Ștefan Tita
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Ștefan Tita
Ștefan Tita (born Teodor Solomon; 14 August 1905 – 1 September 1977) was a Romanian left-wing activist and writer in multiple genres. He had his poetic debut as a teenager in 1919, after which he became noted first for his pacifist prose, and later for his contributions to social realism. Before World War II, he had also specialized in satire, and, reflecting his own History of the Jews in Romania, Jewish roots, had taken up work in the revue genre at State Jewish Theater (Romania), The Barașeum. After becoming a disciple of Ion Pas, Tita was attracted into the socialist and anti-fascist movement, joining the Romanian Social Democratic Party (1927–1948), Social Democratic Party and working as editor of its press organs. The party was banned in 1938, but he himself continued to write for some two years, being integrated with Mihai Ralea's ''Muncă și Voe Bună'' organization. Jewish writers were banned altogether during the pro-Nazi Germany, Nazi regime established by Ion Ant ...
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Bucharest
Bucharest ( , ; ) is the capital and largest city of Romania. The metropolis stands on the River Dâmbovița (river), Dâmbovița in south-eastern Romania. Its population is officially estimated at 1.76 million residents within a greater Bucharest metropolitan area, metropolitan area of 2.3 million residents, which makes Bucharest the List of cities in the European Union by population within city limits, 8th most-populous city in the European Union. The city area measures and comprises 6 districts (''Sectors of Bucharest, Sectoare''), while the metropolitan area covers . Bucharest is a major cultural, political and economic hub, the country's seat of government, and the capital of the Muntenia region. Bucharest was first mentioned in documents in 1459. The city became the capital in 1862 and is the centre of Romanian media, culture, and art. Its architecture is a mix of historical (mostly History of architecture#Revivalism and Eclecticism, Eclectic, but also Neoclassical arc ...
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Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film. A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) th ...
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Social Realism
Social realism is work produced by painters, printmakers, photographers, writers, filmmakers and some musicians that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions. While the movement's characteristics vary from nation to nation, it almost always uses a form of descriptive or critical realism. The term is sometimes more narrowly used for an art movement that flourished in the interwar period as a reaction to the hardships and problems suffered by common people after the Great Crash. In order to make their art more accessible to a wider audience, artists turned to realist portrayals of anonymous workers as well as celebrities as heroic symbols of strength in the face of adversity. The goal of the artists in doing so was political as they wished to expose the deteriorating conditions of the poor and working classes and hold the existing governmental and social systems accountab ...
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Radioplay
Radio drama (or audio drama, audio play, radio play, radio theatre, or audio theatre) is a dramatised, purely acoustic performance. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension." Radio drama includes plays specifically written for radio, docudrama, dramatised works of fiction, as well as plays originally written for the theatre, including musical theatre, and opera. Radio drama achieved widespread popularity within a decade of its initial development in the 1920s. By the 1940s, it was a leading international popular entertainment. With the advent of television in the 1950s, radio drama began losing its audience. However, it remains popular in much of the world. Recordings of OTR (old-time radio) survive today in the audio archives of collectors, libraries and museums, as well ...
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