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Flora (Titian)
''Flora'' is an oil painting by Italian late Renaissance painter Titian, dated to around 1515 and now held at the Uffizi Gallery in Florence. History The work was reproduced in numerous 16th century etchings. Later, it followed an unclear series of changes of hands at Brussels and Vienna. In the 17th century, it was sold by the Spanish ambassador at Amsterdam to Archduke Leopold Wilhelm of Austria and was cited by Rembrandt in his '' Saskia Dressing as Flora '' of London and in two portraits in Dresden and New York. Later included in the Kunsthistorisches Museum of Vienna, it was one of the works exchanged with the Uffizi. In the 18th century, it was erroneously attributed to Palma the Elder. Description It portrays an idealized beautiful woman, a model established in the Venetian school by Titian's master Giorgione with his ''Laura''. Her left hand holds a pink-shaded mantle, and her right holds a handful of flowers and leaves. The woman was portrayed by Titian in numerous othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1515 Paintings
__NOTOC__ Year 1515 ( MDXV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. Events January–June * January 25 – Francis I of France is crowned (reigns until 1547). * May 13 – Mary Tudor, Queen of France, and Charles Brandon, 1st Duke of Suffolk, are officially married at Greenwich (near London). * June 13 – Battle of Turnadag: The army of Ottoman sultan Selim I defeats the beylik of Dulkadir under Bozkurt of Dulkadir. July–December * July 2 – Manchester Grammar School is endowed by Hugh Oldham, the first free grammar school in England. * July 22 – At the First Congress of Vienna, a double wedding takes place to cement agreements. Louis, only son of King Vladislaus II of Hungary, marries Mary of Austria, granddaughter of Maximilian I, Holy Roman Emperor; and Mary's brother, Archduke Ferdinand, marries Vladislaus' daughter, Anna. * August 25 – Conquistador Diego Velázque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Titian
This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source. List of works by year References {{Lists of paintings Lists of works of art, Titian Paintings by Titian, * Portraits by Titian, * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flora (mythology)
Flora ( la, Flōra) is a Roman mythology, Roman goddess of flowers and of the season of Spring (season), spring – a symbol for nature and flowers (especially the may-flower). While she was otherwise a relatively minor figure in Roman mythology, being one among several Fertility goddess, fertility goddesses, her association with the spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. She was one of the fifteen deities who had their own flamen, the ''Floralis'', one of the ''flamines minores''. Her Ancient Greece, Greek counterpart is Chloris (nymph), Chloris. Etymology The name ''Flōra'' descends from Proto-Italic language, Proto-Italic ''*flōsā'' ('goddess of flowers'), itself a derivation from Proto-Italic ''*flōs'' ('flower'; cf. Latin ''flōs'', ''flōris'' 'blossom, flower'). It is cognate with the Osci, Oscan goddess of flowers ''Fluusa'', demonstrating that the cult was known more widely among Italic peoples. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtesan
Courtesan, in modern usage, is a euphemism for a "kept" mistress (lover), mistress or prostitute, particularly one with wealthy, powerful, or influential clients. The term historically referred to a courtier, a person who attended the Royal court, court of a monarch or other powerful person. History In European feudalism, feudal society, the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together. Prior to the Renaissance, courtesans served to convey information to visiting dignitaries, when servants could not be trusted. In Renaissance Europe, courtiers played an extremely important role in upper-class society. As it was customary during this time for royal couples to lead separate lives—commonly marrying simply to preserve bloodlines and to secure political alliances—men and women would often seek gratification and companionship from people living at court. In fact, the verb 'to court' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violante (Titian)
''Violante'' is an oil painting attributed to Titian, dated to around 1515 and now held at the Kunsthistorisches Museum in Vienna. History The work was part of the Venetian collection of Bartolomeo della Nave and in 1636, it was sold to the Duke of Hamilton, who brought it to London. In 1659, it was acquired by Archduke Leopold Wilhelm of Austria, whose collection later became part of the current museum. The title refers to the traditional identification with Violante, the daughter of painter Palma the Elder (to whom the painting was assigned for a long time), which has however no proof. An etching by David Teniers the Younger show the painting having larger size, although a representation of the archduke's gallery from the same artist depicts it in the same current size. in Teniers the Younger's publication '' |
Salome (Titian, Rome)
