Post-modernism (art)
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Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as
postmodern Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the " grand narratives" of moderni ...
. There are several characteristics which lend art to being postmodern; these include bricolage, the use of text prominently as the central artistic element,
collage Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. ...
, simplification, appropriation, performance art, the recycling of past styles and themes in a modern-day context, as well as the break-up of the barrier between
fine Fine may refer to: Characters * Sylvia Fine (''The Nanny''), Fran's mother on ''The Nanny'' * Officer Fine, a character in ''Tales from the Crypt'', played by Vincent Spano Legal terms * Fine (penalty), money to be paid as punishment for an offe ...
and
high arts In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork ...
and
low art In sociology, the term Low culture identifies the forms of popular culture that have Commoner, mass appeal, which is in contrast to High culture, which has a limited appeal to a smaller proportion of the populace. Culture theory proposes that b ...
and popular culture.


Use of the term

The predominant term for art produced since the 1950s is " contemporary art". Not all art labeled as contemporary art is postmodern, and the broader term encompasses both artists who continue to work in modernist and late modernist traditions, as well as artists who reject postmodernism for other reasons. Arthur Danto argues "contemporary" is the broader term, and postmodern objects represent a "subsector" of the contemporary movement. Some postmodern artists have made more distinctive breaks from the ideas of modern art and there is no consensus as to what is "late-modern" and what is "post-modern." Ideas rejected by the modern aesthetic have been re-established. In painting, postmodernism reintroduced representation. Some critics argue much of the current "postmodern" art, the latest avant-gardism, should still classify as modern art. As well as describing certain tendencies of contemporary art, postmodern has also been used to denote a phase of
modern art Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the tradi ...
. Defenders of modernism, such as Clement Greenberg, as well as radical opponents of modernism, such as Félix Guattari, who calls it modernism's "last gasp,Félix Guattari, ''the Postmodern Impasse'' in ''The Guattari Reader'', Blackwell Publishing, 1996, pp109-113. " have adopted this position. The neo-conservative Hilton Kramer describes postmodernism as "a creation of modernism at the end of its tether." Jean-François Lyotard, in Fredric Jameson's analysis, does not hold there is a postmodern stage radically different from the period of high modernism; instead, postmodern discontent with this or that high modernist style is part of the experimentation of high modernism, giving birth to new modernisms. In the context of aesthetics and art, Jean-François Lyotard is a major philosopher of postmodernism. Many critics hold postmodern art emerges from modern art. Suggested dates for the shift from modern to postmodern include 1914 in Europe, and 1962 or 1968 in America. James Elkins, commenting on discussions about the exact date of the transition from modernism to postmodernism, compares it to the discussion in the 1960s about the exact span of
Mannerism Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, ...
and whether it should begin directly after the High Renaissance or later in the century. He makes the point these debates go on all the time with respect to art movements and periods, which is not to say they are not important.James Elkins, ''Stories of Art'', Routledge, 2002, p16. The close of the period of postmodern art has been dated to the end of the 1980s, when the word postmodernism lost much of its critical resonance, and art practices began to address the impact of globalization and new media. Jean Baudrillard has had a significant influence on postmodern-inspired art and emphasised the possibilities of new forms of creativity. The artist Peter Halley describes his day-glo colours as "hyperrealization of real color", and acknowledges Baudrillard as an influence.Gary Genosko, ''Baudrillard and Signs: Signification Ablaze'', Routledge, 1994, p154. Baudrillard himself, since 1984, was fairly consistent in his view contemporary art, and postmodern art in particular, was inferior to the modernist art of the post World War II period, while Jean-François Lyotard praised Contemporary painting and remarked on its evolution from Modern art. Major
Women artists The absence of women from the canon of Western culture, Western Art history, art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?, Why ...
in the Twentieth Century are associated with postmodern art since much theoretical articulation of their work emerged from French psychoanalysis and Feminist Theory that is strongly related to post modern philosophy. American Marxist philosopher Fredric Jameson argues the condition of life and production will be reflected in all activity, including the making of art. As with all uses of the term postmodern there are critics of its application. Kirk Varnedoe, for instance, stated that there is no such thing as postmodernism, and that the possibilities of modernism have not yet been exhausted. Though the usage of the term as a kind of shorthand to designate the work of certain Post-war "schools" employing relatively specific material and generic techniques has become conventional since the mid-1980s, the theoretical underpinnings of Postmodernism as an epochal or epistemic division are still very much in controversy.


