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Chorale
A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in '' Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's '' Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Chorales Of Johann Sebastian Bach
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the soprano part * text treatment: ** homophony, homophonic ** no repetitions (i.e., each syllable of the hymn text is sung one time) Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant: * Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or basso continuo, continuo accompaniment are known. * All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints of Bach's four-part chorales, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schübler Chorales
' ( 'six chorales of diverse kinds, to be played on an organ with two manuals and pedal'), commonly known as the ''Schübler Chorales'' (), BWV 645–650, is a set of chorale preludes composed by Johann Sebastian Bach. Johann Georg Schübler, after whom the collection came to be named, published it in 1747 or before August 1748, in Zella St. Blasii. At least five preludes of the compilation are transcribed from movements in Bach's church cantatas, mostly chorale cantatas he had composed around two decades earlier. The fact that Bach had gone to the trouble and expense of securing the services of a master engraver to produce a collection of note-for-note transcriptions of this kind indicates that he did not regard the ''Schübler Chorales'' as a minor piece of hack-work, but as a significant public statement. These six chorales provide an approachable version of the music of the cantatas through the more marketable medium of keyboard transcriptions. Virtually all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Chorale
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. The practice of singing in unison was the rule of the reformed churches, both in Germany and in other countries. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn " Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", " Erhalt uns, He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Matthäuspassion O Haupt Voll Blut Und Wunden
Johann Sebastian Bach (German: �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the '' Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor; and choral works such as the '' St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosius, in Eisenach. After being orphaned at age 10, he lived for five years with his eldest brother, Johann Chris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Fantasia
Chorale fantasia is a type of large composition based on a chorale melody, both works for Pipe organ, organ, and vocal settings, for example the opening movements of Chorale cantata (Bach), Bach's chorale cantatas, with the chorale melody as a cantus firmus. History Chorale fantasias first appeared in the 17th century in the works of German organ schools, North German composers such as Jan Pieterszoon Sweelinck (who arguably had the greatest influence on the genre), Heinrich Scheidemann and Franz Tunder (who, however, rarely used the term). Their works would treat each phrase of a chorale differently, thus becoming large, sectional compositions with elaborate development of the chorale melody. By mid-18th century this type of organ composition was practically non-existent. Johann Sebastian Bach used the term first to designate a whole variety of different organ chorale types (during his period in Weimar), and then limited its use to large compositions with the chorale melody prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wachet Auf, Ruft Uns Die Stimme
"" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "". It appears in German hymnals and in several English hymnals in translations such as "Wake, Awake, for Night Is Flying" ( Catherine Winkworth, 1858), "Wake, O wake! with tidings thrilling" ( Francis Crawford Burkitt, 1906), and "Up! Awake! From Highest Steeple" ( George Ratcliffe Woodward, 1908). Johann Sebastian Bach based a chorale cantata on the hymn, , one of its many musical settings. Nicolai Philipp Nicolai wrote the hymn in 1598, a time when the plague had hit Unna where he lived for six months as a preacher after studies in theology at the University of Wittenberg. The text is based on the Parable of the Ten Virgins (). Nicolai refers to other biblical ideas, such as from Revelation the mentioning of marriage () and the twelve gates, every one of pearl (), and from the First Epistle to the Corinthians the phrase "eye hath n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurised air (called ''wind'') through the organ pipes selected from a Musical keyboard, keyboard. Because each pipe produces a single tone and pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre, volume, and construction throughout the keyboard Compass (music), compass. Most organs have many ranks of pipes of differing pitch, timbre, and volume that the player can employ singly or in combination through the use of controls called Organ stop, stops. A pipe organ has one or more keyboards (called ''Manual (music), manuals'') played by the hands, and most have a Pedal keyboard, pedal clavier played by the feet; each keyboard controls its own division (group of stops). The keyboard(s), pedalboard, and stops are housed in the organ's Organ console, ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Monody
In music, a chorale monody was a type of a sacred composition of the very early German Baroque era. It was for solo voice and accompanying instruments, usually basso continuo, and was closely related to the contemporary Italian style of monody. Almost all examples of chorale monodies were written in the first half of the 17th century. A chorale monody used the text of a chorale, but rarely if ever used the chorale tune, at least not in a recognizable form. It was also related to the concertato madrigal, another contemporary Italian form. While the vocal part in Schein's early examples of the genre retained the rhythmic and melodic flexibility of the Italian monody, he replaced the rhythmically vague bass lines of his model with a stricter rhythmic beat in the instrumental accompaniment. The chorale monody formed the basis for the later development of the solo cantata. Composers Composers of chorale monodies included: *Christoph Bernhard * Andreas Hammerschmidt * Johann Era ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheranism, Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir
A choir ( ), also known as a chorale or chorus (from Latin ''chorus'', meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words is the music performed by the ensemble. Choirs may perform music from the classical music repertoire, which spans from the Medieval music, medieval era to the present, or popular music repertoire. Most choirs are led by a conducting, conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the Choir (architecture), quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, accordion, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn Tune
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus. From the late sixteenth century in England and Scotland, when most people were not musically literate and learned melodies by rote, it was a common practice to sing a new text to a hymn tune the singers already knew which had a suitable meter and character. There are many hymn tunes which might fit a particular hymn: a hymn in Long Metre might be sung to any hymn tune in Long Metre, but the tunes might be as different as those tunes that have been used for centuries with hymns such as '' Te lucis ante terminum'', on one hand, and an arrangement of the calypso tune used with '' Jamaica Farewell'', on the other. Hymnal editors Editors bring extensive knowledge of theology, poetry, and music to the process of compiling a new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
