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A-flat Major
A-flat major is a major scale based on A♭ (musical note), A, with the pitches A, B♭ (musical note), B, C (musical note), C, D♭ (musical note), D, E♭ (musical note), E, F (musical note), F, and G (musical note), G. Its key signature has four Flat (music), flats. The A-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A-flat Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are Its relative key, relative minor is F minor. Its parallel key, parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor, which contains seven flats, is not normally used. Its enharmonic, G-sharp major, with eight Sharp (music), sharps, including the F, has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor. (The same enharmonic situation also occurs with the keys of D-flat major ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
F Minor
F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has six single sharps and the double sharp F, which makes it impractical to use. The F natural minor scale is Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic minor and melodic minor scales are Scale degree chords The scale degree chords of F minor are: * Tonic – F minor * Supertonic – G diminished * Mediant – A-flat major * Subdominant – B-flat minor * Dominant – C minor * Submediant – D-flat major * Subtonic – E-flat major Music in F minor Famous pieces in the key of F minor include Beethoven's '' Appassionata Sonata'', Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, ''La Passione'' and Tchai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Parallel Key
In music theory, a major scale and a minor scale that have the same starting note ( tonic) are called parallel keys and are said to be in a parallel relationship. Forte, Allen (1979). ''Tonal Harmony'', p.9. 3rd edition. Holt, Rinehart, and Wilson. . "When a major and minor scale both begin with the same note ... they are called ''parallel''. Thus we say that the parallel major key of C minor is C major, the parallel minor of C major is C minor." For example, G major and G minor have the same tonic (G) but have different modes, so G minor is the parallel minor of G major. This relationship is different from that of relative keys, a pair of major and minor scales that share the same notes but start on different tonics (e.g., G major and E minor). A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh scale degrees, and a minor scale can be transformed to its parallel major by raising those same scale degrees. In the early ninete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
C Minor
C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of C minor are: * Tonic – C minor * Supertonic – D diminished * Mediant – E-flat major * Subdominant – F minor * Dominant – G minor * Submediant – A-flat major * Subtonic – B-flat major Notable compositions * Charles-Valentin Alkan ** Prelude Op. 31, No. 16 (Assez lentement) ** Symphony for Solo Piano, 1st movement: Allegro ** Trois grandes études, Op. 76, No. 3 "Mouvement semblable et perpetuel" * Johannes Sebastian Bach ** Passacaglia and Fugue in C minor, BWV 582 ** Lute Suite in C minor, BWV 997 ** Cello ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Mediant
In music, the mediant (''Latin'': "being in the middle") is the third scale degree () of a diatonic scale, being the note halfway between the tonic and the dominant.Benward & Saker (2003), p.32. In the movable do solfège system, the mediant note is sung as ''mi''. While the fifth scale degree is almost always a perfect fifth, the mediant can be a major or minor third. Schenkerian analysts consider the ''mediant'' (third scale degree) as an expansion or extension of the tonic since they are both common tones of the tonic chord. Thus, the third degree of a tonic triad is also the mediant iii note; furthermore, the 5th degree of the submediant chord vi is also the mediant iii note. On the other hand, in German theory derived from Hugo Riemann the mediant in major is considered the dominant parallel, Dp, and in minor the tonic parallel, tP. In Roman numeral analysis, the mediant chord can take several forms. In major scales, the mediant chord is a minor triad and is symboli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
B-flat Minor
B-flat minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has five flats. Its relative major is D-flat major and its parallel major is B-flat major. Its enharmonic equivalent, A-sharp minor, which would contain seven sharps, is not normally used. The B-flat natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B-flat harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of B-flat minor are: * Tonic – B-flat minor * Supertonic – C diminished * Mediant – D-flat major * Subdominant – E-flat minor * Dominant – F minor * Submediant – G-flat major * Subtonic – A-flat major Characteristics B-flat minor is traditionally a 'dark' key. The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Supertonic