''Salome'', or possibly ''Judith with the Head of Holofernes'', is an oil painting which is an early work by the Venetian painter of the late Renaissance, Titian. It is usually thought to represent Salome with the head of John the Baptist. It is usually dated to around 1515 and is now in the Doria Pamphilj Gallery in Rome. Like other paintings of this subject, it has sometimes been considered to represent Judith with the head of Holofernes, the other biblical incident found in art showing a female and a severed male head. Historically, the main figure has also been called Herodias, the mother of Salome. Sometimes attributed to Giorgione, the painting is now usually seen as one where Titian's personal style can be seen in development, with a "sense of physical proximity and involvement of the viewer", in which "expert handling of the malleable oil medium enabled the artist to evoke the sensation of softly spun hair upon creamy flesh". Erwin Panofsky suggested the head of John the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanity (Titian)
''Vanity'' is an oil painting by the Italian late Renaissance painter Titian, dated to around 1515 and now held at the Alte Pinakothek in Munich, Germany. History The work was perhaps in Emperor Rudolf II's gallery in Prague, before becoming part of that of the Electors of Bavaria. It has part of the Munich museum's collection since 1884. The first mention dates to 1748, as a work by Francesco Salviati. It was later attributed to Palma the Elder, Giorgione, il Pordenone and finally Titian. Radio analysis has proved the presence of workshop additions (in particular to the mirror) above an original, probably by Titian, based on the '' Woman at the Mirror''. Description The painting portrays an idealized beautiful woman, a model established in the Venetian school by Titian's master Giorgione with his '' Laura''. She holds an oval mirror with a frame, which reflects some jewels and a maid who is searching in a case. The woman was portrayed by Titian in numerous other works of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woman At The Mirror
''Woman with a Mirror'' (french: La Femme au miroir) is a painting by Titian, dated to c. 1515 and now in the Musée du Louvre. History It is known to have been in the Gonzaga family's collection in Mantua from which it was bought by Charles I of England. After Charles' execution, it was sold off and purchased by Louis XIV of France for the Palace of Versailles. Several attempts have been made to identify the main female figure – these have included Titian's lover, Alfonso d'Este's lover Laura Dianti, or Federico Gonzaga's lover Isabella Boschetti. None of these theories fit the date ascribed to the painting through analysis of its style, which is 1512–15, when the courts of Mantua and Ferrara were first becoming interested in Titian. Dianti was painted by Titian in a portrait of 1523. She is probably just a model who appears in other paintingsCorriere della Sera, 2 December 2010 – Supplemento "Eventi Mostre" – the same woman with frizzy reddish blonde hair appears ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laura (Giorgione)
''Laura'', formerly sometimes known as ''Portrait of a Young Bride'', is a painting by the Italian Renaissance master Giorgione. It is the only known painting of the author that was signed and dated by him, it has his name and the date of 1506 on the back. It hangs in the Kunsthistorisches Museum in Vienna, Austria. Description The portrait depicts a young woman as a bride. According to the museum it depicts Laura di Noves., but this has not been verified as fact. Like Giorgione's other works, it is unsigned, but it is one of the less controversial attributions to Giorgione. An inscription on the reverse, accepted as early 16th-century, identifies Giorgione as the painter and provides the date, making this the only work by the artist bearing a reliable date. Behind the young woman is a branch of laurel (''Laurus''), a symbol of chastity or of poets, and carrying the nuptial veil. The gesture of opening the fur mantle uncovers the bosom. This may indicate fecundity (and, therefo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma The Elder
Palma Vecchio (c. 1480 – 30 July 1528), born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian ("Palma the Elder") to distinguish him from Palma il Giovane ("Palma the Younger"), his great-nephew, who was also a painter. Life Palma was born at Serina Alta near Bergamo, a dependency of the Republic of Venice, but his recorded career all took place in or near Venice. He is first recorded in Venice in 1510, but had probably already been there for some time. He was perhaps apprenticed to Andrea Previtali, who also came from Bergamo, and who returned there in 1511. Palma's earlier works show the influence of Giovanni Bellini, Previtali's master and by then the aged ''doyen'' of Venetian painting, but Palma came to follow the new style and subjects pioneered by Giorgione and Titian. After the deaths of Bellini and Giorgione, and the removal from Venice of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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