La Scala

La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''.

Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management.

Overview

La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end before midnight, and long operas start earlier in the evening when necessary.

The Museo Teatrale alla Scala (La Scala Theatre Museum), accessible from the theatre's foyer and a part of the house, contains a collection of paintings, drafts, statues, costumes, and other documents regarding La Scala's and opera history in general. La Scala also hosts the Accademia d'Arti e Mestieri dello Spettacolo (Academy for the Performing Arts). Its goal is to train a new generation of young musicians, technical staff, and dancers (at the Scuola di Ballo del Teatro alla Scala, one of the Academy's divisions).

Above the boxes, La Scala has a gallery—called the ''loggione''—where the less wealthy can watch the performances. The gallery is typically crowded with the most critical opera aficionados, known as the loggionisti, who can be ecstatic or merciless towards singers' perceived successes or failures. For their failures, artists receive a " baptism of fire" from these aficionados, and fiascos are long remembered. For example, in 2006, tenor Roberto Alagna left the stage after being booed during a performance of ''Aida'', forcing his understudy, Antonello Palombi, to quickly replace him mid-scene without time to change into a costume. Alagna did not return to the production.

History

A fire destroyed the previous theatre, the Teatro Regio Ducale, on 25 February 1776, after a carnival gala. A group of ninety wealthy Milanese, who owned private boxes in the theatre, wrote to Archduke Ferdinand of Austria-Este asking for a new theatre and a provisional one to be used while completing the new one. The neoclassical architect Giuseppe Piermarini produced an initial design. However, it was rejected by Count Firmian (the governor of the then Austrian Lombardy).

A second plan was accepted in 1776 by Empress Maria Theresa. The new theatre was built on the former location of the church of Santa Maria alla Scala, from which the theatre gets its name. The church was deconsecrated and demolished. Over a period of two years, the theatre was completed by Pietro Marliani, Pietro Nosetti, and Antonio and Giuseppe Fe. The theatre had a total of "3,000 or so" seats organized into 678 pit-stalls, arranged in six tiers of boxes above which is the 'loggione' or two galleries. Its stage is one of the largest in Italy (16.15m d x 20.4m w x 26m h).

Building expenses were covered by the sale of boxes, which were lavishly decorated by their owners, impressing observers such as Stendhal. La Scala (as it came to be known) soon became the preeminent meeting place for noble and wealthy Milanese people. In the tradition of the times, the main floor had no chairs, and spectators watched the shows standing up. The orchestra was in full sight, as the orchestra pit had not yet been built.

As with most of the theatres at that time, La Scala was also a casino, with gamblers sitting in the foyer. Conditions in the auditorium, too, could be frustrating for the opera lover, as Mary Shelley discovered in September 1840:

At the Opera they were giving Otto Nicolai's '' Templario''. Unfortunately, as it is well known, the theatre of La Scala serves, not only as the universal drawing-room for all the society of Milan but every sort of trading transaction, from horse-dealing to stock-jobbing, is carried on in the pit; so that brief and far between are the snatches of melody one can catch.

La Scala was originally illuminated with 84 oil lamps mounted on the stage and another thousand in the rest of the theatre. To reduce the risks of fire, several rooms were filled with hundreds of water buckets. In time, oil lamps were replaced by gas lamps; these, in turn, were replaced by electric lights in 1883.

The original structure was renovated in 1907 when it was given its current layout with 1,987 seats. In 1943, during World War II, La Scala was severely damaged by bombing. It was rebuilt and reopened on 11 May 1946, with a memorable concert conducted by Arturo Toscanini—twice La Scala's principal conductor and an associate of the composers Giuseppe Verdi and Giacomo Puccini—with a soprano solo by Renata Tebaldi, which created a sensation.

La Scala hosted the first productions of many famous operas and had a special relationship with Verdi. However, for several years, Verdi did not allow his work to be played here, as some of his music had been modified (he said "corrupted") by the orchestra. This dispute originated in a disagreement over the production of his ''Giovanna d'Arco'' in 1845; however, the composer later conducted his ''Requiem'' there on 25 May 1874. He announced in 1886 that La Scala would host the premiere of what was to become his penultimate opera, ''Otello''. The premiere of his last opera, '' Falstaff'' was also given in the theatre.