Defining postmodern art

Postmodernism describes movements which both arise from, and react against or reject, trends in modernism. General citations for specific trends of modernism are formal purity,
medium specificity Medium specificity is a consideration in aesthetics and art criticism. It is most closely associated with modernism, but it predates it. Overview According to Clement Greenberg, who helped popularize the term, medium specificity holds that "the u ...
, art for art's sake,
authenticity Authenticity or authentic may refer to: * Authentication, the act of confirming the truth of an attribute Arts and entertainment * Authenticity in art, ways in which a work of art or an artistic performance may be considered authentic Music * A ...
, universality, originality and revolutionary or reactionary tendency, i.e. the avant-garde. However, paradox is probably the most important modernist idea against which postmodernism reacts. Paradox was central to the modernist enterprise, which Manet introduced. Manet's various violations of representational art brought to prominence the supposed mutual exclusiveness of reality and representation, design and representation, abstraction and reality, and so on. The incorporation of paradox was highly stimulating from Manet to the conceptualists. The status of the avant-garde is controversial: many institutions argue being visionary, forward-looking, cutting-edge, and progressive are crucial to the mission of art in the present, and therefore postmodern art contradicts the value of "art of our times". Postmodernism rejects the notion of advancement or progress in art per se, and thus aims to overturn the "myth of the avant-garde". Rosalind Krauss was one of the important enunciators of the view that avant-gardism was over, and the new artistic era is post-liberal and post-progress. Griselda Pollock studied and confronted the avant-garde and modern art in a series of groundbreaking books, reviewing modern art at the same time as redefining postmodern art. One characteristic of postmodern art is its conflation of high and low culture through the use of industrial materials and pop culture imagery. The use of low forms of art were a part of modernist experimentation as well, as documented in Kirk Varnedoe and Adam Gopnik's 1990–91 show ''High and Low: Popular Culture and Modern Art'' at New York's Museum of Modern Art, an exhibition that was universally panned at the time as the only event that could bring
Douglas Crimp John Douglas Crimp (August 19, 1944 July 5, 2019) was an American art historian, critic, curator, and AIDS activist. He was known for his scholarly contributions to the fields of postmodern theories and art, institutional critique, dance, film ...
and Hilton Kramer together in a chorus of scorn. Postmodern art is noted for the way in which it blurs the distinctions between what is perceived as fine or high art and what is generally seen as low or kitsch art.General Introduction to Postmodernism
Cla.purdue.edu. Retrieved on 2013-08-02.
While this concept of "blurring" or "fusing" high art with low art had been experimented during modernism, it only ever became fully endorsed after the advent of the postmodern era. Postmodernism introduced elements of commercialism, kitsch and a general
camp Camp may refer to: Outdoor accommodation and recreation * Campsite or campground, a recreational outdoor sleeping and eating site * a temporary settlement for nomads * Camp, a term used in New England, Northern Ontario and New Brunswick to descri ...
aesthetic within its artistic context; postmodernism takes styles from past periods, such as
Gothicism Gothicism or Gothism ( sv, Göticism ; la, Gothicismus) was a cultural movement in Sweden, centered on the belief in the glory of the Swedish Geats, who were identified with the Goths. The founders of the movement were Nicolaus Ragvaldi and th ...
, the Renaissance and the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
, and mixes them so as to ignore their original use in their corresponding artistic movement. Such elements are common characteristics of what defines postmodern art. Fredric Jameson suggests postmodern works abjure any claim to spontaneity and directness of expression, making use instead of pastiche and discontinuity. Against this definition, Art and Language's Charles Harrison and Paul Wood maintained pastiche and discontinuity are endemic to modernist art, and are deployed effectively by modern artists such as Manet and
Picasso Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th ce ...
.Charles Harrison and Paul Wood, ''Art in Theory, 1900–2000: An Anthology of Changing Ideas'', Blackwell Publishing, 1992, p1014. One compact definition is postmodernism rejects modernism's
grand narratives A metanarrative (also meta-narrative and grand narrative; french: métarécit) is a narrative ''about'' narratives of historical meaning, experience, or knowledge, which offers a society legitimation through the anticipated completion of a (as yet ...
of artistic direction, eradicating the boundaries between high and low forms of art, and disrupting genre's conventions with collision, collage, and fragmentation. Postmodern art holds all stances are unstable and insincere, and therefore
irony Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique. Irony can be categorized into ...
, parody, and
humor Humour (English in the Commonwealth of Nations, Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement. The term derives from the humorism, humoral medicine of the ancient Gre ...
are the only positions critique or
revision Revision is the process of revising. More specifically, it may refer to: * Patch (computing), Update, a modification of software or a database * Revision control, the management of changes to sets of computer files * ''ReVisions'', a 2004 antholo ...
cannot overturn. "Pluralism and diversity" are other defining features.


