Adrien (dancer)
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Adrien (dancer)
Adrien, né Julien-Adrien Renoux (27 May 1816, Paris – 19 May 1870, Paris) was a 19th-century French dancer and choreographer. He danced in Lyon in 1841, in Paris from 1843 to 1846, in Brussels from 1847 to 1849. Back in Paris, he remained there until 1853 at least, and then danced in Marseille in 1857 and 1858 at least, in Bordeaux in 1863 and in Madrid the following year. He then left for America, where he performed in Boston in 1867 and New York in 1868. Choreographies * undated: ''Smarra, ou le Démon des mauvais rêves'', divertissement * 1843: ''Mirza et Almanzor'', ballet in 2 acts and 6 tableaux (Lyon) * 1843: ''Les Contrebandiers de la Sierra Morena'', divertissement in 3 tableaux (Paris, Théâtre des Variétéstwo engravings * 1848: ''Une leçon d'amour'' (Brussels, Théâtre royal de la Monnaie) * 1849: ''Les Divinités aériennes'' (Brussels, Théâtre royal de la Monnaie) * 1851: ''Anita ou les Contrebandiers'', ballet in 4 tableaux (Paris, Cirque-National) * 1851 ...
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Choreographer
Choreography is the art of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer creates choreographies through the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation to develop innovative movement ideas. Generally, choreography designs dances intended to be performed as concert dance. The art of choreography involves specifying human movement and form in terms of space, shape, time, a ...
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Lyon
Lyon (Franco-Provençal: ''Liyon'') is a city in France. It is located at the confluence of the rivers Rhône and Saône, to the northwest of the French Alps, southeast of Paris, north of Marseille, southwest of Geneva, Switzerland, northeast of Saint-Étienne. The City of Lyon is the List of communes in France with over 20,000 inhabitants, third-largest city in France with a population of 522,250 at the Jan. 2021 census within its small municipal territory of , but together with its suburbs and exurbs the Lyon Functional area (France), metropolitan area had a population of 2,308,818 that same year, the second largest in France. Lyon and 58 suburban municipalities have formed since 2015 the Lyon Metropolis, Metropolis of Lyon, a directly elected metropolitan authority now in charge of most urban issues, with a population of 1,424,069 in 2021. Lyon is the Prefectures in France, prefecture of the Auvergne-Rhône-Alpes Regions of France, region and seat of the Departmental co ...
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Théâtre Des Variétés
The Théâtre des Variétés () is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History The theatre owed its creation to Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of the pass ...
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La Monnaie
The Royal Theatre of La Monnaie (, ; , ; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions to receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The façade dates from 1818 with major alterations made in 1856 and 1986. The foyer and auditorium date from 1856, but almost every other element of the presen ...
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Cirque D'été
A (; from the Latin word ) is an amphitheatre-like valley formed by glacial erosion. Alternative names for this landform are corrie (from , meaning a pot or cauldron) and ; ). A cirque may also be a similarly shaped landform arising from fluvial erosion. The concave shape of a glacial cirque is open on the downhill side, while the cupped section is generally steep. Cliff-like slopes, down which ice and glaciated debris combine and converge, form the three or more higher sides. The floor of the cirque ends up bowl-shaped, as it is the complex convergence zone of combining ice flows from multiple directions and their accompanying rock burdens. Hence, it experiences somewhat greater erosion forces and is most often overdeepened below the level of the cirque's low-side outlet (stage) and its down-slope (backstage) valley. If the cirque is subject to seasonal melting, the floor of the cirque most often forms a tarn (small lake) behind a dam, which marks the downstream limit of the ...
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Joseph Méry
Joseph Méry (21 January 179717 June 1866) was a French writer, journalist, novelist, poet, playwright and librettist. Career An ardent romanticist, he collaborated with Auguste Barthélemy in many of his satires and wrote a great number of stories, now forgotten. Nowadays he is perhaps best remembered as the co-librettist of the original version in French of Verdi's ''Don Carlos,'' which premiered in Paris in March 1867. Also, he was the author of the play ''La Bataille de Toulouse'' which Verdi had earlier adapted for his opera '' La battaglia di Legnano'' in January 1849. He was noted in his time for his wit and ability to improvise. He produced several pieces at the Paris theatres, and also collaborated with Gérard de Nerval in adaptations from Shakespeare and in other plays. A friend of Offenbach, he wrote libretti for three of the composer's works. His novella ''Histoire de ce qui n'est pas arrivé'' (1854) is a significant exercise in alternate history, in which M ...
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Gérard De Nerval
Gérard de Nerval (; 22 May 1808 – 26 January 1855), the pen name of the French writer, poet, and translator Gérard Labrunie, was a French essayist, poet, translator, and travel writer. He was a major figure during the era of French romanticism, and best known for his novellas and poems, especially the collection ''Les Filles du feu'' (''The Daughters of Fire''), which included the novella ''Sylvie (novel), Sylvie'' and the poem "El Desdichado". Through his translations, Nerval played a major role in introducing French readers to the works of German Romantic authors, including Friedrich Gottlieb Klopstock, Klopstock, Friedrich Schiller, Schiller, Gottfried August Bürger, Bürger and Johann Wolfgang von Goethe, Goethe. His later work merged poetry and journalism in a fictional context and influenced Marcel Proust. His last novella, ''Aurélia ou le rêve et la vie'', influenced André Breton and Surrealism. Biography Early life Gérard Labrunie was born in Paris on 22 May 180 ...
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Jean-Baptiste Barrez
Jean-Baptiste Barrez (28 November 1792 – 27 November 1868) was a French dancer and ballet master. He was the son of surgeon Jean-Baptiste Barrez and Julie Jolivet. Barrez studied under Jean-Francois Coulon and was the principal dancer at the Grand Théâtre de Bordeaux from 1817 to 1821. He married Jeanne-Marie Blache, daughter of choreographer Jean-Baptiste Blache, on 28 July 1819. The young couple had a son, Jean-Baptiste Hippolyte Barrez, (born 22 April 1820) who also become a dancer and dance teacher to Spanish dancer Lola Montez. Jean-Baptiste Barrez began performing at the Paris Opera in 1821 and remained there until 1843. He originated roles in several ballets of Jean Coralli and Joseph Mazilier, including ''Le Diable boiteux'' (1836), '' La Tarentule'' (1839), ''Le Diable amoureux'' (1840) and ''La Péri'' (1843). He began teaching ballet at the opera in 1832; Danish ballerina Lucile Grahn was one of his students. In the spring of 1844, he was called to Madrid, where ...
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Henri Desplaces
Henri is the French form of the masculine given name Henry, also in Estonian, Finnish, German and Luxembourgish. Bearers of the given name include: People French nobles * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway (1648–1720), French Huguenot soldier and diplomat, one of the principal commanders of Battle of Almansa * François-Henri de Montmo ...
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