Filarmonica della Scala

In 1982, the Filarmonica della Scala orchestra was established to develop a symphonic repertoire to add to La Scala's operatic tradition, the orchestra drawing its members from the larger pool of musicians that comprise the Orchestra della Scala. The Filarmonica was conducted first by Carlo Maria Giulini, then by Riccardo Muti, plus many collaborative relations with some of the greatest conductors of the time.

Rossini's opera, William Tell was premiered there, and it had the selections like 'Overture', 'Storm', 'Randez Vaches', and the well known 'March of the Swiss Soldiers', the theme song of the Lone Ranger.

Recent developments

Major renovation, 2002 to 2004

The theatre underwent a major renovation from early 2002 to late 2004. The theatre closed following the traditional 7 December 2001 season-opening performances of ''Otello'', which ran through December. From 19 January 2002 to November 2004, the opera company transferred to the new Teatro degli Arcimboldi, built in the Pirelli-Bicocca industrial area from the city center.

The renovation by architect Mario Botta proved controversial, as preservationists feared that historic details would be lost. However, the opera company was satisfied with the improvements to the structure and the sound quality, which was enhanced when the heavy red carpets in the hall were removed. The stage was entirely rebuilt, and an enlarged backstage allows more sets to be stored, permitting more productions.

Seats now include monitors for the electronic libretto system provided by Radio Marconi, an Italian company, allowing audiences to follow opera libretti in English and Italian in addition to the original language.

The opera house re-opened on 7 December 2004 with a production, conducted by Riccardo Muti, of Salieri's ''Europa riconosciuta'', the opera performed at La Scala's inauguration in 1778. Tickets for the re-opening fetched up to €2,000.

The renovations cost a reported €61 million and left a budget shortfall that the opera house overcame in 2006.

2005 onward

Carlo Fontana, the general manager of La Scala since 1990, was dismissed in February 2005 by the board of governors over differences with the music director, Riccardo Muti. The resulting staff backlash caused serious disruptions and staff strikes. In a statement, the theatre's board said it was "urgent to unify the theatre's management". On 16 March 2005, the La Scala orchestra and other staff overwhelmingly approved a no-confidence motion against Muti. They demanded the resignation of Fontana's replacement, Mauro Meli. Muti had already been forced to cancel a concert a few days earlier because of the disagreements. Italy's culture minister, Giuliano Urbani, supported the conductor but called for urgent action by management to safeguard the smooth operation and prestige of La Scala. On 2 April 2005, Muti resigned from La Scala, citing "hostility" from staff members.

In May 2005, Stéphane Lissner, formerly head of the Aix-en-Provence Festival, was appointed General Manager and Artistic Director of La Scala, becoming the first non-Italian in its history to hold the office. On 15 May 2006, Daniel Barenboim was named ''Maestro Scaligero'', or ''de facto'' principal guest conductor of the company. In October 2011, Barenboim was appointed the next music director of La Scala, effective December 2011, with an initial contract of 5 years.

In December 2013, management named Riccardo Chailly the next music director of La Scala, effective 1 January 2015.It's official: Riccardo Chailly to be La Scala's new music director
''Gramophone'' (London). 10 December 2013.

Stéphane Lissner left La Scala for the Paris Opera. His successor , formerly director of the Salzburg Festival, began his tenure on 1 October 2014. In June 2019 it was announced that Pereira will leave in 2020 and will be replaced by Dominique Meyer.

La Scala was originally selected to host the opening ceremony of the 134th IOC Session in 2019, but the event was moved to Lausanne, Switzerland after Milan submitted a joint bid with Cortina d'Ampezzo for the 2026 Winter Olympics.