In music, the supertonic is the second degree () of a diatonic scale, one whole step above the tonic. In the movable do solfège system, the supertonic note is sung as ''re''. The triad built on the supertonic note is called the supertonic chord. In Roman numeral analysis, the supertonic chord is typically symbolized by the Roman numeral "ii" in a major key, indicating that the chord is a minor chord (in C: D–F–A). In a minor key, it is indicated by "ii," indicating that the chord is a diminished chord (in C: D–F–A). Because it is a diminished chord, it usually appears in first inversion (iio6) so that no note dissonates with the bass note. These chords may also appear as seventh chords: in major, as ii7 (in C: D–F–A–C), while in minor as ii7 (in C: D–F–A–C) or rarely ii7. They are the second-most common form of nondominant seventh chords. The supertonic chord normally functions as a predominant chord, a chord that resolves to a chord wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "" if it is major and by "" if it is minor. These chords may also appear as seventh chords: in major, as M7, or in minor as 7 or rarely M7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Scale Degree
In music theory, the scale degree is the position of a particular note on a scale relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor. In the most general sense, the scale degree is the number given to each step of the scale, usually starting with 1 for tonic. Defining it like this implies that a tonic is specified. For instance, the 7-tone diatonic scale may become the major scale once the proper degree has been chosen as tonic (e.g. the C-major scale C–D–E–F–G–A–B, in which C is the tonic). If the scale has no tonic, the starting degree must be chosen arbitrarily. In set theory, for instance, the 12 degrees of the chromatic scale are usually numbered starting from C=0, the twelve pitch classes being numbered from 0 to 11. In a more specific sense, scale degrees are given names that indicate their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
F-sharp Minor
F-sharp minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major (or enharmonically G-flat major). The F-sharp natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of F-sharp minor are: * Tonic – F-sharp minor * Supertonic – G-sharp diminished * Mediant – A major * Subdominant – B minor * Dominant – C-sharp minor * Submediant – D major * Subtonic – E major Music in F-sharp minor Very few symphonies are written in this key, Haydn's " Farewell Symphony" being one famous example. George Frederick Bristow and Dora Pejačević wrote symphonies in this key. The few concertos written in this key are usually written for the composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
G-flat Major
G-flat major is a major scale based on G♭ (musical note), G, consisting of the pitches G, A♭ (musical note), A, B♭ (musical note), B, C♭ (musical note), C, D♭ (musical note), D, E♭ (musical note), E, and F (musical note), F. Its key signature has six Flat (music), flats. Its relative key, relative minor is E-flat minor (or enharmonically D-sharp minor). Its parallel key, parallel minor, G-flat minor, is usually replaced by F-sharp minor, since G-flat minor's two Double-flat, double-flats make it generally impractical to use. Its direct enharmonic equivalent, F-sharp major, contains six sharps. The G-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G-flat Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of G-flat major are: * Tonic (music), Tonic – G-flat major * Supertonic – A-flat minor * M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
C-sharp Minor
C-sharp minor is a minor scale based on C, with the pitches C, D, E, F, G, A, and B. Its key signature consists of four sharps. The C-sharp natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C-sharp harmonic minor and melodic minor scales are: Its relative major is E major. Its parallel major, C-sharp major, is usually written instead as the enharmonic key of D-flat major, since C-sharp major’s key signature with seven sharps is not normally used. Its enharmonic equivalent, D-flat minor, having eight flats including the B, has a similar problem. Therefore, C-sharp minor is often used as the parallel minor for D-flat major. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor, and in some cases, with the keys of G-flat major and F-sharp minor.) Scale degree chords The scale degree chords of C-sharp minor are: * Tonic – C-sharp min ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Sharp (music)
In music, sharp – eqv. (from French) or (from Greek ) – means higher in pitch. The sharp symbol, ♯, indicates that the note to which the symbol is applied is played one semitone higher. The opposite of sharp is flat, indicating a lowering of pitch. The symbol derives from a square form of the letter ''b''. Examples The sharp symbol is used in key signatures or as an accidental applied to a single note. Below is a staff with a key signature containing three sharps ( A major or F♯ minor) and a sharp symbol placed on the note, indicating that it is an A♯ instead of an A♮. : In twelve-tone equal temperament tuning (the predominant system of tuning in Western music), raising a note's pitch by a semitone results in a note that is enharmonically equivalent to another named note. For example, E♯ and F would be equivalent. This is not the case in most non-standard tuning systems. Variants A double sharp is indicated by the symbol and raises a note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
