Étude Op. 10, No. 1 (Chopin)
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Étude Op. 10, No. 1 (Chopin)
Étude Op. 10, No. 1 in C major is a study for solo piano composed by Frédéric Chopin in 1829. It was first published in 1833 in France, Germany, and England as the first piece of his '' Études Op. 10''. This study in reach and arpeggios focuses on stretching the fingers of the right hand. The American music critic James Huneker (1857–1921) compared the "hypnotic charm" that these "dizzy acclivities and descents exercise for eye as well as ear" to the frightening staircases in Giovanni Battista Piranesi's prints of the ''Carceri d'invenzione''.Huneker, James. "The Studies—Titanic Experiments." In ''Chopin: The Man and His Music''. New York: Charles Scribner's Sons, 1900. Virtuoso pianist Vladimir Horowitz, who refused to perform this étude in public, said, "For me, the most difficult one of all (the études) is the C Major, the first one, Op. 10, No. 1." Structure and stylistic traits The étude, like most études by Chopin, is in ternary form (A–B–A), recapitulating ...
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Chorale
A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in '' Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's '' Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the fi ...
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Hans Von Bülow
Freiherr Hans Guido von Bülow (; 8 January 1830 – 12 February 1894) was a German conductor, pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States. Life and career Bülow was born in Dresden into the old and prominent House of Bülow. He was the son of novelist (1803–1853) and his wife, Franziska Eli ...
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Cut Time
''Alla breve'' also known as cut time or cut common timeis a musical meter notated by the time signature symbol (a C) with a vertical line through it, which is the equivalent of . The term is Italian for "on the breve", originally meaning that the beat was counted on the breve (double whole note). ''Alla breve'' is a "simple-duple meter with a half-note pulse".Duckworth, William (2009). ''A Creative Approach to Music Fundamentals'', p. 38. . The note denomination that represents one beat is the minim or half-note. There are two of these per bar, so that the time signature may be interpreted as "two minim beats per bar". Alternatively this is read as two beats per measure, where the half note gets the beat. The name "common time" refers to , which has four beats to the bar, each of a quarter note (or crotchet). Modern usage In contemporary use, ''alla breve'' suggests a fairly quick tempo. Thus, it is used frequently for military marches. From about 1600 to 1900, its mea ...
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Autograph
An autograph is a person's own handwriting or signature. The word ''autograph'' comes from Ancient Greek (, ''autós'', "self" and , ''gráphō'', "write"), and can mean more specifically: Gove, Philip B. (ed.), 1981. ''Webster's Third New International Dictionary'', p. 147. * a manuscript written by the author of its content. In this meaning the term ''autograph'' can often be used interchangeably with holograph. * a celebrity's handwritten signature. Autograph collecting is the activity of collecting such autographs. History What might be considered the oldest "autograph" is a Sumerian clay table from about 3100 BC which includes the name of the scribe Gar.Ama. No ancient written autographs have been found, and the earliest one known for a major historical figure is that of El Cid from 1098. Autograph manuscript "Autograph" can refer to a document transcribed entirely in the handwriting of its author, as opposed to a typeset document or one written by an amanuensis o ...
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Common Time
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * The '' ...
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Time Signature
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * ...
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Quarter Note
A quarter note ( AmE) or crotchet ( BrE) () is a musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem. The stem usually points upwards if it is below the middle line of the staff, and downwards if it is on or above the middle line. An upward stem is placed on the right side of the notehead, a downward stem is placed on the left (see image). The Unicode symbol is U+2669 (). A quarter rest (or crotchet rest) denotes a silence of the same duration as a quarter note or crotchet. It is notated with the symbol . In some older music it was notated with symbol .''Rudiments and Theory of Music'' Associated Board of the Royal Schools of Music, London 1958. I,33 and III,25. The former section shows both forms without distinction, the latter the "old" form only. The book was the Official ABRSM theory manual in the UK up until at least 1975. The "old" form was taugh ...
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Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ...
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Carl Czerny
Carl Czerny (; ; 21 February 1791 – 15 July 1857) was an Austrian composer, teacher, and pianist of Czech origin whose music spanned the late Classical and early Romantic eras. His vast musical production amounted to over a thousand works and his books of studies for the piano are still widely used in piano teaching. He was one of Ludwig van Beethoven's best-known pupils and would later on be one of the main teachers of Franz Liszt. Early life Infancy Carl Czerny was born in Vienna (Leopoldstadt) and was baptized in St. Leopold parish. His father was of Czech origin; his mother was Moravian. Czerny came from a musical family: his grandfather was a violinist at Nimburg, near Prague, and his father, Wenzel, was an oboist, organist and pianist. When Czerny was six months old, his father took a job as a piano teacher at a Polish manor and the family moved to Poland, where they lived until the third partition of Poland prompted the family to return to Vienna in 1795. As a child ...
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Jim Samson
Thomas James Samson, FBA (born 6 July 1946), commonly known as Jim Samson, is a musicologist and retired academic. Described as "a leading authority on the music of Chopin", his research extends to Romantic music, early 20th-century classical music and the music of east Central Europe in general. Life and career Thomas James Samson was born on 6 July 1946 in Carnlough in Northern Ireland. Educated at Queen's University Belfast ( BMus) and studied with Arnold Whittall at the University College, Cardiff ( MMus, PhD). Samson was appointed to a research fellowship at the University of Leicester in 1972. He moved to the University of Exeter in 1973 as a lecturer; promotions followed, to reader in 1987 and Professor of Musicology in 1992. In 1994, he was appointed Stanley Hugh Badock Professor of Music at the University of Bristol, and was then Professor of Music at Royal Holloway, University of London, between 2002 and 2011.
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United Kingdom
The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Northwestern Europe, off the coast of European mainland, the continental mainland. It comprises England, Scotland, Wales and Northern Ireland. The UK includes the island of Great Britain, the north-eastern part of the island of Ireland, and most of List of islands of the United Kingdom, the smaller islands within the British Isles, covering . Northern Ireland shares Republic of Ireland–United Kingdom border, a land border with the Republic of Ireland; otherwise, the UK is surrounded by the Atlantic Ocean, the North Sea, the English Channel, the Celtic Sea and the Irish Sea. It maintains sovereignty over the British Overseas Territories, which are located across various oceans and seas globally. The UK had an estimated population of over 68.2 million people in 2023. The capital and largest city of both England and the UK is London. The cities o ...
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