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Aldus (typeface)
Palatino is an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company. Palatino is optimised for legibility with open counters, balanced proportions, moderate stroke contrast and flared serifs. Background Named after the 16th-century Italian master of calligraphy Giambattista Palatino, Palatino is based on the humanist types of the Italian Renaissance, which mirror the letters formed by a broad nib pen reflecting Zapf's expertise as a calligrapher. Its capital 'Y' is in the unusual 'palm Y' style, inspired by the Greek letter upsilon, a trait found in some of the earliest versions of the letter such as that of Aldus Manutius. Unlike most Renaissance typeface revivals, which tend to have delicate proportions such as a low x-height (short lower-case letters and longer ascenders and descenders), Palatino has larger proportions, increasing legibility. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic" (although this often refers to blackletter type as well). In German usage, the term Antiqua (typeface class), Antiqua is used more broadly for serif types. Serif typefaces can be broadly classified into one of four subgroups: Serif#Old-style, Old-style, Serif#Transitional, Transitional, Serif#Didone, Didone, and Serif#Slab serif, Slab serif, in order of first emergence. Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Square Capitals
Roman square capitals, also called ''capitalis monumentalis'', inscriptional capitals, elegant capitals and ''capitalis quadrata'', are an ancient Roman form of writing, and the basis for modern capital letters. Square capitals are characterized by sharp, straight lines, supple curves, thick and thin strokes, angled stressing and incised serifs. When written in documents this style is known as Latin book hand. History Antiquity Square capitals were used to write inscriptions, and less often to supplement everyday handwriting as Latin book hand. For everyday writing, the Romans used a current cursive hand known as Latin cursive. Notable examples of square capitals used for inscriptions are found on the Roman Pantheon, Trajan's Column, and the Arch of Titus, all in Rome. These Roman capitals are also called majuscules, as a counterpart to minuscule letters such as Merovingian and Carolingian. Before the 4th century CE, square capitals were used to write ''de luxe'' copies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Type
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Along with blackletter and roman type, it served as one of the major typefaces in the history of Western typography. Owing to the influence from calligraphy, italics normally slant slightly to the right, ''like so''. Different glyph shapes from roman type are usually usedanother influence from calligraphyand upper-case letters may have Swash (typography), swashes, flourishes inspired by ornate calligraphy. Historically, italics were a distinct style of type used entirely separately from roman type, but they have come to be used in conjunction—most fonts now come with a roman type and an oblique type, oblique version (generally called "italic" though often not true italics). In this usage, italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Type
In Latin script typography, roman is one of the three main kinds of Typeface, historical type, alongside blackletter and Italic type, italic. Sometimes called normal or regular, it is distinct from these two for its upright style (relative to the calligraphy-inspired italic) and its simplicity (relative to blackletter). During the early Renaissance, roman (in the form of Antiqua (typeface class), Antiqua) and italic type were used separately. Today, roman and italic type are mixed, and most typefaces are composed of both an upright roman style and an associated italic or Oblique type, oblique style. History Roman type was modelled from a European scribal manuscript style of the 15th century, based on the pairing of Roman square capitals, inscriptional capitals used in ancient Rome with Carolingian minuscules. Early roman typefaces show a variety of designs, for instance resembling what would now be considered blackletter. Printers and typefounders such as Nicolas Jenson and Aldu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerning
In typography, kerning is the process of adjusting the spacing between Character (symbol), characters in a Typeface#Proportion, proportional font, usually to achieve a visually pleasing result. Kerning adjusts the space between individual letterforms while Letter spacing, tracking (letter-spacing) adjusts spacing uniformly over a range of characters. In a well-kerned font, the two-dimensional blank spaces between each pair of characters all have a visually similar area. The term "keming" is sometimes used informally to refer to poor kerning (the letters ''r'' and ''n'' placed too closely together being easily mistaken for the letter ''m''). The related term '' kern'' denotes a part of a typed letter that overhangs the edge of the Movable type, type block. Metal typesetting The source of the word ''kern'' is from the French word , meaning "projecting angle, quill of a pen". The French term originated from the Latin , , meaning "hinge". In the days when all type was cast me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Type Color
