Édouard De Reszke
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Édouard De Reszke
Édouard de Reszke (; 22 December 185325 May 1917) was a Polish bass from Warsaw. A member of the musical Reszke family, he was a successful opera singer, as were his brother Jean and his sister Josephine. He made his debut in Verdi's ''Aida'' in Paris on 22 April 1876. Born with an impressive natural voice and equipped with compelling histrionic skills, he became one of the most illustrious opera singers active in Europe and America during the late Victorian era. He is most famous for his role as Gounod's Mephistopheles in ''Faust''. He was also known for his roles as Mozart's Leporello, and Wagner's Sachs and Hagen. When in London, the Reszke brothers performed for Queen Victoria during gala performances at the Royal Opera House or command performances at Windsor Castle. He was awarded the Royal Victorian Order (R.V.O.) from the Queen. The Reszke brothers were entertained near London by Gwladys Robinson, Marchioness of Ripon, Lady de Grey, a patron of the arts. After he ret ...
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Warsaw
Warsaw, officially the Capital City of Warsaw, is the capital and List of cities and towns in Poland, largest city of Poland. The metropolis stands on the Vistula, River Vistula in east-central Poland. Its population is officially estimated at 1.86 million residents within a Warsaw metropolitan area, greater metropolitan area of 3.27 million residents, which makes Warsaw the List of cities in the European Union by population within city limits, 6th most-populous city in the European Union. The city area measures and comprises List of districts and neighbourhoods of Warsaw, 18 districts, while the metropolitan area covers . Warsaw is classified as an Globalization and World Cities Research Network#Alpha 2, alpha global city, a major political, economic and cultural hub, and the country's seat of government. It is also the capital of the Masovian Voivodeship. Warsaw traces its origins to a small fishing town in Masovia. The city rose to prominence in the late 16th cent ...
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Jan Reszke
Jan Reszke (1818–1877) was a Polish aristocrat, hotel operator, and the father of three opera singers Josephine de Reszke, Josephine (soprano), Jean de Reszke, Jean (tenor) and Édouard de Reszke (bass (voice type), bass). The family's life centered around music, including weekly concerts at their residence. Artists stayed at their hotel and held rehearsals in their attached house. His wife, Emilja, was a mezzo-soprano who taught her children to sing and arranged for singing lessons outside the home. Reszke was a participant of the January Uprising of 1863 and was forced into exile in Siberia by the Russians. While he was away, Emilja ran the household, raised the children, and operated the family's hotel, :de:Hôtel de Saxe (Warschau), Hôtel de Saxe (de). Early life Jan Mieczyslaw Reszke was born in 1818 to Jan Bogumil and Josefa Reszke. His father was orphaned as a child and was alone in Warsaw upon the death of his benefactor Baron von Runckel. Jan Bogumil Reszke became a ...
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Le Roi De Lahore
''Le roi de Lahore'' ("The king of Lahore") is an opera in five acts by Jules Massenet to a French libretto by Louis Gallet. It was first performed at the Palais Garnier in Paris on 27 April 1877 in costumes designed by Eugène Lacoste and settings designed by Jean Émile Daran (Act I, scene 1), Auguste Alfred Rubé and Philippe Chaperon (Act I, scene 2; Act V), Louis Chéret (Act II), Jean-Baptiste Lavastre (Act III), Antoine Lavastre and Eugène Louis Carpezat (Act IV). ''Le roi de Lahore'' is the third of Massenet's operas produced in Paris and was his first major success there, spawning performances across Europe and leading to his place as one of the most popular composers of his time. Performance history Within a year of the premiere the opera was performed in several Italian cities including Turin, Rome, Bologna, and Venice. The Royal Opera House, Covent Garden, presented it in London in 1879. The US premiere took place in 1883 at the French Opera House in New Orleans ...
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La Scala
La Scala (, , ; officially , ) is a historic opera house in Milan, Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was Santa Maria della Scala, Milan, a church). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as being one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy (), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end before midnight and long operas start ear ...
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Maria Tudor
''Maria Tudor'' is an opera in four acts composed by Antônio Carlos Gomes to an Italian-language libretto by Emilio Praga (completed by Arrigo Boito). The libretto is based on Victor Hugo's 1833 play '' Marie Tudor'', which centers on the rise, fall and execution of Fabiano Fabiani, a fictional favourite of Mary I of England. The opera premiered on 27 March 1879 at La Scala, Milan, with Anna D'Angeri in the title role and Francesco Tamagno as Fabiani. The opera was a failure at its premiere and withdrawn, a heavy blow to Gomes who was in serious financial and family difficulties at the time. He returned to his native Brazil the following year. ''Maria Tudor'' was revived in November 1998 at the Bulgarian National Opera in Sofia Sofia is the Capital city, capital and List of cities and towns in Bulgaria, largest city of Bulgaria. It is situated in the Sofia Valley at the foot of the Vitosha mountain, in the western part of the country. The city is built west of the Is ...