Avant-garde precursors

Radical movements and trends regarded as influential and potentially as precursors to postmodernism emerged around World War I and particularly in its aftermath. With the introduction of the use of industrial artifacts in art and techniques such as
collage Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. ...
, avant-garde movements such as
Cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassemble ...
, Dada and
Surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to l ...
questioned the nature and value of art. New artforms, such as cinema and the rise of
reproduction Reproduction (or procreation or breeding) is the biological process by which new individual organisms – "offspring" – are produced from their "parent" or parents. Reproduction is a fundamental feature of all known life; each individual or ...
, influenced these movements as a means of creating artworks. The ignition point for the definition of modernism, Clement Greenberg's essay, ''
Avant-Garde and Kitsch "Avant-Garde and Kitsch" is the title of a 1939 essay by Clement Greenberg, first published in the ''Partisan Review'', in which he claimed that avant-garde and modernist art was a means to resist the "dumbing down" of culture caused by consumeris ...
'', first published in '' Partisan Review'' in 1939, defends the avant-garde in the face of popular culture. Later, Peter Bürger would make a distinction between the historical avant-garde and modernism, and critics such as Krauss, Huyssen, and Douglas Crimp, following Bürger, identified the historical avant-garde as a precursor to postmodernism. Krauss, for example, describes Pablo Picasso's use of collage as an avant-garde practice anticipating postmodern art with its emphasis on language at the expense of autobiography. Another point of view is avant-garde and modernist artists used similar strategies and postmodernism repudiates both.


Dada

In the early 20th century Marcel Duchamp exhibited a urinal as a sculpture. His point was to have people look at the urinal as if it were a work of art just because he said it was a work of art.Gavin Parkinson, ''The Duchamp Book: Tate Essential Artists Series''
Harry N. Abrams, 2008, p. 61,
Dalia Judovitz, ''Unpacking Duchamp: Art in Transit''
University of California Press, 1998, pp. 124, 133,
He referred to his work as " Readymades".Tomkins: ''Duchamp: A Biography'', page 158. The '' Fountain'' was a urinal signed with the pseudonym R. Mutt, which shocked the art world in 1917. This and Duchamp's other works are generally labelled as Dada. Duchamp can be seen as a precursor to conceptual art. Some critics question calling Duchamp—whose obsession with paradox is well known—postmodernist on the grounds he eschews any specific medium, since paradox is not medium-specific, although it arose first in Manet's paintings. Dadaism can be viewed as part of the modernist propensity to challenge established styles and forms, along with
Surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to l ...
,
Futurism Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such ...
and Abstract Expressionism. From a chronological point of view, Dada is located solidly within modernism, however a number of critics hold it anticipates postmodernism, while others, such as Ihab Hassan and
Steven Connor Steven Kevin Connor, FBA (born 11 February 1955) is a British literary scholar. Since 2012, he has been the Grace 2 Professor of English in the University of Cambridge and a Fellow of Peterhouse, Cambridge. He was formerly the academic director ...
, consider it a possible changeover point between modernism and postmodernism. For example, according to McEvilly, postmodernism begins with realizing one no longer believes in the myth of progress, and Duchamp sensed this in 1914 when he changed from a modernist practice to a postmodernist one, "abjuring aesthetic delectation, transcendent ambition, and tour de force demonstrations of formal agility in favor of aesthetic indifference, acknowledgement of the ordinary world, and the found object or readymade."Thomas McEvilly in Richard Roth, Jean Dubuffet, Susan King, ''Beauty Is Nowhere: Ethical Issues in Art and Design'', Routledge, 1998. p27.


Radical movements in modern art

In general, Pop Art and
Minimalism In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ...
began as modernist movements: a
paradigm shift A paradigm shift, a concept brought into the common lexicon by the American physicist and philosopher Thomas Kuhn, is a fundamental change in the basic concepts and experimental practices of a scientific discipline. Even though Kuhn restricted t ...
and philosophical split between formalism and anti-formalism in the early 1970s caused those movements to be viewed by some as precursors or transitional postmodern art. Other modern movements cited as influential to postmodern art are conceptual art and the use of techniques such as assemblage, montage, bricolage, and appropriation.


