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Kabandha
In Hinduism, Kabandha (, , lit. "headless torso") is a Rakshasa (demon) who is killed and freed from a curse by the god Rama – an Avatar of Vishnu – and his brother Lakshmana. Kabandha's legend appears in the Hindu epics ''Ramayana'' and ''Mahabharata'', as well as in later Ramayana adaptations. Kabandha was a gandharva (celestial musician) named Vishvavasu or Danu, who was cursed and made into an ugly, carnivorous demon by Indra, the king of heaven, and/or a sage named Ashtavakra. In an encounter with Rama and Lakshmana, the brothers sever his arms and proceed to cremate his corpse. Upon his death, Kabandha resumes his Gandharva form and directs Rama to the Rishyamukha mountain, where the exiled monkey-chief Sugriva is hiding. Kabandha advises Rama to form an alliance with Sugriva, who would be of assistance in the search for Rama's wife Sita, who had been kidnapped by Ravana, the demon-king of Lanka. Following Kabandha's advice, Rama befriends Sugriva and rescues Sita wi ...
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Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ...
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Gandharva
A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. Gandharvas have been associated with the historical Gandhara region. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). Hinduism In Hinduism, the gandharvas (, , , , , , ; , ) are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the sun / in the heavenly waters) which watches over the Soma (apparently) for the benef ...
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Rakshasa
Rakshasas ( sa, राक्षस, IAST: : Pali: ''rakkhaso'') lit. 'preservers' are a race of usually malevolent demigods prominently featured in Hindu mythology. According to the Brahmanda Purana, the rakshasas were created by Brahma when he assumed a body of ''tamas'' (darkness), the beings springing forth and promising to protect the waters of creation. They are often depicted to be man-eaters (''nri-chakshas'', ''kravyads''), acting as embodiments of the powers of evil in the Vedic scriptures. They are offered a distinction from yakshas, their cousins who are depicted to be forces of destruction. The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The female form of rakshasa is rakshasi. Hinduism In Vedas The Hymn 87 of the tenth mandala of the ''Rigveda'' mentions about Rakshasas. They are classified amongst the ...
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Mahaviracharita
''Mahaviracharita'' ("Exploits of a Great Hero") is a play by the 8th-century Sanskrit playwright Bhavabhuti based on the early life of Rama, the hero of the ''Ramayana'' and venerated as a Hindu deity. It is the first play of Bhavabhuti,Mirashi p.111 thus lacking in character and style compared to his two known later works: '' Malatimadhava'' and '' Uttararamacharita''. Though currently composed of seven acts, the whole present text may not have been composed by Bhavabhuti. Structure and plot The play is composed of seven acts. Most modern scholars agree that Bhavabhuti has written the play from the beginning only to the 46th verse of Act V. According to one theory, the rest of the play is lost to time. Another theory suggests that Bhavabuti left the play incomplete after the 46th verse of Act V. However, two different extensions replace the lost material to make up seven acts. The North Indian version is composed by a poet Vinayaka and the South Indian version is attributed to Su ...
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Bhavabhuti
Bhavabhūti (Devanagari: भवभूति) was an 8th-century scholar of India noted for his plays and poetry, written in Sanskrit. His plays are considered the equal of the works of Kalidasa. Bhavabhuti was born in Padmapura, Vidarbha, in Gondia district, on Maharashtra and Madhya Pradesh border. He is described as an 'Udumbara Brahmin'. His real name was ''Srikantha Nilakantha'', and he was the son of Nilakantha and Jatukarni. He received his education at 'Padmapawaya', a place some 42 km South-West of Gwalior. Dayananidhi Paramahansa is known to be his guru. He composed his historical plays at 'Kalpi', a place on banks of river Yamuna. He is believed to have been the court poet of king Yashovarman of Kannauj. Kalhana, the 12th-century historian, places him in the entourage of the king, who was defeated by Lalitaditya Muktapida, king of Kashmir, in 736 AD. Malatimadhava The play is set in the city of Padmavati. The king desires that his minister's daughter Malati marry ...
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Anargharāghava
The ''Anargharāghava'' (Devanagari ) is a dramatised retelling of the Ramayana, and one of the most challenging pieces of classical Sanskrit poetry. It is the only surviving work by , a Brahmin court poet, who lived some time between the 8th and 10th century CE, perhaps in Orissa or in neighbouring South India. Because of its elegant style, learned allusions and often striking imagery, the poem has been a great favourite among pandits , although it received little attention in the West until recently. The well-known epic story of Rama’s exploits is presented as a series of political intrigues and battles, and contrasted with lyrical passages of various kinds: on love and war, pride and honor, gods and demons, rites and myths, regions and cities of ancient India. The play has little action — most fights and events take place behind the scenes or between acts — focussing instead on diction and other elements of dramatic representation, reminiscent of the Keralan ...
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Kambar (poet)
Kambar or Kavichakravarthy Kamban (1180 CE–1250 CE) was an Indian Tamils, Tamil poet and the author of the Ramavataram, popularly known as ''Kambaramayanam'', the Tamil version of the epic Ramayana.The Cyclopaedia of India and of Eastern and Southern Asia By Edward Balfour Kambar also authored other literary works in Tamil language, Tamil, such as Thirukkai Vazhakkam, ''Erezhupathu'', Silaiyezhupathu, ''Kangai Puranam'', ''Sadagopar Anthathi'' and ''Saraswati Anthathi''. Life Kambar was born in Therazhundur, Thanjavur district, Therazhundur. His father was a wealthy farmer named Sadaiyepa Vallal. He grew up the Chola dynasty, Chola Empire under the reign of Kulothunga Chola III, Kulothunga III. Having heard of this talented bard, Kulothunga summoned him to his court and honoured him with the title ''Kavi Chakravarty'' (''The Emperor of Poets''). Kambar flourished in Therazhundur, a village in the culturally rich Nagapattinam District in the modern state of Tamil Nadu in Sou ...
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Harivamsa
The ''Harivamsa'' ( , literally "the genealogy of Hari") is an important work of Sanskrit literature, containing 16,374 shlokas, mostly in the '' anustubh'' metre. The text is also known as the ''Harivamsa Purana.'' This text is believed to be a ''khila'' (appendix or supplement) to the MahabharataThe Mahabharata in Sanskrit: Book I: Chapter 2
in sacred-texts.com website
and is traditionally ascribed to . The most celebrated commentary of the ''Mahabharata'' by , the ''Bharata Bhava Deepa'' also covers the ''Ha ...
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Ramavataram
''Ramavataram'', popularly referred to as ''Kamba Ramayanam'', is a Tamil epic that was written by the Tamil poet Kambar during the 12th century. Based on Valmiki's ''Ramayana'' (which is in Sanskrit), the story describes the life of King Rama of Ayodhya. However, ''Ramavatharam'' is different from the Sanskrit version in many aspects – both in spiritual concepts and in the specifics of the storyline. This historic work is considered by both Tamil scholars and the general public as one of the greatest literary works in Tamil literature. Kambar wrote this epic with the patronage of Thiruvennai Nallur Sadayappa Vallal, a Pannai kula chieftain. In gratitude to his patron, Kamban references his name once in every 1,000 verses. Early references in Tamil literature Even before Kambar wrote the Ramavataram in Tamil in the 12 century CE, there are many ancient references to the story of Ramayana, implying that the story was familiar in the Tamil lands even before the Common ...
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