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Salome (Titian, Rome)
''Salome'', or possibly ''Judith with the Head of Holofernes'', is an oil painting which is an early work by the Venetian painter of the late Renaissance, Titian. It is usually thought to represent Salome with the head of John the Baptist. It is usually dated to around 1515 and is now in the Doria Pamphilj Gallery in Rome. Like other paintings of this subject, it has sometimes been considered to represent Judith with the head of Holofernes, the other biblical incident found in art showing a female and a severed male head. Historically, the main figure has also been called Herodias, the mother of Salome. Sometimes attributed to Giorgione, the painting is now usually seen as one where Titian's personal style can be seen in development, with a "sense of physical proximity and involvement of the viewer", in which "expert handling of the malleable oil medium enabled the artist to evoke the sensation of softly spun hair upon creamy flesh". Erwin Panofsky suggested the head of John the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violante (Titian)
''Violante'' is an oil painting attributed to Titian, dated to around 1515 and now held at the Kunsthistorisches Museum in Vienna. History The work was part of the Venetian collection of Bartolomeo della Nave and in 1636, it was sold to the Duke of Hamilton, who brought it to London. In 1659, it was acquired by Archduke Leopold Wilhelm of Austria, whose collection later became part of the current museum. The title refers to the traditional identification with Violante, the daughter of painter Palma the Elder (to whom the painting was assigned for a long time), which has however no proof. An etching by David Teniers the Younger show the painting having larger size, although a representation of the archduke's gallery from the same artist depicts it in the same current size. in Teniers the Younger's publication '' |
Bethulia
Bethulia (, ''Baituloua''; Hebrew: בתוליה) is a biblical "city whose deliverance by Judith, when besieged by Holofernes, forms the subject of the Book of Judith." Etymology The name "Bethulia" in Hebrew can be associated, in an allegorical sense, with "Beth-el" (house of God). If treated as a real geographical name, it can be explained as a composite word built from "betulah", virgin, and " Jah", the proper name of God, so literally "Yhwh's virgin". This suits the portrayal of Judith as a chaste widow and the book's emphasis on following religious rules, chastity among them. Hugo Willrich suggested in 1900 in his book "Judaica" that "Bethulia" is a corrupted form of "Bethalagan". Location The Jewish Encyclopedia suggests an original allegorical sense, later applied to a concrete place in the described region. However, no place-name easily derivable from Bethulia could be identified there. The Catholic Encyclopedia (1907–14) writes: "The view that Bethulia is merely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, lust, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus (mythology), Venus and the god of war Mars (mythology), Mars. He is also known in Latin as ' ("Love"). His interpretatio graeca, Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greece, Classical ancient Greek art, Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Of Women
The "Power of Women" (german: Weibermacht) is a medieval and Renaissance artistic and literary topos, showing "heroic or wise men dominated by women", presenting "an admonitory and often humorous inversion of the male-dominated sexual hierarchy". It was defined by Susan L. Smith as "the representational practice of bringing together at least two, but usually more, well-known figures from the Bible, ancient history, or romance to exemplify a cluster of interrelated themes that include the wiles of women, the power of love, and the trials of marriage". Smith argues that the topos is not simply a "straightforward manifestation of medieval antifeminism"; rather, it is "a site of contest through which conflicting ideas about gender roles could be expressed". Smith argues the topos originates in classical literature and finds it in medieval texts such as ''Aucassin et Nicolette'', ''The Consolation of Philosophy'', the ''Roman de la Rose'', and the ''Canterbury Tales''.Harp p. 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camillo Pamphilj
