Parallel Key
In music theory, a major scale and a minor scale that have the same starting note ( tonic) are called parallel keys and are said to be in a parallel relationship. Forte, Allen (1979). ''Tonal Harmony'', p.9. 3rd edition. Holt, Rinehart, and Wilson. . "When a major and minor scale both begin with the same note ... they are called ''parallel''. Thus we say that the parallel major key of C minor is C major, the parallel minor of C major is C minor." For example, G major and G minor have the same tonic (G) but have different modes, so G minor is the parallel minor of G major. This relationship is different from that of relative keys, a pair of major and minor scales that share the same notes but start on different tonics (e.g., G major and E minor). A major scale can be transformed to its parallel minor by lowering the third, sixth, and seventh scale degrees, and a minor scale can be transformed to its parallel major by raising those same scale degrees. In the early ninete ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Theory
Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory": The first is the "Elements of music, rudiments", that are needed to understand Musical notation, music notation (key signatures, time signatures, and Chord chart, rhythmic notation); the second is learning scholars' views on music from Ancient history, antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including Musical tuning, tuning systems and composition methods among other topics. Because of the ever-expan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Police
The Police were an English rock band formed in London in 1977. Within a few months of their first gig, the line-up settled as Sting (lead vocals, bass guitar, primary songwriter), Andy Summers (guitar) and Stewart Copeland (drums, percussion), and this remained unchanged for the rest of the band's history. The Police became globally popular from the late 1970s to the mid-1980s. Emerging in the British new wave scene, they played a style of rock influenced by punk, reggae, and jazz. Their 1978 debut album, '' Outlandos d'Amour'', reached No. 6 on the UK Albums Chart and contains the singles " Roxanne" and " Can't Stand Losing You". Their second album, '' Reggatta de Blanc'' (1979), became the first of four consecutive No. 1 studio albums in the UK and Australia; its first two singles, " Message in a Bottle" and " Walking on the Moon", became their first UK number-one singles. Their next two albums, '' Zenyatta Mondatta'' (1980) and '' Ghost in the Machine'' (1981), led to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harmony
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chords
Chord or chords may refer to: Art and music * Chord (music), an aggregate of musical pitches sounded simultaneously ** Guitar chord, a chord played on a guitar, which has a particular tuning * The Chords (British band), 1970s British mod revival band * The Chords (American band), 1950s American doo-wop group * ''The Chord'' (painting), a c.1715 painting by Antoine Watteau * Andrew Chord, a comic book character who is the former mentor of the New Warriors Mathematics * Chord (geometry), a line segment joining two points on a curve * Chord (graph theory), an edge joining two nonadjacent nodes in a cycle People * Chord Overstreet, American actor and musician * Chords (musician), a Swedish hiphop/reggae artist Programming * Chord (concurrency), a concurrency construct in some object-oriented programming languages * Chord (peer-to-peer), a peer-to-peer protocol and algorithm for distributed hash tables (DHT) Science and technology * Chord (astronomy), a line ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Voice Leading
Voice leading (or part writing) is the linear progression of individual melodic lines ( voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. These principles include voices sounding smooth and independent, generally minimising movement to common tones as well as steps to the closest chord tone possible, therefore minimising leaps where possible. As a result, different voicings and inversions of chords may provide smoother voice leading. Rigorous concern for voice leading is of greatest importance in common-practice music, although jazz and pop music also demonstrate attention to voice leading to varying degrees. The style of voice leading will depend on the performing medium; for example, singing a large leap may be harder than playing it on piano. Example The score below shows the first four measures of the C-major prelude from J.S. Bach's '' The Well-Tempe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Picardy Third
A Picardy third, (; ) also known as a Picardy cadence or Tierce de Picardie, is a major chord of the tonic (music), tonic at the end of a musical Musical form, section that is either musical mode, modal or in a minor scale, minor key. This is achieved by raising the third (chord), third of the expected Minor chord, minor triad by a semitone to create a Major chord, major triad, as a form of resolution (music), resolution. For example, instead of a cadence (music), cadence ending on an A minor chord (music), chord containing the notes A, C, and E, a Picardy third ending would consist of an A major chord containing the notes A, C, and E. The minor third between the A and C of the A minor chord has become a major third in the Picardy third chord. Philosopher Peter Kivy writes: According to Deryck Cooke, "Western composers, expressing the 'rightness' of happiness by means of a major third, expressed the 'wrongness' of grief by means of the minor third, and for centuries, pieces in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Major/minor Compositions
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, although examples became more common in the nineteenth century. There are far fewer major/minor compositions than minor/major ones (the latter category of which includes, but is not limited to, all minor-key works that end with a Picardy third, as well as many Classical- and Romantic-period symphonies, concertos, sonatas and chamber works, and individual movements thereof.) The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded: * Compositions that would be major/minor but for a final Picardy third stipulated by the composer, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harmonic Parallelism
In music, parallel harmony, also known as harmonic parallelism, harmonic planing or parallel voice leading, is the parallel movement of two or more melodies (see voice leading). Effects When all voices between chords move in parallel motion, this generally reduces or negates the effect of harmonic progression. However, "occasionally chords such as the tonic and dominant may create the sense of harmonic progression". Illustrative example Lines with parallel harmony can be viewed as a series of chords with the same intervallic structure. Parallel means that each note within the chord rises or falls by the same interval. Examples from works Prominent examples include: * Claude Debussy's '' Beau soir'' (1880), ''Prélude à l'après-midi d'un faune'' (1894), '' Nocturnes'' (1899), '' La Mer'' (1905), '' La cathédrale engloutie'', "Voiles", " Feuilles mortes" * Maurice Ravel's '' Daphnis and Chloë'' Suite No. 2 (1913), "Menuet" from ''Le Tombeau de Couperin'' * Erik S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dusty Springfield
Mary Isobel Catherine Bernadette O'Brien (16 April 1939 – 2 March 1999), better known by her stage name Dusty Springfield, was a British singer. With her distinctive mezzo-soprano voice, she was a popular singer of blue-eyed soul, Pop music, pop and dramatic Sentimental ballad, ballads, with Chanson, French chanson, Country music, country, and jazz also in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic Ocean, Atlantic. Her image–marked by a Blond#Varieties, peroxide blonde bouffant/Beehive (hairstyle), beehive hairstyle, heavy makeup (thick black eyeliner and eye shadow) and evening gowns, as well as stylised, gestural performances–made her an icon of the Swinging Sixties. Born in West Hampstead in London to a family that enjoyed music, Springfield learned to sing at home. In 1958, she joined her first professional group, the Lana Sisters. Two years later, with her brother Dion O'Brien ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Norwegian Wood (This Bird Has Flown)
"Norwegian Wood (This Bird Has Flown)", otherwise known as simply "Norwegian Wood", is a song by the English rock band the Beatles from their 1965 album '' Rubber Soul''. It was written mainly by John Lennon, with lyrical contributions from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with " Nowhere Man". Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison was asked by Lennon to add a sitar part to the song. Harrison had become interested in the instrument's exotic sound while on the set of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Beatles
The Beatles were an English Rock music, rock band formed in Liverpool in 1960. The core lineup of the band comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are widely regarded as the Cultural impact of the Beatles, most influential band in Western popular music and were integral to the development of Counterculture of the 1960s, 1960s counterculture and the recognition of popular music as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways. The band also explored music styles ranging from Folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the Baby boomers, era's youth and soc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |