Traveling Wilburys

The Traveling Wilburys were a British-American supergroup consisting of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison and Tom Petty. Originating from an idea discussed by Harrison and Lynne during the sessions for Harrison's 1987 album '' Cloud Nine'', the band formed in April 1988 after the five members united to record a bonus track for Harrison's next European single. When this collaboration, " Handle with Care", was deemed too good for such a limited release, the group agreed to record a full album, titled ''Traveling Wilburys Vol. 1''. Following Orbison's death in December 1988, the Wilburys released a second album, which they titled ''Traveling Wilburys Vol. 3'', in 1990.

The project's work received much anticipation given the diverse nature of the singer-songwriters. The band members adopted tongue-in-cheek pseudonyms as half-brothers from the fictional Wilbury family of travelling musicians. ''Vol. 1'' was a critical and commercial success, helping to revitalise Dylan's and Petty's careers. In 1990, the album won the Grammy for Best Rock Performance by a Duo or Group.

Although Harrison envisioned a series of Wilburys albums and a film about the band, produced through his company HandMade, the group's final release was in February 1991. After several years of unavailability, the two Wilburys albums were reissued by the Harrison estate in the 2007 box set '' The Traveling Wilburys Collection''. The box set included a DVD containing their music videos and a documentary on the band's formation.

History

Background

George Harrison first mentioned the Traveling Wilburys publicly during a radio interview with Bob Coburn on the show ''Rockline'' in February 1988. When asked how he planned to follow up the success of his '' Cloud Nine'' album, Harrison replied: "What I'd really like to do next is ... to do an album with me and some of my mates ... It's this new group I got n mind it's called the Traveling Wilburys, I'd like to do an album with them and then later we can all do our own albums again." According to Jeff Lynne, who co-produced ''Cloud Nine'', Harrison introduced the idea of the two of them starting a band together around two months into the sessions for his album, which began in early January 1987. When discussing who the other members might be, Harrison chose Bob Dylan and Lynne opted for Roy Orbison. The term "Wilbury" also originated during the ''Cloud Nine'' sessions. Referring to recording errors created by faulty equipment, Harrison jokingly remarked to Lynne, "''We'll bury'' 'em in the mix." Thereafter, they used the term for any small error in performance. Harrison first suggested "the Trembling Wilburys" as the group's name; at Lynne's suggestion, they amended it to "Traveling Wilburys".

During his ''Rockline'' interview, Harrison voiced his support for Dylan, at a time when the Dylan was experiencing an artistic and commercial low point in his career. Harrison and Lynne became friends with Tom Petty in October 1987, when Petty and his band, the Heartbreakers, toured Europe as Dylan's backing group. The friendship continued in Los Angeles later that year. There, Harrison struck up a musical rapport with Petty based on their shared love of 1950s rock 'n' roll, and Lynne began collaborating with Petty on what became Petty's debut solo album, '' Full Moon Fever'', and writing songs with Orbison, Lynne's longtime musical hero, for Orbison's comeback album, '' Mystery Girl''. According to Petty, Harrison's dream for the Wilburys was to handpick the participants and create "the perfect little band", but the criteria for inclusion were governed most by "who you could hang out with". The five musicians also bonded over a shared appreciation of the English comedy troupe Monty Python. Harrison, who had worked with the members of Monty Python on various productions by his company HandMade Films since the late 1970s, particularly appreciated Orbison's gift for impersonation and his ability to recite entire sketches by the troupe.
File:George-Harrison-playing (tall crop).jpg, Nelson Wilbury (Harrison)
File:Jefflynne hydepark (cropped).jpg, Otis Wilbury (Lynne)
File:Roy Orbison at Nigra in 1984 - PICT0026.jpg, Lefty Wilbury (Orbison)
File:Tom Petty (8191710373).jpg, Charlie T. Wilbury, Jr. (Petty)
File:Bob Dylan - Azkena Rock Festival 2010 2.jpg, Lucky Wilbury (Dylan)

1988–91

"Handle with Care" and band formation

The band came together in April 1988, when Harrison was in Los Angeles to oversee the filming of his HandMade production '' Checking Out''. At that time, Warner Bros. Records asked Harrison for a new song to serve as the B-side for the European release of his third single from ''Cloud Nine'', " This Is Love". During a meal with Lynne and Orbison, Harrison asked Lynne to help him record the track and invited Orbison to attend the session, which he then arranged to take place at Dylan's garage studio in Malibu since no professional studios were available at such short notice. Petty's involvement came about when Harrison went to retrieve his guitar from Petty's house and invited him to attend also.