Jackson Pollock and abstract expressionism

During the late 1940s and early 1950s, Pollock's radical approach to painting revolutionized the potential for all Contemporary art following him. Pollock realized the journey toward making a work of art was as important as the work of art itself. Like Pablo Picasso's innovative reinventions of painting and sculpture near the turn of the century via
Cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassemble ...
and constructed sculpture, Pollock redefined artmaking during the mid-century. Pollock's move from easel painting and conventionality liberated his contemporaneous artists and following artists. They realized Pollock's process — working on the floor, unstretched raw canvas, from all four sides, using artist materials, industrial materials, imagery, non-imagery, throwing linear skeins of paint, dripping, drawing, staining, brushing - blasted artmaking beyond prior boundaries.
Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
expanded and developed the definitions and possibilities artists had available for the creation of new works of art. In a sense, the innovations of Jackson Pollock, Willem de Kooning, Franz Kline, Mark Rothko, Philip Guston,
Hans Hofmann Hans Hofmann (March 21, 1880 – February 17, 1966) was a German-born American painter, renowned as both an artist and teacher. His career spanned two generations and two continents, and is considered to have both preceded and influenced Abstrac ...
, Clyfford Still,
Barnett Newman Barnett Newman (January 29, 1905 – July 4, 1970) was an American artist. He has been critically regarded as one of the major figures of abstract expressionism, and one of the foremost color field painters. His paintings explore the sense o ...
,
Ad Reinhardt Adolph Dietrich Friedrich Reinhardt (December 24, 1913 – August 30, 1967) was an abstract painter active in New York for more than three decades. He was a member of the American Abstract Artists (AAA) and part of the movement centere ...
and others, opened the floodgates to the diversity and scope of following artworks.


After abstract expressionism

In
abstract painting Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th ...
during the 1950s and 1960s several new directions like Hard-edge painting and other forms of Geometric abstraction like the work of Frank Stella popped up, as a reaction against the subjectivism of Abstract expressionism began to appear in artist studios and in radical avant-garde circles. Clement Greenberg became the voice of ''Post-painterly abstraction;'' by curating an influential exhibition of new painting touring important art museums throughout the United States in 1964. Color field painting, Hard-edge painting and Lyrical Abstraction emerged as radical new directions. By the late 1960s,
Postminimalism Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. ...
, Process Art and Arte Povera''Movers and Shakers, New York'', "Leaving C&M", by Sarah Douglas, Art and Auction, March 2007, V.XXXNo7. also emerged as revolutionary concepts and movements encompassing painting and sculpture, via Lyrical Abstraction and the Postminimalist movement, and in early Conceptual Art. Process art as inspired by Pollock enabled artists to experiment with and make use of a diverse encyclopedia of style, content, material, placement, sense of time, and plastic and real space.
Nancy Graves Nancy Graves (December 23, 1939 – October 21, 1995, in Massachusetts) was an American sculptor, painter, printmaker, and sometime-filmmaker known for her focus on natural phenomena like camels or maps of the Moon. Her works are included in man ...
, Ronald Davis,
Howard Hodgkin Sir Gordon Howard Eliott Hodgkin (6 August 1932 – 9 March 2017) was a British Painting, painter and printmaker. His work is most often associated with Abstract art, abstraction. Early life Gordon Howard Eliot Hodgkin was born on 6 August 1 ...
, Larry Poons, Jannis Kounellis,
Brice Marden Brice Marden (born October 15, 1938) is an American artist generally described as Minimalist, although his work may be hard to categorize. He lives and works in New York City; Tivoli, New York; Hydra, Greece; and Eagles Mere, Pennsylvania. Life ...
, Bruce Nauman, Richard Tuttle, Alan Saret,
Walter Darby Bannard Walter Darby Bannard (September 23, 1934 – October 2, 2016) was an American abstract painter and professor of art and art history at the University of Miami Early life and education Bannard was born in New Haven, Connecticut and attended Ph ...
, Lynda Benglis,
Dan Christensen Dan Christensen, (October 6, 1942 – January 20, 2007) was an American abstract painter He is best known for paintings that relate to Lyrical Abstraction, Color field painting, and Abstract expressionism. Christensen was born in Cozad ...
,
Larry Zox Larry is a masculine given name in English, derived from Lawrence or Laurence. It can be a shortened form of those names. Larry may refer to the following: People Arts and entertainment * Larry D. Alexander, American artist/writer *Larry Boone ...
,
Ronnie Landfield Ronnie Landfield (born January 9, 1947) is an American abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, an ...
, Eva Hesse, Keith Sonnier, Richard Serra, Sam Gilliam, Mario Merz,
Peter Reginato Peter Reginato (born August 19, 1945), is an American abstract sculptor and painter. Reginato was born in Dallas, Texas, but grew up in the hills outside Oakland, California, attending the San Francisco Art Institute from 1963 to 1966. In 1970 ...
,
Lee Lozano Lee Lozano (November 5, 1930 – October 2, 1999) was an American painter, and visual and conceptual artist. Biography Early years Born Lenore Knaster in Newark, New Jersey, she started to use the name "Lee" at the age of fourteen, often prefer ...
, were some of the younger artists emerging during the era of late modernism spawning the heyday of the art of the late 1960s.


