hindu traditions. The text is a treatise on Brahman and Atman. History Little is known about the life or century in which Ashtavakra actually lived, except for the accounts found in the major Indian Epics (the ''Ramayana'' and the ''Mahabharata'') and the Puranas. The legends state that sage Aruni, mentioned in the Chāndogya Upaniṣad, ran a school ( Āśrama) teaching the Vedas. Kahoḍa was one of his students, along with Aruni's daughter Sujata. Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashtavakra Samhita
The Ashtavakra Gita (Sanskrit: अष्टावक्रगीता; IAST: aṣṭāvakragītā) or Song of Ashtavakra is a classical text in the Advaita Vedanta tradition in the form of a dialogue between the sage Ashtavakra and Janaka, king of Mithila. Dating Radhakamal Mukerjee, an Indian social scientist, dated the book to the period immediately after the Hindu scripture Bhagavad Gita (c. 500–400 BCE). J. L. Brockington, emeritus professor of Sanskrit at the University of Edinburgh, places the Ashtavakra Gita much later, supposing it to have been written either in the eighth century CE by a follower of Adi Shankara, or in the fourteenth century during a resurgence of Shankara's teaching. Sri Swami Shantananda Puri suggests that since the book contains the seed of the theory of non-creation Ajata Vada developed later by Gaudapada in Mandookya Karika, this book comes from a period prior to that of Gaudapada (6th century CE) and hence prior to Shankara. Identification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashtavakra Gita
The Ashtavakra Gita (Sanskrit: अष्टावक्रगीता; IAST: aṣṭāvakragītā) or Song of Ashtavakra is a classical text in the Advaita Vedanta tradition in the form of a dialogue between the sage Ashtavakra and Janaka, king of Mithila. Dating Radhakamal Mukerjee, an Indian social scientist, dated the book to the period immediately after the Hindu scripture Bhagavad Gita (c. 500–400 BCE). J. L. Brockington, emeritus professor of Sanskrit at the University of Edinburgh, places the Ashtavakra Gita much later, supposing it to have been written either in the eighth century CE by a follower of Adi Shankara, or in the fourteenth century during a resurgence of Shankara's teaching. Sri Swami Shantananda Puri suggests that since the book contains the seed of the theory of non-creation Ajata Vada developed later by Gaudapada in Mandookya Karika, this book comes from a period prior to that of Gaudapada (6th century CE) and hence prior to Shankara. Identification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radhakamal Mukerjee
Radhakamal Mukerjee (1889–1968), a leading thinker and social scientist of modern India, was Professor of Economics and Sociology and Vice-Chancellor of the University of Lucknow. Mukerjee played an important and constructive role in the Indian independence movement. He was a highly original philosopher of history and a discerning interpreter of culture and civilization and a 1962 recipient of the third highest Indian civilian honour of the Padma Bhushan. Formative years Mukerjee was the son of a barrister in Baharampur, West Bengal, a city located some 185 km north of Kolkata. He grew up in a household with a scholarly focus and a library devoted to history, literature, the law and Sanskrit texts. After attending Krishnanagar College, he gained an academic scholarship to Presidency College, under the University of Calcutta. He earned his honours degrees in English and History. Literary works Mukerjee opened the discourse of the Ashtavakra Gita into English with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāmāyaṇa
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned king amidst jubilation and celebration. The ''Ramayana'' is one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the '' Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the '' Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vana Parva
The Vana Parva, also known as the "Book of the Forest", is the third of eighteen parvas in the Indian epic Mahabharata.van Buitenen, J.A.B. (1975) ''The Mahabharata: Book 2: The Book of the Assembly Hall; Book 3: The Book of the Forest''. Chicago, IL: University of Chicago Press Vana Parva traditionally has 21 parts and 324 chapters.Dutt, M.N. (1896) ''The Mahabharata (Volume 3): Vana Parva''. Calcutta: Elysium Press The critical edition of Vana Parva is the longest of the 18 books in the epic, containing 16 parts and 299 chapters. The parva is a chronicle of the twelve-year journey of the Pandavas in a forest, where they learn life lessons and build character.Bibek Debroy (2011), The Mahābhārata, Volume 3, , Penguin Books Vana Parva contains discourses on virtues and ethics; myths of Arjuna, Yudhishthara, and Bhima; and the tales of "Nahusha the Snake and Yudhishthira" and "Ushinara and the Hawk". It also includes the love stories of "Nala and Damayanti" and "Savitri and Sat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treta Yuga