Working on a song that Harrison had recently started writing, the ensemble completed the track, which they titled " Handle with Care" after a label on a box in Dylan's garage. When Harrison presented the recording to Mo Ostin and Lenny Waronker of Warner Bros., the executives insisted that the song was too good to be used as a B-side. In Petty's recollection, Harrison and Lynne then decided to realise their idea of forming a Wilburys band, and first invited him to join before phoning Dylan, who also agreed to join. That night, Harrison, Lynne and Petty drove to Anaheim to see Orbison perform at the Celebrity Theatre and recruited him for the group shortly before he went on stage. In Petty's description, Orbison performed an "unbelievable show", during which "we'd punch each other and go, 'He's in our band, too.' ... We were all so excited." Available a
Rock's Backpages
(subscription required).

Debut album

The band members decided to create a full album together, ''Traveling Wilburys Vol. 1''. Video footage of the creative process was later edited by Harrison into a promotional film for Warner Bros. staff, titled ''Whatever Wilbury Wilbury''. The album was recorded primarily over a ten-day period in May 1988, to allow for Dylan's limited availability as he prepared for the start of what became known as his Never Ending Tour and for Orbison's tour schedule. These sessions were held in the house of Eurythmics member Dave Stewart, in Los Angeles.

The five band members sat in a circle playing acoustic guitars in Stewart's kitchen; once each song's basic track had been written and recorded there (with accompaniment from a drum machine), the group recorded their vocals in another room, usually after dinner each night. Petty recalled that, as a friend but also an avowed fan of Dylan's, Harrison felt the need to clear the air on the first day by saying to him: "We know that you're Bob Dylan and everything, but we're going to just treat you and talk to you like we would anybody else." Dylan replied: "Well, great. Believe it or not, I'm in awe of you guys, and it's the same for me." While most of the songs had a primary composer, all of the band members were creative equals. Petty later described Harrison as the Wilburys' "leader and manager", and credited him with being a bandleader and producer that had a natural instinct for bringing out the best in people and keeping a recording session productive. As the group's producers, Harrison and Lynne directed the sessions, with Harrison often auditioning each member to decide who should sing a particular lead vocal part. The two producers then flew back to England; Lynne recalls that, throughout the flight, he and Harrison enthused about how to turn the sparse, acoustic-based tracks into completed recordings. Overdubs and further recording took place at Harrison's studio, FPSHOT, with "Sideburys" Jim Keltner (drums), Jim Horn (saxophones) and Ray Cooper (percussion). Harrison described the band's sound as "skiffle for the 1990s".

The album was released on 18 October 1988. Distributed by Warner Bros., it appeared on the new Wilbury record label rather than on Harrison's Dark Horse label, in the interests of maintaining the group identity. Over the months following the end of recording in the summer, contractual issues had been successfully negotiated between Warner and the record companies representing Dylan, Petty, Lynne and Orbison. As was the case in 1971 when EMI prepared Harrison's multi-artist live album from the Concert for Bangladesh for release, Dylan's label, Columbia, presented the main stumbling block. In the album credits, the "Wilburys" joke was extended further, with the band members listed under various pseudonyms and pretending to be half-brothers – sons of a fictional Charles Truscott Wilbury, Sr. During promotion for the album, Orbison played along with the mock history, saying: "Some people say Daddy was a cad and a bounder, but I remember him as a Baptist minister."

''Vol. 1'' was a critical and commercial success, and revitalised the careers of Dylan, Orbison and Petty. As Harrison had intended, the album defied contemporary musical trends such as hip hop, acid house and synthesised pop; author Alan Clayson likens its release to "a Viking longship docking in a hovercraft terminal". The album produced two successful singles and went on to achieve triple-platinum certification for sales in the United States. It was nominated for several awards and won the 1990 Grammy Award for Best Rock Performance by a Duo or Group. Liner notes on the album cover were written by Monty Python's Michael Palin under a pseudonym. Palin's essay was based on an idea by Derek Taylor, who wrote an extensive fictional history of the Wilburys family that otherwise went unused. Harrison planned a feature film about the band, to be produced by HandMade and directed by David Leland, but contractual problems ended the project.

Orbison's death, "Nobody's Child" and ''Vol. 3''

Roy Orbison died of a heart attack on 6 December 1988. In tribute to him, the music video for the band's second single, " End of the Line", shows Orbison's guitar rocking in a chair when his vocals are heard. Lynne recalled that Orbison's death in the wake of ''Vol. 1''s success was "the most sickening thing to me". He added: "I was devastated for ages ... Me and Roy had had plans to do much more together, and his voice was in really good shape. It was just so sad for that to happen." Although there was speculation in the press that Del Shannon or Roger McGuinn might join the Wilburys, the remaining members never considered replacing Orbison. Lynne later said: "We'd become this unit, we were all good pals … We always knew we were going to do another one, and now it's just the four of us."

