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Hindu Love Gods (album)
''Hindu Love Gods'' is the only album by American band Hindu Love Gods, which was released in 1990. The album was recorded around the same time as Warren Zevon's album '' Sentimental Hygiene'', for which Zevon had enlisted Bill Berry, Peter Buck and Mike Mills of R.E.M. as players. The musicians also recorded this set of songs, mainly cover versions of old blues tunes, reputedly during late-night drunken recording sessions, not originally intending them for release. Track listing #"Walkin' Blues" (Robert Johnson) – 4:12 #" Travelin' Riverside Blues" (Robert Johnson) – 4:02 #"Raspberry Beret" (Prince Rogers Nelson) – 3:53 #"Crosscut Saw" (Fred Ingrahm, Bill Sanders) – 3:06 #" Junko Pardner" (Bob Shad) – 2:39 #"Mannish Boy" (Bo Diddley, Melvin London, Muddy Waters) – 6:57 #"Wang Dang Doodle" (Willie Dixon) – 3:51 #"Battleship Chains" ( Terry Anderson) – 3:06 #" I'm a One-Woman Man" (Tillman Franks, Johnny Horton) – 2:16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Love Gods (band)
Hindu Love Gods was an American rock band that was, in essence, an occasional side project of members of R.E.M., with (at various times) Warren Zevon and Bryan Cook. History The band debuted with three scattered gigs (all in Athens, Georgia) in 1984. The group played mostly cover tunes, though a few unreleased originals also made it into the mix. The first gig took place on February 15, 1984, and featured Bryan Cook (vocals and organ, a member of Athens bands Is/Ought Gap, Club Gaga, Thumb Attack, Oh-OK and Time Toy), and R.E.M. members Bill Berry (drums), Peter Buck (guitar) and Mike Mills (bass). The follow-up gig took place on February 29, two weeks later; added to the line-up was R.E.M. lead singer Michael Stipe on vocals, and Warren Zevon on vocals, keyboards, and guitar. Zevon performed his hit "Werewolves of London", as well as several other songs that were, at that point, unrecorded (including "Boom Boom Mancini" and "Trouble Waiting to Happen"). The final 1984 gig t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson (musician)
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battleship Chains
"Battleship Chains" is a song written by Terry Anderson and recorded by his band The Woods. It was covered and made famous by the band The Georgia Satellites in 1986. Appearing on their debut album, It reached number 86 on the ''Billboard'' Hot 100. "Battleship Chains" ''Billboard'' The song also appeared on the album '' Hindu Love Gods'' by the band Hindu Love Gods, a collaboration between members of R.E.M. and Warren Zevon. The song also features on The Wildhearts covers album '' Stop Us If You've Heard This One Before Vol 1.'' Chart performance Izzy Stradlin has also covered this song when playing live with Rick Richards. Danish metal band Volbeat has also covered the song on their 2016 album, ''Seal the Deal & Let's Boogie ''Seal the Deal & Let's Boogie'' is the sixth studio album by Danish rock band Volbeat. The album was released on 3 June 2016. It is the first album not to feature Anders Kjølholm who left in November the previous year. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wang Dang Doodle
"Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat. It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the ''Billboard'' R&B chart and number 58 on the pop chart. "Wang Dang Doodle" became a blues standard and has been recorded by various artists. Composition and lyrics "Wang Dang Doodle" was composed by Willie Dixon during the second part of his songwriting career, from 1959 to 1964. During this period, he wrote many of his best-known songs, including "Back Door Man", "Spoonful", "The Red Rooster" (better-known as "Little Red Rooster"), "I Ain't Superstitious", "You Shook Me", "You Need Love" (adapted by Led Zeppelin for "Whole Lotta Love"), and "You Can' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel London
Mel London (April 9, 1932 – May 16, 1975) was an American songwriter, record producer, and record label owner. He was active in the Chicago blues and R&B scenes in the 1950s and 1960s. London is best known for his compositions for Chicago blues artists Howlin' Wolf, Muddy Waters, Elmore James, and Junior Wells as well as being the record producer and owner of Chief Records (and its Profile Records and Age Records subsidiaries). In 1954, Mel London wrote the first of several hit songs for the blues and R&B markets. His "Poison Ivy" was recorded by Willie Mabon and reached number seven in the Billboard R&B chart in 1954. In 1955, three hits written by London followed: "Who Will Be Next" by Howlin' Wolf and two by Muddy Waters - "Sugar Sweet" and " Manish Boy.""Manish Boy" cowriters: Bo Diddley and Muddy Waters Not content with just songwriting, in 1957 he started his own record label, Chief Records. Chief's first single, the London-penned "Man from the Island," featured L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannish Boy
"Mannish Boy" (or "Manish Boy" as it was first labeled) is a blues standard written by Muddy Waters, Mel London, and Bo Diddley (with Waters and Diddley being credited under their birth names). First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's " I'm a Man", which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song. Although the song contains sexual boasting, its repetition of "I'm a man, I spell M, A child, N" was understood as political. Waters had recently left the South for Chicago. "Growing up in the South, African-Americans ouldnever be referred to as a manbut as 'boy'. In this context, the song san assertion of black manhood." Recordings and releases Waters recorded the song in Chicago on May 24, 1955. It is his only recording between January 1953 and June 1957 that did not feature Little Walter on harmonica (who was on tour suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Shad
Robert "Bob" Shad (born Abraham Shadrinsky; February 12, 1920 – March 13, 1985) was an American record producer and record label owner. He produced the first album by Big Brother and the Holding Company (featuring Janis Joplin). Among his labels were Time Records, Brent Records, and Mainstream Records. Career Shad's career as a producer began with working for Herman Lubinsky at Savoy Records and Al Green at National Records in the 1940s, producing Charlie Parker in addition to blues and R&B material. He founded the first of several labels, Sittin' In With, in 1948, where he produced Lightnin' Hopkins, Sonny Terry and Brownie McGhee, Smokey Hogg, Peppermint Harris, Curley Weaver, and others. In 1951, he was named director of Artists and repertoire (A&R) at Mercury Records, where he founded the EmArcy label. On the subsidiary label he produced, among others, jazz musicians Sarah Vaughan, Maynard Ferguson, the Clifford Brown/Max Roach quintet, Billy Eckstine and Dinah Washin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junco Partner
"Junco Partner", also known as "Junco Partner (Worthless Man)", is a blues song first recorded by James Waynes in 1951. Profile of James "Wee Willie" Wayne at Black Cat Rockabilly Rockabilly.nl, Retrieved 4 April 2013 It has been recorded and revised by many other artists over several decades, including Louis Jordan, Michael Bloomfield, , Professor Longhair, |
Crosscut Saw (song)
"Crosscut Saw", or "Cross Cut Saw Blues" as it was first called, is a hokum-style song "that must have belonged to the general repertoire of the Delta blues". Mississippi bluesman Tommy McClennan's recording of the song was released in 1941 and has since been interpreted by many blues artists. "Crosscut Saw" became an early R&B chart hit for Albert King, "who made it one of the necessary pieces of modern blues". Original song Tommy McClennan's "Cross Cut Saw Blues" is a Delta blues, that follows the hokum style of the time. McClennan, who sings and plays acoustic guitar, and an unknown bass player, recorded the song at the RCA Studio A in Chicago on September 15, 1941. The lyrics make use of double-entendre: The song follows the classic twelve-bar blues progression, contrary to Big Bill Broonzy's characterization of McClennan's timing as erratic. Tony Hollins version Tony Hollins, a Mississippi bluesman and contemporary of Tommy McClennan, recorded a version of "Cross ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
