Woman with a Mirror
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''Woman with a Mirror'' (french: La Femme au miroir) is a painting by
Titian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, nea ...
, dated to c. 1515 and now in the
Musée du Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
.


History

It is known to have been in the Gonzaga family's collection in
Mantua Mantua ( ; it, Mantova ; Lombard and la, Mantua) is a city and '' comune'' in Lombardy, Italy, and capital of the province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the Eur ...
from which it was bought by
Charles I of England Charles I (19 November 1600 – 30 January 1649) was King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. He was born into the House of Stuart as the second son of King James VI of Scotland, but after hi ...
. After Charles' execution, it was sold off and purchased by
Louis XIV of France , house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of ...
for the Palace of Versailles. Several attempts have been made to identify the main female figure – these have included Titian's lover, Alfonso d'Este's lover Laura Dianti, or Federico Gonzaga's lover
Isabella Boschetti Isabella Boschetti or Boschetto (c.1502 – ?) was a Mantuan noblewoman and lover of Federico II Gonzaga, Duke of Mantua. She was nicknamed 'La bella Boschetta' (the beautiful Boschetta). Life She was the second daughter of Giacomo Boschetti, a ...
. None of these theories fit the date ascribed to the painting through analysis of its style, which is 1512–15, when the courts of Mantua and Ferrara were first becoming interested in Titian. Dianti was painted by Titian in a portrait of 1523. She is probably just a model who appears in other paintings Corriere della Sera, 2 December 2010 – Supplemento "Eventi Mostre" – the same woman with frizzy reddish blonde hair appears in a series of paintings from around the same time (including the ''
Flora Flora is all the plant life present in a particular region or time, generally the naturally occurring (indigenous (ecology), indigenous) native plant, native plants. Sometimes bacteria and fungi are also referred to as flora, as in the terms '' ...
'' at the
Uffizi The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums ...
, the ''
Vanity Vanity is the excessive belief in one's own abilities or attractiveness to others. Prior to the 14th century it did not have such narcissistic undertones, and merely meant ''futility''. The related term vainglory is now often seen as an archaic ...
'' in Munich, the '' Salome'' in the
Galleria Doria Pamphilj The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was f ...
, the '' Violante'' and the '' Young woman in a black dress'' in
Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...
) as well as several Madonnas and the clothed figure in '' Sacred and Profane Love''. As happened with the 'Bella' series, it was still customary for the artist's workshop to create similar works with variations from the same studies if not from the same cartoon. Many versions of the work are known, equal in quality to the original but not as large. The best are in the MNAC in
Barcelona Barcelona ( , , ) is a city on the coast of northeastern Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second most populous municipality of Spain. With a population of 1.6 million within ci ...
, the gallery of
Prague Castle Prague Castle ( cs, Pražský hrad; ) is a castle complex in Prague 1 Municipality within Prague, Czech Republic, built in the 9th century. It is the official office of the President of the Czech Republic. The castle was a seat of power for king ...
, and the National Gallery of Art in Washington.


Description and style

A woman of idealized beauty overlooks a parapet and touches a bottle placed on it (which contains, perhaps, a perfume or ointment). With her right hand, she caresses her hair. A man behind her lifts a mirror to show the woman from behind and the window that illuminates the room – his presence is linked to the Renaissance
Paragone Paragone ( it, paragone, meaning ''comparison''), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other. While other ar ...
debates over artistic skill. According to Paragone ideals, painting, like sculpture, should offer multiple perspectives on its subject. The man holds a second mirror, visible in profile, in which the woman gazes at herself while she dresses. ''Woman with a Mirror'' demonstrates a harmony of color and composition typical of the young Titian, who exalted the beauty, even sensuality, of his subjects. Women of the era wore loose hair only in the intimacy of the home, which confers to the painting an erotic character that prevails over the other elements of the ''
vanitas A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the temporality, transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-kn ...
'' theme (the bottle of ointment, the play of the mirrors).


References


Bibliography

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External links


Louvre catalogue page

Titian Vanitas exhibition in Prague
{{Authority control 1515 paintings Allegorical paintings by Titian Paintings in the Louvre by Italian artists Gonzaga art collection Portraits of women Mirrors in art