Camillo Francesco Maria Pamphili (21 February 1622 – 26 July 1666) was an Italian Catholic cardinal and nobleman of the Pamphili family. His name is often spelled with the final ''long i'' orthography; Pamphilj. Early life Pamphili was born in Naples on 21 February, 1622. His father, Pamphilio Pamphili, had moved to Naples with his wife Olimpia Maidalchini, after his brother, Cardinal Giovanni Battista Pamphili, became papal nuncio to the Kingdom of Naples. As a young man, Pamphili studied poetry, philosophy, mathematics and architecture. When his father died, in 1639, efforts began to find Camillo a bride that would honor the family lineage. This remained the intention after his uncle's election to the papacy in 1644. After negotiations had begun for the wedding of his sister Costanza to Niccolò Ludovisi, belonging to the pro-Spanish faction, a potential bride for the young Pamphili was sought in the pro-French faction. Olimpia Maidalchini advocated for the candidac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olimpia Aldobrandini
Olimpia Aldobrandini (20 April 1623 – 18 December 1681) was a member of the Aldobrandini family of Rome, and the sole heiress to the family fortune. Biography Donna Olimpia Aldobrandini was born 20 April 1623, the daughter of Giorgio Aldobrandini (''Prince'' of Meldola, Sarsina and Rossano) and Ippolita Ludovisi (daughter of Orazio Ludovisi, Duke of Fiano, sister of Niccolò Ludovisi, Duke of Zagarolo and a niece of Pope Gregory XV). In 1638, she married Prince Paolo Borghese of the Borghese family who died in 1646. The following year, in 1647, she married Camillo Pamphili (son of Olimpia Maidalchini and nephew of Pope Innocent X) who renounced a cardinalate to become her husband.Note: ''The two families were already close - Olimpia's uncle Niccolò Ludovisi had married Camillo's sister, Costanza Pamphili.'' Part of her dowry of her second marriage was a collection of paintings (including masterpieces removed from the Duke of Ferrara's ''"Camerino d’Alabastro"''), v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Aldobrandini
Pietro Aldobrandini (31 March 1571 – 10 February 1621) was an Italian cardinal and patron of the arts. Biography He was made a cardinal in 1593 by his uncle, Pope Clement VIII. He took over the duchy of Ferrara in 1598 when it fell to the Papal States. On 17 Oct 1604, he was consecrated bishop by Pope Clement VIII, with François-Marie Tarugi, Archbishop of Siena, Alessandro Ottaviano de' Medici, Cardinal-Bishop of Palestrina, and Ottavio Bandini, Archbishop of Fermo, serving as co-consecrators. He became archbishop of Ravenna in 1604. He bought the Palazzo Doria Pamphilj, and spent large sums on this and other buildings such as the Villa Aldobrandini. He was a patron of Torquato Tasso, and of Girolamo Frescobaldi Girolamo Alessandro Frescobaldi (; also Gerolamo, Girolimo, and Geronimo Alissandro; September 15831 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of k .... Work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Wethey
Harold Edwin Wethey (April 10, 1902 ― September 22, 1984) was an American art historian and educator. From 1940 to 1972, Wethey was a professor of art history at the University of Michigan. Career Born in Port Byron, Wethey received a Bachelor of Arts in Romance Languages from Cornell University in 1923, and then a Master of Arts and a Doctor of Philosophy in Art History from Harvard University in 1931 and 1934, respectively. His doctoral dissertation was on the sculptor Gil de Siloé and was titled "Gil de Siloé and Sculpture in Burgos under the Catholic Kings." He taught at Bryn Mawr College and Washington University in St. Louis before joining the art history faculty of the University of Michigan in 1940 until retirement in 1972. There, Wethey also served as department chair. In 1949, he won the inaugural Alice Davis Hitchcock Award from the Society of Architectural Historians. From 1982 to 1983, Wethey held the post of Samuel Henry Kress Professor at the National Gallery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucrezia D'Este (1535–1598)
Lucrezia d'Este (16 December 1535 – 12 February 1598) was an Italian noblewoman. By birth she was a member of the House of Este, and by marriage to Francesco Maria II della Rovere, Duke of Urbino she was Duchess consort of Urbino and Sora, and Lady consort of Pesaro, Senigallia, Fossombrone and Gubbio. She was one of the most educated women of her time, and a notable patron of scientists and poets. The negotiations she initiated with the Holy See preserved the sovereign status and titles of the Duchy of Modena and Reggio for the House of Este. Life Early years Born in Ferrara on 16 December 1535, Lucrezia was the third child and second daughter of Ercole II d'Este, Duke of Ferrara and Renée of France, Duchess of Chartres, Countess of Gisors and Lady of Montargis. Her paternal grandparents were Alfonso I d'Este, Duke of Ferrara and the famous Lucrezia Borgia, daughter of Pope Alexander VI; her maternal grandparents were King Louis XII of France and Anne, Duchess of Brittany. L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