Performance art and happenings

During the late 1950s and 1960s, artists with a wide range of interests began pushing the boundaries of Contemporary art. Yves Klein in France, and
Carolee Schneemann Carolee Schneemann (October 12, 1939 – March 6, 2019) was an American visual experimental artist, known for her multi-media works on the body, narrative, sexuality and gender. She received a B.A. in poetry and philosophy from Bard College and ...
,
Yayoi Kusama is a Japanese contemporary artist who works primarily in sculpture and installation, and is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes ...
, Charlotte Moorman, and Yoko Ono in New York City were pioneers of performance based works of art. Groups like The Living Theater with Julian Beck and Judith Malina collaborated with sculptors and painters creating environments; radically changing the relationship between audience and performer especially in their piece ''Paradise Now''. The Judson Dance Theater located at the Judson Memorial Church,
New York New York most commonly refers to: * New York City, the most populous city in the United States, located in the state of New York * New York (state), a state in the northeastern United States New York may also refer to: Film and television * '' ...
, and the Judson dancers, notably Yvonne Rainer,
Trisha Brown Trisha Brown (November 25, 1936 – March 18, 2017) was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement. Brown’s dance/movement method, with which she and her dancers ...
,
Elaine Summers Lillian Elaine Summers (February 20, 1925 – December 27, 2014) was an American choreographer, experimental filmmaker, and intermedia pioneer. She was a founding member of the original workshop-group that would form the Judson Dance Theater and sh ...
, Sally Gross, Simonne Forti, Deborah Hay,
Lucinda Childs Lucinda Childs (born June 26, 1940) is an American postmodern dancer/ choreographer and actress. Her compositions are known for their minimalistic movements yet complex transitions. Childs is most famous for being able to turn the slightest mov ...
,
Steve Paxton Steve Paxton (born 1939 in Phoenix, Arizona) is an experimental dancer and choreographer. His early background was in gymnastics while his later training included three years with Merce Cunningham and a year with José Limón. As a founding mem ...
and others collaborated with artists Robert Morris,
Robert Whitman Robert Whitman (born 1935 in New York City) is an American artist best known for his seminal theater pieces of the early 1960s combining visual and sound images, actors, film, slides, and evocative props in environments of his own making. Since t ...
,
John Cage John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading fi ...
,
Robert Rauschenberg Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artwor ...
, and engineers like
Billy Klüver Johan Wilhelm Klüver (November 11, 1927 – March 20, 2004) was an electrical engineer at Bell Telephone Laboratories who founded Experiments in Art and Technology. Klüver lectured extensively on art and technology and social issues to be address ...
. These performances were often designed to be the creation of a new art form, combining sculpture, dance, and music or sound, often with audience participation. The reductive philosophies of
minimalism In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ...
, spontaneous improvisation, and expressivity of
Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
characterized the works. During the same period — the late 1950s through the mid-1960s - various avant-garde artists created
Happenings A happening is a performance, event, or situation art, usually as performance art. The term was first used by Allan Kaprow during the 1950s to describe a range of art-related events. History Origins Allan Kaprow first coined the term "happen ...
. Happenings were mysterious and often spontaneous and unscripted gatherings of artists and their friends and relatives in varied specified locations. Often incorporating exercises in absurdity, physical exercise, costumes, spontaneous
nudity Nudity is the state of being in which a human is without clothing. The loss of body hair was one of the physical characteristics that marked the biological evolution of modern humans from their hominin ancestors. Adaptations related to ...
, and various random and seemingly disconnected acts. Allan Kaprow, Joseph Beuys, Nam June Paik,
Wolf Vostell Wolf Vostell (14 October 1932 – 3 April 1998) was a German painter and sculptor, considered one of the early adopters of video art and installation art and pioneer of Happenings and Fluxus. Techniques such as blurring and Dé-coll/age are ch ...
, Claes Oldenburg, Jim Dine, Red Grooms, and
Robert Whitman Robert Whitman (born 1935 in New York City) is an American artist best known for his seminal theater pieces of the early 1960s combining visual and sound images, actors, film, slides, and evocative props in environments of his own making. Since t ...
among others were notable creators of Happenings.