Harrison was the most active in promoting the Wilburys, carrying out interviews well into 1989. He said he was "wait ngfor all the other Wilburys to finish being solo artists" so that they could renew the collaboration. By contrast, according to author Clinton Heylin, Dylan appeared to give the band little attention as he focused on re-establishing himself as a live performer before recording his 1989 album '' Oh Mercy''.

In March 1990, Harrison, Lynne, Petty and Dylan reunited to work on a second Wilburys album, which they intentionally misnumbered ''Traveling Wilburys Vol. 3''. It was preceded by a non-album single, a cover of " Nobody's Child", which the band recorded for Olivia Harrison's Romanian Angel Appeal charity project. The duration of the main album sessions was again dictated by Dylan's touring schedule and limited availability. Having asked Dylan to record a lead vocal for all the songs before his departure, Harrison was then loath to replace many of the parts, resulting in a greater prominence for Dylan as a lead singer. Although he ceded his own role as a lead vocalist to Dylan and to Petty, Harrison took over more of the production and contributed more prominently as a lead guitarist than before. Petty described the album as "a little more rough and ready, a bit more raucous" than ''Vol. 1'', while Dylan said the new songs were more developed as compositions relative to the "scraped up from jam tapes" approach to the band's debut.

''Vol. 3'' was released on 29 October 1990. It was dedicated to Orbison, as "Lefty Wilbury", the pseudonym that Orbison had used in 1988 in honour of his hero Lefty Frizzell. The album met with less success than the previous one. According to Mo Ostin, the choice of album title came about through "George being George"; apparently Harrison was making a wry reference to the appearance of a bootleg that served as a sort of ''Volume 2''. The album's liner notes were written by Eric Idle, another Python member, who again adopted a pseudonym. For the band's final single, "Wilbury Twist", they filmed a video in which Idle, John Candy and other comedic actors attempt to master the song's eponymous dance style. The clip was filmed in Los Angeles and completed on 28 February 1991.

After the Wilburys

According to Jim Keltner, the decision on the group's future after ''Vol. 3'' lay with Harrison. Keltner said that from his conversations with Lynne, Petty and Dylan, they were all keen to reunite, whereas Harrison wavered in his enthusiasm. While Harrison was against the idea of touring, Petty recalled: "I kept getting down on my knees in front of George, saying, 'Please, it's so much money!'"

After his 1991 tour of Japan – his first series of concerts since 1974 – Harrison spoke of a possible Traveling Wilburys tour:

The Wilburys tour never came about. Petty said about the Wilburys touring:

Legacy and influence

In the Rolling Stone Press book ''The New Rolling Stone Encyclopedia of Rock & Roll'', the Traveling Wilburys are described as "the ultimate supergroup", with a line-up that represented four eras of rock music history and included "three indisputable gods" in Dylan, Harrison and Orbison. The editors also recognise the band as "the antithesis of a supergroup", due to the musicians' adoption of fraternal alter egos and the humour inherent in the project. AllMusic managing editor Stephen Thomas Erlewine has similarly written: "It's impossible to picture a supergroup with a stronger pedigree than that (all that's missing is a Rolling Stone), but in another sense it's hard to call the Wilburys a true supergroup, since they arrived nearly two decades after the all-star craze of the '70s peaked, and they never had the self-important air of nearly all the other supergroups. That, of course, was the key to their charm …" Speaking to music journalist Paul Zollo in 2004, Petty agreed that humour and self-effacement had been key factors in the Wilburys' success, adding: "We wanted to make something good in a world that seemed to get uglier and uglier and meaner and meaner … And I'm really proud that I was part of it. Because I do think that it brought a little sunshine into the world."

Harrison said the project was an opportunity to "put a finger up to the rules" by challenging the norms associated with the music industry. Discussing the Wilburys in Peter Bogdanovich's 2007 documentary '' Runnin' Down a Dream'', Petty said that one of the strengths behind the concept was that it was free of any intervention from record company, management or marketing concerns, and instead developed naturally from a spirit of co-operation and mutual admiration among five established artists. Author Simon Leng recognises the venture as primarily a channel through which Harrison and Dylan could escape the restrictions of their serious media images, but also, in its guise as a "phantom band", a development by Harrison of the Rutles' satirical approach to the Beatles' legacy, in this case by "de-mythologizing" rock history.

Inspired by the Traveling Wilburys' success and particularly its benefit to Petty and Orbison as artists, Lenny Waronker encouraged American guitarist Ry Cooder to form the band Little Village and record for Warner Bros. The group – comprising Cooder, Keltner, John Hiatt and Nick Lowe

HOME


Content is Copyleft
Website design, code, and AI is Copyrighted (c) 2014-2017 by Stephen Payne


Consider donating to Wikimedia



As an Amazon Associate I earn from qualifying purchases