Principal conductors/Music directors

* Franco Faccio (1871–1889)
* Arturo Toscanini (1898–1903)
* Cleofonte Campanini (1903–1905)
* Leopoldo Mugnone (1905–1906)
* Arturo Toscanini (1906–1907)
* Edoardo Vitale (1907–1910)
* Tullio Serafin (1910–1914)
* Gino Marinuzzi (1914–1917)
* Tullio Serafin (1917–1918)
* ''La Scala was closed from 1918 to 1920''
* Arturo Toscanini (1921–1929)
* Victor de Sabata (1929–1953)
* Carlo Maria Giulini (1953–1956)
* Guido Cantelli (1956)Cantelli died in an airplane crash one week after his appointment.
* Antonino Votto (1956–1965)
* Gianandrea Gavazzeni (1965–1968)
* Claudio Abbado (1968–1986)
* Riccardo Muti (1986–2005)
* ''The position was vacant from April 2005 to December 2007''
* Daniel Barenboim (2007–2014)
* Riccardo Chailly (2015–)

Premieres

:''See: :Opera world premieres at La Scala''

* 1778: ''Europa riconosciuta'' by Antonio Salieri
* 1794: '' Demofoonte'' by Marcos Portugal
* 1800: ''Idante, ovvero I sacrifici d'Ecate'' by Marcos Portugal
* 1812: ''La pietra del paragone'' by Gioachino Rossini
* 1813: '' Aureliano in Palmira'' by Gioachino Rossini
* 1814: '' Il turco in Italia'' by Gioachino Rossini
* 1820: '' Margherita d'Anjou'' by Giacomo Meyerbeer
* 1827: '' Il pirata'' by Vincenzo Bellini
* 1829: '' La straniera'' by Vincenzo Bellini
* 1831: '' Norma'' by Vincenzo Bellini
* 1833: ''Lucrezia Borgia'' by Gaetano Donizetti
* 1835: ''Maria Stuarda'' by Gaetano Donizetti
* 1839: ''Oberto, Conte di San Bonifacio'' by Giuseppe Verdi
* 1840: '' Un giorno di regno'' by Giuseppe Verdi
* 1842: '' Nabucco'' by Giuseppe Verdi
* 1843: ''I Lombardi alla prima crociata'' by Giuseppe Verdi
* 1845: ''Giovanna d'Arco'' by Giuseppe Verdi
* 1868: '' Mefistofele'' by Arrigo Boito
* 1870: '' Il Guarany'' by Antônio Carlos Gomes
* 1873: '' Fosca'' by Antônio Carlos Gomes
* 1876: ''La Gioconda'' by Amilcare Ponchielli
* 1879: '' Maria Tudor'' by Antônio Carlos Gomes
* 1885: ''Marion Delorme'' by Amilcare Ponchielli
* 1887: ''Otello'' by Giuseppe Verdi
* 1889: '' Edgar'' by Giacomo Puccini
* 1892: ''La Wally'' by Alfredo Catalani
* 1893: '' Falstaff'' by Giuseppe Verdi
* 1904: ''Madama Butterfly'' by Giacomo Puccini
* 1924: '' Nerone'' by Arrigo Boito
* 1926: '' Turandot'' by Giacomo Puccini
* 1957: '' Dialogues of the Carmelites'' by Francis Poulenc
* 1981: '' Donnerstag aus Licht'' by Karlheinz Stockhausen
* 1984: '' Samstag aus Licht'' by Karlheinz Stockhausen
* 1988: ''Montag aus Licht'' by Karlheinz Stockhausen
* 2007: '' Teneke'' by Fabio Vacchi
* 2011: ''Quartett'' by Luca Francesconi

References

Notes

Sources

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External links

*

Accademia Teatro alla Scala official website

David Willey, "La Scala faces uncertain future", BBC News online, 12 November 2005

Zoomable image of the interior




Virtual tour

Seat preview – Photo and sweep panorama overlooking the stage from every seat

{{DEFAULTSORT:Scala, La

Music in Milan
Music venues completed in 1778
Neoclassical architecture in Milan
Opera history
Opera houses in Italy
Theatres completed in 1778
Theatres in Milan
Tourist attractions in Milan
Giuseppe Piermarini buildings
1778 establishments in Italy