Assemblage art

Related to
Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
was the emergence of combined manufactured items — with artist materials, moving away from previous conventions of painting and sculpture. The work of
Robert Rauschenberg Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artwor ...
, whose "combines" in the 1950s were forerunners of Pop Art and Installation art, and made use of the assemblage of large physical objects, including stuffed animals, birds and
commercial photography Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed ...
, exemplified this art trend. Leo Steinberg uses the term postmodernism in 1969 to describe Rauschenberg's "flatbed" picture plane, containing a range of cultural images and artifacts that had not been compatible with the pictorial field of premodernist and modernist painting. Craig Owens goes further, identifying the significance of Rauschenberg's work not as a representation of, in Steinberg's view, "the shift from nature to culture", but as a demonstration of the impossibility of accepting their opposition.
Steven Best Steven Best (born December 1955) is an American philosopher, writer, speaker and activist. His concerns include animal rights, species extinction, human overpopulation, ecological crisis, biotechnology, liberation politics, terrorism, mass media ...
and Douglas Kellner identify Rauschenberg and Jasper Johns as part of the transitional phase, influenced by Marcel Duchamp, between modernism and postmodernism. These artists used images of ordinary objects, or the objects themselves, in their work, while retaining the abstraction and painterly gestures of high modernism.
Anselm Kiefer Anselm Kiefer (born 8 March 1945) is a German painter and sculptor. He studied with Peter Dreher and Horst Antes at the end of the 1960s. His works incorporate materials such as straw, ash, clay, lead, and shellac. The poems of Paul Celan hav ...
also uses elements of assemblage in his works, and on one occasion, featured the bow of a fishing boat in a painting.


Pop art

Lawrence Alloway used the term "Pop art" to describe paintings celebrating consumerism of the post World War II era. This movement rejected
Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
and its focus on the hermeneutic and psychological interior, in favor of art which depicted, and often celebrated, material consumer culture, advertising, and iconography of the mass production age. The early works of David Hockney and the works of Richard Hamilton, John McHale, and Eduardo Paolozzi were considered seminal examples in the movement. While later American examples include the bulk of the careers of Andy Warhol and
Roy Lichtenstein Roy Fox Lichtenstein (; October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. Hi ...
and his use of
Benday dots The Ben Day process is a printing and photoengraving technique for producing areas of grey or (with four-colour printing) various colours by using fine patterns of ink on the paper. It was developed in 1879 by illustrator and printer Benjamin H ...
, a technique used in commercial reproduction. There is a clear connection between the radical works of Duchamp, the rebellious Dadaist — with a sense of humor; and Pop Artists like Claes Oldenburg, Andy Warhol,
Roy Lichtenstein Roy Fox Lichtenstein (; October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. Hi ...
and the others. Thomas McEvilly, agreeing with Dave Hickey, says U.S postmodernism in the visual arts began with the first exhibitions of Pop art in 1962, "though it took about twenty years before postmodernism became a dominant attitude in the visual arts."Thomas McEvilly in Richard Roth, Jean Dubuffet, Susan King, ''Beauty Is Nowhere: Ethical Issues in Art and Design'', Routledge, 1998. p29. Fredric Jameson, too, considers pop art to be postmodern. One way Pop art is postmodern is it breaks down what Andreas Huyssen calls the "Great Divide" between high art and popular culture. Postmodernism emerges from a "generational refusal of the categorical certainties of high modernism."


Fluxus

Fluxus was named and loosely organized in 1962 by George Maciunas (1931–78), a Lithuanian-born American artist. Fluxus traces its beginnings to
John Cage John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading fi ...
's 1957 to 1959 Experimental Composition classes at the
New School for Social Research The New School for Social Research (NSSR) is a graduate-level educational institution that is one of the divisions of The New School in New York City, United States. The university was founded in 1919 as a home for progressive era thinkers. NSSR ...
in New York City. Many of his students were artists working in other media with little or no background in music. Cage's students included Fluxus founding members
Jackson Mac Low Jackson Mac Low (1922–2004) was an American poet, performance artist, composer and playwright, known to most readers of poetry as a practioneer of systematic chance operations and other non-intentional compositional methods in his work, whi ...
, Al Hansen, George Brecht and Dick Higgins. In 1962 in Germany Fluxus started with the: FLUXUS Internationale Festspiele Neuester Musik in Wiesbaden with, George Maciunas, Joseph Beuys,
Wolf Vostell Wolf Vostell (14 October 1932 – 3 April 1998) was a German painter and sculptor, considered one of the early adopters of video art and installation art and pioneer of Happenings and Fluxus. Techniques such as blurring and Dé-coll/age are ch ...
, Nam June Paik and others. And in 1963 with the: Festum Fluxorum Fluxus in Düsseldorf with George Maciunas,
Wolf Vostell Wolf Vostell (14 October 1932 – 3 April 1998) was a German painter and sculptor, considered one of the early adopters of video art and installation art and pioneer of Happenings and Fluxus. Techniques such as blurring and Dé-coll/age are ch ...
, Joseph Beuys, Dick Higgins, Nam June Paik,
Ben Patterson Benjamin Patterson (May 29, 1934 – June 25, 2016) was an American musician, artist, and one of the founders of the Fluxus movement. Biography Benjamin Patterson was born in Pittsburgh on May 29, 1934. He attended the University of Michigan fr ...
, Emmett Williams and others. Fluxus encouraged a do it yourself aesthetic, and valued simplicity over complexity. Like Dada before it, Fluxus included a strong current of anti-commercialism and an anti-art sensibility, disparaging the conventional market-driven art world in favor of an artist-centered creative practice. Fluxus artists preferred to work with whatever materials were at hand, and either created their own work or collaborated in the creation process with their colleagues. Fluxus can be viewed as part of the first phase of postmodernism, along with Rauschenberg, Johns, Warhol and the
Situationist International The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution ...
. Andreas Huyssen criticises attempts to claim Fluxus for postmodernism as, "either the master-code of postmodernism or the ultimately unrepresentable art movement – as it were, postmodernism's sublime." Instead he sees Fluxus as a major Neo-Dadaist phenomena within the avant-garde tradition. It did not represent a major advance in the development of artistic strategies, though it did express a rebellion against, "the administered culture of the 1950s, in which a moderate, domesticated modernism served as ideological prop to the
Cold War The Cold War is a term commonly used to refer to a period of geopolitical tension between the United States and the Soviet Union and their respective allies, the Western Bloc and the Eastern Bloc. The term '' cold war'' is used because the ...
."