''Treta Yuga'', in Hinduism, is the second and second best of the four '' yugas'' (world ages) in a ''Yuga Cycle'', preceded by '' Krita (Satya) Yuga'' and followed by ''Dvapara Yuga''. ''Treta Yuga'' lasts for 1,296,000 years (3,600 divine years). ''Treta'' means 'a collection of three things' in Sanskrit, and is so called because during the ''Treta Yuga'', there were three Avatars of Vishnu that were seen, the fifth, sixth and seventh incarnations as Vamana, Parashurama and Rama, respectively. The bull of Dharma symbolizes that morality stood on three legs during this period. It had all four legs in the ''Satya Yuga'' and two in the succeeding ''Dvapara Yuga''. Currently, in the immoral age of '' Kali'', it stands on one leg. Etymology '' Yuga'' ( sa, युग), in this context, means "an age of the world", where its archaic spelling is ''yug'', with other forms of ''yugam'', , and ''yuge'', derived from ''yuj'' ( sa, युज्, , to join or yoke), believed derived fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gita Press
Gita Press is the world's largest publisher of Hindu religious texts.Encyclopædia Britannica It is located in city of India's state. It was founded in 1923 by Jaya Dayal Goyanka and Ghanshyam Das Jalan for promoting the principles of '' Sanatana Dharma''. better known as "Bhaiji" was the founding and the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharva
A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. Gandharvas have been associated with the historical Gandhara region. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). Hinduism In Hinduism, the gandharvas (, , , , , , ; , ) are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the sun / in the heavenly waters) which watches over the Soma (apparently) for the benefit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabandha
In Hinduism, Kabandha (, , lit. "headless torso") is a Rakshasa (demon) who is killed and freed from a curse by the god Rama – an Avatar of Vishnu – and his brother Lakshmana. Kabandha's legend appears in the Hindu epics ''Ramayana'' and ''Mahabharata'', as well as in later Ramayana adaptations. Kabandha was a gandharva (celestial musician) named Vishvavasu or Danu, who was cursed and made into an ugly, carnivorous demon by Indra, the king of heaven, and/or a sage named Ashtavakra. In an encounter with Rama and Lakshmana, the brothers sever his arms and proceed to cremate his corpse. Upon his death, Kabandha resumes his Gandharva form and directs Rama to the Rishyamukha mountain, where the exiled monkey-chief Sugriva is hiding. Kabandha advises Rama to form an alliance with Sugriva, who would be of assistance in the search for Rama's wife Sita, who had been kidnapped by Ravana, the demon-king of Lanka. Following Kabandha's advice, Rama befriends Sugriva and rescues Sita with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adhyatma Ramayana
''Adhyatma Ramayana'' ( Devanāgarī: अध्यात्म रामायण, IAST: ''Adhyātma Rāmāyaṇa'', ) is a 13th- to 15th-century Sanskrit text that allegorically interprets the story of Hindu epic '' Ramayana'' in the Advaita Vedanta framework. It is embedded in the latter portion of '' Brahmānda Purana,'' and the author is considered to be Veda Vyasa. The Hindu tradition also attributes the text to the Bhakti movement saint Ramananda. The text consists of 7 books, 65 chapters or 4,500 verses in the form of a dialogue between Shiva and Parvati. Adhyatma Ramayana contains the ideal characteristics of Rama and the precepts related to devotion, knowledge, dispassion, adoration and good conduct. Rama is presented as the supreme Brahman in the text, while the struggles of Sita and him are re-interpreted in an abstract spiritual form. The allegory inspired several later versions of the Ramayana story in languages like Awadhi (''Ramcharitmanas'' by Tulsidas), Odia, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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