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André Derain
André Derain (, ; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. In 2025, all of Derain’s work entered the public domain in the United States. Life and career Early years Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 he began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents t ...
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Chatou
Chatou () is a Communes of France, commune in the Yvelines Departments of France, department in the Île-de-France Regions of France, region in north-central France. Chatou is a part of the affluent suburbs of western Paris and is on the northwest side of the Seine river about from the city's Kilometre Zero, center. History On May 31, 1875, part of the territory of Chatou was detached and merged with a part of the territory of Le Pecq and a part of the territory of Croissy-sur-Seine to create the commune of Le Vésinet. It boasts many bourgeois mansions of every kind of architecture and owned by private individuals. Chatou is the host of the Maison Fournaise, a meeting place for Impressionist painters in the past. It was a place where Pierre-Auguste Renoir painted numerous pieces (portraits of the Fournaise family, surrounding landscapes etc.), most notably the ''Luncheon of the Boating Party, Déjeuner des canotiers (Luncheon of the Boating Party)'' in 1881. The painting is toda ...
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Commercy
Commercy () is a Communes of France, commune in the Meuse (department), Meuse Departments of France, department in Grand Est in north-eastern France. History Commercy dates back to the 9th century, and at that time its lords were dependent on the Roman Catholic Diocese of Metz, bishop of Metz. In 1544 it was besieged by Charles V, Holy Roman Emperor, Charles V in person. For some time the lordship was in the hands of Jean François Paul de Gondi, cardinal de Retz, who lived in the town for a number of years, and there composed his memoirs. From him it was purchased by Charles IV, Duke of Lorraine. In 1744 it became the residence of Stanisław Leszczyński, king of Poland, who spent a great deal of care on the embellishment of the town, castle and neighbourhood. Commercy is the home of the Madeleine (cake), Madeleines referred to by Marcel Proust in ''À la recherche du temps perdu''. Population People from Commercy * Nicolas Luton Durival, Nicolas Durival (1723–1795), 18th ...
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Pointillism
Pointillism (, ) is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation. The movement Seurat began with this technique is known as Neo-impressionism. The Divisionists used a similar technique of patterns to form images, though with larger cube-like brushstrokes. Technique The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. Pointillism is a technique with few serious practitioners today ...
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Tower Bridge
Tower Bridge is a Listed building#Grade I, Grade I listed combined Bascule bridge, bascule, Suspension bridge, suspension, and, until 1960, Cantilever bridge, cantilever bridge in London, built between 1886 and 1894, designed by Horace Jones (architect), Horace Jones and engineered by John Wolfe Barry with the help of Henry Marc Brunel. It crosses the River Thames close to the Tower of London and is one of five London bridges owned and maintained by the City Bridge Foundation, a charitable trust founded in 1282. The bridge was constructed to connect the 39 per cent of London's population that lived east of London Bridge, equivalent to the populations of "Manchester on the one side, and Liverpool on the other", while allowing shipping to access the Pool of London between the Tower of London and London Bridge. The bridge was opened by Edward VII, Edward, Prince of Wales, and Alexandra of Denmark, Alexandra, Princess of Wales, on 30 June 1894. The bridge is in length including ...
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Thames
The River Thames ( ), known alternatively in parts as the River Isis, is a river that flows through southern England including London. At , it is the longest river entirely in England and the second-longest in the United Kingdom, after the River Severn. The river rises at Thames Head in Gloucestershire and flows into the North Sea near Tilbury, Essex and Gravesend, Kent, via the Thames Estuary. From the west, it flows through Oxford (where it is sometimes called the Isis), Reading, Henley-on-Thames and Windsor. The Thames also drains the whole of Greater London. The lower reaches of the river are called the Tideway, derived from its long tidal reach up to Teddington Lock. Its tidal section includes most of its London stretch and has a rise and fall of . From Oxford to the estuary, the Thames drops by . Running through some of the drier parts of mainland Britain and heavily abstracted for drinking water, the Thames' discharge is low considering its length and bre ...
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Claude Monet
Oscar-Claude Monet (, ; ; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of Impressionism's philosophy of expressing one's perceptions of nature, especially as applied to ''En plein air, ''plein air'''' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting ''Impression, Sunrise, Impression, soleil levant'', which was exhibited in 1874 at the First Impressionist Exhibition, initiated by Monet and a number of like-minded artists as an alternative to the Salon (Paris), Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disa ...
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James Abbott McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly with an added long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and Nocturne (painting), "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, ''Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of ...
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Ambroise Vollard
Ambroise Vollard (; 3 July 1866 – 21 July 1939) was a French art dealer who is regarded as one of the most important dealers in French contemporary art at the beginning of the twentieth century. He is credited with being a major supporter and champion of the contemporary artists of his period, providing exposure and emotional support to numerous then-unknown artists, including Paul Cézanne,Cooper, Philip. ''Cubism''. London: Phaidon, 1995, p. 48. Aristide Maillol, Pierre-Auguste Renoir, Louis Valtat, Pablo Picasso, André Derain, Georges Rouault, Paul Gauguin, and Vincent van Gogh. He was also an avid art collector and publisher, especially of print series by leading artists. Biography Born in Saint-Denis, Réunion, he was raised in the French Indian Ocean colony. After his matura (final exams) in La Réunion, he went to study jurisprudence in France from 1885, for a while in Montpellier, then at the École de droit in Paris, where he received his degree in 1888. During h ...
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Les Fauves
Fauvism ( ) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of (, ''the wild beasts''), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Bela Czobel, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Adolphe Wansart, Georges Rouault, Jean Metzinger, Kees van Dongen, Émilie Charmy and Georges Braque (subsequently Picasso ...
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Louis Vauxcelles
Louis Vauxcelles (; born Louis Meyer; 1 January 187021 July 1943) was a French art critic. He is credited with coining the terms ''Fauvism'' (1905) and ''Cubism'' (1908). He used several pseudonyms in various publications: Pinturrichio, Vasari, Coriolès, and Critias. Fauvism Vauxcelles was born in Paris. He coined the phrase 'les fauves' (translated as 'wild beasts') in a 1905 review of the Salon d'Automne exhibition to describe in a mocking, critical manner a circle of painters associated with Henri Matisse. As their paintings were exposed in the same room as a Donatello sculpture of which he approved, he stated his criticism and disapproval of their works by describing the sculpture as "a Donatello amongst the wild beasts." Henri Matisse's '' Blue Nude (Souvenir de Biskra)'' appeared at the 1907 Indépendants, entitled ''Tableau no. III''. Vauxcelles writes on the topic of ''Nu bleu'': I admit to not understanding. An ugly nude woman is stretched out upon grass of an opaqu ...
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Mountains At Collioure
''Mountains at Collioure'' is a 1905 painting by French painter André Derain. It was made while he was working with Henri Matisse at the fishing port of Collioure, in France. It has been in the National Gallery of Art in Washington, D.C. since John Hay Whitney, the previous owner, died in 1982. The work features long strokes of colours such as bright green, blue, mauve and pink. The entire scene is under a jade and turquoise sky. Description ''Mountains at Collioure'' was painted in mid-1905, while Derain was working with Henri Matisse, after being influenced by Vincent van Gogh. It is an example of Fauvist art. The trees and grass were painted with long strokes of colour. The colour which was used is known to have been less emotional than the colour which Van Gogh used. Mattise had joined Derain to paint landscapes at the fishing port of Collioure, at the bottom of the Pyrenees. The artists worked together producing artwork. The field in the foreground, the trees and the foot ...
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