Minimalism

By the early 1960s
Minimalism In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ...
emerged as an abstract movement in art (with roots in geometric abstraction via
Malevich Kazimir Severinovich Malevich ; german: Kasimir Malewitsch; pl, Kazimierz Malewicz; russian: Казими́р Севери́нович Мале́вич ; uk, Казимир Северинович Малевич, translit=Kazymyr Severynovych ...
, the Bauhaus and
Mondrian Pieter Cornelis Mondriaan (), after 1906 known as Piet Mondrian (, also , ; 7 March 1872 – 1 February 1944), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century. He is known for being o ...
) which rejected the idea of relational, and subjective painting, the complexity of
Abstract expressionist Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
surfaces, and the emotional zeitgeist and polemics present in the arena of Action painting.
Minimalism In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Don ...
argued extreme simplicity could capture the sublime representation art requires. Associated with painters such as Frank Stella, minimalism in painting, as opposed to other areas, is a modernist movement and depending on the context can be construed as a precursor to the postmodern movement.
Hal Foster Harold Rudolf Foster, FRSA (August 16, 1892 – July 25, 1982) was a Canadian-American comic strip artist and writer best known as the creator of the comic strip ''Prince Valiant''. His drawing style is noted for its high level of draftsmanship a ...
, in his essay ''The Crux of Minimalism'', examines the extent to which Donald Judd and Robert Morris both acknowledge and exceed Greenbergian modernism in their published definitions of minimalism. He argues minimalism is not a "dead end" of modernism, but a "paradigm shift toward postmodern practices that continue to be elaborated today."


Postminimalism

Robert Pincus-Witten coined the term
Post-minimalism Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. ...
in 1977 to describe minimalist derived art which had content and contextual overtones minimalism rejected. His use of the term covered the period 1966 – 1976 and applied to the work of Eva Hesse, Keith Sonnier, Richard Serra and new work by former minimalists Robert Smithson, Robert Morris, Sol LeWitt, and Barry Le Va, and others. Process art and anti-form art are other terms describing this work, which the space it occupies and the process by which it is made determines. Rosalind Krauss argues by 1968 artists such as Morris, LeWitt, Smithson and Serra had "entered a situation the logical conditions of which can no longer be described as modernist."The Originality of the Avant Garde and Other Modernist Myths Rosalind E. Krauss, Publisher: The MIT Press; Reprint edition (July 9, 1986), ''Sculpture in the Expanded Field'' pp.287 The expansion of the category of sculpture to include
land art Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United StatesArt in the modern era: A guide to styles, schools, & mov ...
and architecture, "brought about the shift into postmodernism." Minimalists like Donald Judd, Dan Flavin, Carl Andre, Agnes Martin, John McCracken and others continued to produce their late modernist paintings and sculpture for the remainder of their careers.


Movements in postmodern art


Conceptual art

Conceptual art is sometimes labelled as postmodern because it is expressly involved in
deconstruction The term deconstruction refers to approaches to understanding the relationship between text and meaning. It was introduced by the philosopher Jacques Derrida, who defined it as a turn away from Platonism's ideas of "true" forms and essences w ...
of what makes a work of art, "art". Conceptual art, because it is often designed to confront, offend or attack notions held by many of the people who view it, is regarded with particular controversy. Precursors to conceptual art include the work of Duchamp,
John Cage John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading fi ...
's 4' 33", in which the music is said to be "the sounds of the environment that the listeners' hear while it is performed," and Rauschenberg's '' Erased De Kooning Drawing''. Many conceptual works take the position that art is created by the viewer viewing an object or act as art, not from the intrinsic qualities of the work itself. Thus, because '' Fountain'' was exhibited, it was a sculpture.