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Comédie-Italienne
Comédie-Italienne () or Théâtre-Italien () are French names which have been used to refer to Italian-language theatre and opera when performed in France. The earliest recorded visits by Italian players were ''commedia dell'arte'' companies employed by the French court under the Italian-born queens Catherine de' Medici and Marie de' Medici. These troupes also gave public performances in Paris at the theatre of the Hôtel de Bourgogne, probably the earliest public theatre to be built in France. The first official use of the name Comédie-Italienne was in 1680, when it was given to the ''commedia dell'arte'' troupe at the Hôtel de Bourgogne, to distinguish it from the French troupe, the Comédie-Française, which was founded that year, and just as the name Théâtre-Français was commonly applied to the latter, Théâtre-Italien was used for the Italians. Over time French phrases, songs, whole scenes, and eventually entire plays were incorporated into the Comédie-Italienne's ...
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Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for List of compositions by Giuseppe Verdi, his operas. He was born near Busseto, a small town in the province of Parma, to a family of moderate means, receiving a musical education with the help of a local patron, Antonio Barezzi. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him. In his early operas, Verdi demonstrated sympathy with the Risorgimento movement which sought the unification of Italy. He also served briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate hims ...
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Edward Reszke
Edward is an English male name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortunate; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy and Ned. ...
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Paris Opera
The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, wh ...
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Prima Donna
In opera or ''commedia dell'arte'', a prima donna (; Italian for 'first lady'; : ''prime donne'') is the leading female singer in the company, the person to whom the ''prime'' roles would be given. ''Prime donne'' often had grand off-stage personalities and were seen as demanding of their colleagues. Because of this, the term has spread in contemporary usage, from its original usage in opera to referring to anyone behaving in a demanding or temperamental fashion or having an inflated view of oneself. The prima donna in opera was normally, but not necessarily, a soprano. The corresponding term for the male lead (usually a castrato in the 17th and 18th centuries, later a tenor) is ''primo uomo''.H. Rosenthal, H. and J. Warrack, ''The Concise Oxford Dictionary of Opera'', 2nd Edition, Oxford University Press, 1979. p. 398. Opera In 19th century Italy, the leading woman in an opera or ''commedia dell'arte'' company was known as the prima donna, literally the "first lady". This ...
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Giovanni Sbriglia
Giovanni Sbriglia (June 23, 1832 – February 20, 1916), was an Italian tenor and prominent teacher of singing. A native of Naples, Sbriglia attended the city's music conservatory under Emanuele De Roxas before making his debut, aged 21, at the Teatro San Carlo. He then performed throughout Italy before being engaged by Max Maretzek for New York City's Academy of Music. Sbriglia appeared, too, in Havana, Cuba and in Mexico, as well as the United States, until 1875, when he settled in Paris to teach. During this period, he most notably transformed Jean de Reszke from a baritone into the world's foremost lyric-dramatic tenor. He also worked with Jean's soprano sister Josephine and his brother Édouard, a famous bass. Among Sbriglia's other renowned pupils were the dramatic soprano Lillian Nordica, the basso Pol Plançon, soprano Mena Cleary,
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Filippo Coletti
Filippo Andrea Francesco Coletti (11 May 1811 – 13 June 1894) was an Italian baritone associated with Giuseppe Verdi. Coletti created two Verdi roles: Gusmano in '' Alzira'' and Francesco in '' I masnadieri''. Verdi revised the role of Germont in '' La traviata'' for Coletti, whose interpretation re-defined the role as it is known today. Coletti was, with Antonio Tamburini (1800–1876) and Giorgio Ronconi (1810–1890), one of the three leading baritones of 19th century Italy, an early model of a 'Verdi baritone'. Born in Anagni, a small town southeast of Rome, Coletti started his career singing baritone coloratura roles in Rossini, Donizetti and Mercadante operas before moving on to vocally substantial Verdi repertory. Coletti gained notoriety in London for his unwitting role in the 1840 Haymarket Theatre riots, and later for his successful four-year London tenure, singing leading baritone roles. Coletti travelled extensively, singing in all major European theatres ...
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