Type color, is an element of typography Typography is the art and technique of Typesetting, arranging type to make written language legibility, legible, readability, readable and beauty, appealing when displayed. The arrangement of type involves selecting typefaces, Point (typogra ... that describes how dense or heavy the text appears on the page. Finding the correct balance of type color and white space can make text more easily readable. The term ''type color'' should not be confused with the usual meaning of color, (i.e. red, yellow, blue); instead it has more to do with the blackness or boldness of the text on the page. A bold font weight creates more contrast on the page, therefore creates more emphasis. Using a bold font is therefore one way that type color can be adjusted. There are four different decisions a typographer can make that affect the type color. These are the letter spacing, the way the specific font or type is designed, word spacing, and line spacin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palatino & Aldus
Palatino is an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company. Palatino is optimised for legibility with open counters, balanced proportions, moderate stroke contrast and flared serifs. Background Named after the 16th-century Italian master of calligraphy Giambattista Palatino, Palatino is based on the humanist types of the Italian Renaissance, which mirror the letters formed by a broad nib pen reflecting Zapf's expertise as a calligrapher. Its capital 'Y' is in the unusual 'palm Y' style, inspired by the Greek letter upsilon, a trait found in some of the earliest versions of the letter such as that of Aldus Manutius. Unlike most Renaissance typeface revivals, which tend to have delicate proportions such as a low x-height (short lower-case letters and longer ascenders and descenders), Palatino has larger proportions, increasing legibility. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typeface Anatomy
Typeface anatomy describes the graphic elements that make up letters in a typeface. Strokes The ''strokes'' are the components of a letterform. Strokes may be ''straight'', as in , or ''curved'', as in . If straight, they may be ''horizontal, vertical,'' or ''diagonal''; if curved, ''open'' or ''closed''. Typographers also speak of an ''instroke,'' where one starts writing the letter, as at the top of , and an ''outstroke,'' where the pen leaves off, as at the bottom of . A main vertical stroke is a ''stem''. The letter has three, the left, middle, and right stems. The central stroke of an is known as the ''spine''. When the stroke is part of a Letter case, lowercase and rises above the height of an (the x height), it is known as an ''Ascender (typography), ascender''. Letters with ascenders are . A stroke which drops below the baseline (typography), baseline is a ''descender''. Letters with descenders are . An arching stroke is a ''shoulder'' as in the top of an or s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swash (typography)
A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi's ''La Operina,'' which is dated 1522. As with italic type in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France. Typefaces with swashes Most typefaces with swashes are serif fonts, among which (if present) they are often found solely in italics. Advanced digital fonts often supply two italic designs: one with swashes and a more restrained standard italic. Among old-style typefaces, some releases of Caslon, such as Adobe Caslon, and Garamond, including Adobe Garamond Pro and EB Garamond, have swash designs. Old-style typefaces which include swashes but do not follow a specific historical model include Minion by Robert Slimbach and Nexus by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phototypesetting
Phototypesetting is a method of Typesetting, setting type which uses photography to make columns of Sort (typesetting), type on a scroll of photographic paper. It has been made obsolete by the popularity of the personal computer and desktop publishing which gave rise to digital typesetting. The first phototypesetters quickly project light through a film negative of an individual character in a font, then through a lens that magnifies or reduces the size of the character onto photographic paper or film, which is collected on a spool in a light-proof canister. The paper or film is then fed into a processor, a machine that pulls the paper or film strip through two or three baths of chemicals, from which it emerges ready for paste-up or film make-up. Later phototypesetting machines used other methods, such as displaying a digitised character on a CRT screen. The results of this process are then transferred onto printing plates which are used in offset printing. Phototypesetting offe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palatino Swash Initials
Palatino is an Serif#Old-style, old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel Type Foundry, Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company. Palatino is optimised for legibility with counter (typography), open counters, balanced proportions, moderate stroke contrast and flared serifs. Background Named after the 16th-century Italian master of calligraphy Giambattista Palatino, Palatino is based on the humanist types of the Italian Renaissance, which mirror the letters formed by a broad nib pen reflecting Zapf's expertise as a calligraphy, calligrapher. Its capital 'Y' is in the unusual 'palm Y' style, inspired by the Greek letter upsilon, a trait found in some of the earliest versions of the letter such as that of Aldus Manutius. Unlike most Renaissance typeface revivals, which tend to have delicate proportions such as a low x-height (short lower-case letters and longer Ascender (typog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MyFonts
MyFonts is a digital fonts distributor, based in Woburn, Massachusetts. It was created by Bitstream Inc., launched in September 1999 (during the ATypI conference in Boston), and started selling fonts in March 2000. In November 2011, Monotype Imaging Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use wit ... announced plans to acquire MyFonts and the other font-related parts of Bitstream for $50 million in cash. Business Wire. 10 November 2011 The acquisition was conclude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
