|
Donnerstag Aus Licht
275px, Karlheinz Stockhausens grave with the score to LICHT . (''Thursday from Light'') is an opera by Karlheinz Stockhausen in a greeting, three acts, and a farewell, and was the first of seven to be composed for the opera cycle '' Licht: die sieben Tage der Woche'' (Light: The Seven Days of the Week). It was written between 1977 and 1980, with a libretto by the composer. Its second act, ''Michaels Reise um die Erde'' (''Michael's Journey Around the Earth''), has been performed and recorded individually. History was given its staged premiere on 15 March 1981 by the La Scala Opera in the Teatro alla Scala in Milan, but without the third act, which had to be omitted due to a strike by the opera chorus of La Scala. They had demanded soloists' bonuses because of one brief passage in act 3, and had been turned down by the management. Further performances without the third act followed on 18, 21, 24, and 27 March. An agreement was finally reached and the complete opera was finally p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, having been called the "father of electronic music", for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. Stockhausen was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. As one of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic musicboth with and without live performersthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydia Steier
Lydia Steier (born 1978) is an American opera director who has made an international career based in Germany. She directed the Swiss premiere of Stockhausen's ''Donnerstag aus Licht'', chosen by critics as "Best Production of the Year" in 2016. In 2018, she became the first woman to stage Mozart's ''Die Zauberflöte'' at the Salzburg Festival, for the opening performance in 2018. Career Steier was born in Hartford, Connecticut. Her grandparents had left Vienna for the United States when the Nazis entered Vienna. She studied stage directing and voice at the Oberlin Conservatory of Music in Ohio. In 2002, she moved to Germany as a Fulbright student, and worked as an assistant at the Komische Oper Berlin. Steier staged a double bill of Leoncavallo's '' Pagliaccio'' and Busoni's ''Turandot'' at the Deutsches Nationaltheater Weimar, which was awarded the prize "Neuentdeckung des Jahres 2009" (discovery of the year) by Deutschlandradio Kultur. Her stagings of Handel's ''Saul'' at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basset Horn
The basset horn (sometimes hyphenated as basset-horn) is a member of the clarinet family of musical instruments. Construction and tone Like the clarinet, the instrument is a wind instrument with a single reed and a cylindrical bore (wind instruments), bore. However, the basset horn is larger and has a bend or a kink between the mouthpiece (woodwind), mouthpiece and the upper joint (older instruments are typically curved or bent in the middle), and while the clarinet is typically a transposing instrument in B or A (meaning a written C sounds as a B or A), the basset horn is typically in F (less often in G). Finally, the basset horn has additional keys for an extended range down to written C, which sounds F at the bottom of the bass staff. In comparison, the alto clarinet typically extends down to written E♭, which sounds G♭, one semitone higher than the basset horn. The timbre of the basset horn is similar to the alto clarinet's, but darker. Basset horns in A, G, E, E, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam And Eve
Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman. They are central to the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. They also provide the basis for the doctrines of the fall of man and original sin, which are important beliefs in Christianity, although not held in Judaism or Islam. In the Book of Genesis of the Hebrew Bible, chapters one through five, there are two Genesis creation narrative, creation narratives with two distinct perspectives. In the first, Adam and Eve are not named. Instead, God in Christianity, God created humankind in image of God, God's image and instructed them to multiply and to be Stewardship (theology), stewards over everything else that God had made. In the second narrative, God fashions Adam from dust and places him in the Garden of Eden. Adam is told that he can eat freely of all the trees in the garden, Taboo#In religion a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Markus Stockhausen
Markus Stockhausen (born 2 May 1957) is a German trumpeter and composer. His recordings and performances have typically alternated between jazz and chamber or opera music, the latter often in collaboration with his father, composer Karlheinz Stockhausen. Biography Born in Cologne, West Germany, he is the son of composer Karlheinz Stockhausen and the pianist and pedagogue Doris Stockhausen. At age four he appeared as "child at play" in his father's theatre piece '' Originale''. He received his first piano lessons at age six, and at age twelve he began to play the trumpet. He attended the music secondary school in Cologne. Concerts and festival appearances, also for the Goethe Institute, have taken him around the world. In November 2008 he gave the first performance of ''Freedom Variations'', a composition for trumpet and chamber ensemble written by Italian composer Lorenzo Ferrero. The Markus Stockhausen Group (with Jeroen van Vliet p, Christian Thomé dr, Jörg Brinkmann ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to the 2nd Millenium BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, appearing in orchestras, concert bands, chamber music groups, and jazz ensembles. They are also common in popular music and are generally included in school bands. Sound is produced by vibrating the lips in a mouthpiece, which starts a standing wave in the air column of the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Gambill
Robert Gambill (born March 31, 1955, in Indianapolis) is an opera singer (Heldentenor). Biography Gambill studied mathematics at Purdue University (1973–1976) before becoming an exchange student at Hamburg University in Germany, where he added German studies to his curriculum. He enrolled at the Hochschule für Musik und Theater in Hamburg where he studied voice with Prof. Hans Kagel. At 25 he made his La Scala debut in the leading role of Michael in the world premiere of Karlheinz Stockhausen's ''Donnerstag aus Licht'', directed by Luca Ronconi. He remained in Europe, and in 1984 joined the ensemble of the Zurich Opera in Switzerland. For three years he sang the leading lyric and belcanto tenor roles in operas such as ''Don Giovanni'', ''The Magic Flute'', ''The Barber of Seville'' and ''Die Lustigen Weiber von Windsor''. His international career kicked off after he sang the role of Lindoro in Rossini's ''The Italian Girl in Algiers'' in 1987, directed by Michael Hampe. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exoteric
{{Short pages monitor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael (archangel)
Michael, also called Saint Michael the Archangel, Archangel Michael and Saint Michael the Taxiarch is an archangel and the warrior of God in Christianity, Judaism, and Islam. The earliest surviving mentions of his name are in third- and second-century BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels, and he is the guardian prince of Israel and is responsible for the care of the Israelites, people of Biblical Israel, Israel. Christianity conserved nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the archangel and the devil dispute over the body of Moses. Old Testament and Apocrypha The Book of Enoch lists him as one of seven archangels (the remaining names are Uriel, Raguel (angel), Raguel, Raphael (archangel), Raphael, Sariel, Gabriel, and Remiel), who, in the Book of Tobit, “stand ready and ente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Balcon
Le Balcon is a chamber orchestra dedicated to the interpretation of music through the amplification of acoustic instruments. The ensemble has numerous aims: to stimulate writing for amplified acoustic instruments and to rethink the aesthetic of the concert, seeking new methods of production, interpretation, and configuration. Effective amplification gives the ensemble the ability to perform a concert in all of its guises and in every setting : concert halls, public spaces, open arenas and even passage ways... This setup allows the ensemble to go beyond the natural acoustics of the performance space and the chance to reach out to a larger audience with a repertoire that has habitually been reserved for affiliates of the contemporary scene. The ensemble offers new possibilities for musical interpretation with particular regard to the instrumental performance: the correlation between visual gestures and the actual sound which is heard can be completely transformed. Moreover, in the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