Installation art

An important series of movements in art which have consistently been described as postmodern involved installation art and creation of artifacts that are conceptual in nature. One example being the signs of Jenny Holzer which use the devices of art to convey specific messages, such as "Protect Me From What I Want". Installation Art has been important in determining the spaces selected for museums of contemporary art in order to be able to hold the large works which are composed of vast collages of manufactured and found objects. These installations and
collage Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. ...
s are often electrified, with moving parts and lights. They are often designed to create environmental effects, as Christo and Jeanne-Claude's ''Iron Curtain, Wall of 240 Oil Barrels, Blocking Rue Visconti, Paris, June 1962'' which was a poetic response to the Berlin Wall built in 1961.


Lowbrow art

Lowbrow is a widespread populist art movement with origins in the underground comix world, punk music, hot-rod street culture, and other California subcultures. It is also often known by the name pop surrealism. Lowbrow art highlights a central theme in postmodernism in that the distinction between "high" and "low" art are no longer recognized.


Performance art


Digital art

Digital art is a general term for a range of artistic works and practices that use digital technology as an essential part of the creative and/or presentation process. The impact of digital technology has transformed activities such as painting,
drawing Drawing is a form of visual art in which an artist uses instruments to mark paper or other two-dimensional surface. Drawing instruments include graphite pencils, pen and ink, various kinds of paints, inked brushes, colored pencils, crayons, ...
, sculpture and music/ sound art, while new forms, such as
net art upright=1.3, "Simple Net Art Diagram", a 1997 work by Michael Sarff and Tim Whidden Internet art (also known as net art) is a form of new media art distributed via the Internet. This form of art circumvents the traditional dominance of the phys ...
, digital installation art, and virtual reality, have become recognized artistic practices. Leading art theorists and historians in this field include Christiane Paul, Frank Popper, Christine Buci-Glucksmann, Dominique Moulon, Robert C. Morgan, Roy Ascott,
Catherine Perret Catherine Perret (born 9 July 1956 in Paris) is associate professor of modern and contemporary aesthetics and theory at Nanterre University (Paris X). She obtained her Ph.D. in philosophy and is known for her work on Walter Benjamin, most notably ...
, Margot Lovejoy, Edmond Couchot, Fred Forest and Edward A. Shanken.


Intermedia and multi-media

Another trend in art which has been associated with the term postmodern is the use of a number of different media together. Intermedia, a term coined by Dick Higgins and meant to convey new artforms along the lines of Fluxus, Concrete Poetry, Found objects, Performance art, and Computer art. Higgins was the publisher of the Something Else Press, a Concrete poet, married to artist Alison Knowles and an admirer of Marcel Duchamp. Ihab Hassan includes, "Intermedia, the fusion of forms, the confusion of realms," in his list of the characteristics of postmodern art. One of the most common forms of "multi-media art" is the use of video-tape and CRT monitors, termed Video art. While the theory of combining multiple arts into one art is quite old, and has been revived periodically, the postmodern manifestation is often in combination with performance art, where the dramatic subtext is removed, and what is left is the specific statements of the artist in question or the conceptual statement of their action. Higgin's conception of Intermedia is connected to the growth of multimedia digital practice such as immersive virtual reality, digital art and computer art.


Telematic Art

Telematic art is a descriptive of art projects using computer mediated telecommunications networks as their medium. Telematic art challenges the traditional relationship between active viewing subjects and passive art objects by creating interactive, behavioural contexts for remote aesthetic encounters. Roy Ascott sees the telematic art form as the transformation of the viewer into an active participator of creating the artwork which remains in process throughout its duration. Ascott has been at the forefront of the theory and practice of telematic art since 1978 when he went online for the first time, organizing different collaborative online projects.


Appropriation art and neo-conceptual art

In his 1980 essay ''The Allegorical Impulse: Toward a Theory of Postmodernism,'' Craig Owens identifies the re-emergence of an allegorical impulse as characteristic of postmodern art. This impulse can be seen in the appropriation art of artists such as Sherrie Levine and Robert Longo because, "Allegorical imagery is appropriated imagery." Appropriation art debunks modernist notions of artistic genius and originality and is more ambivalent and contradictory than modern art, simultaneously installing and subverting ideologies, "being both critical and complicit."


Neo-expressionism and painting

The return to the traditional art forms of sculpture and painting in the late 1970s and early 1980s seen in the work of Neo-expressionism, Neo-expressionist artists such as Georg Baselitz and Julian Schnabel has been described as a postmodern tendency, and one of the first coherent movements to emerge in the postmodern era. Its strong links with the commercial art market has raised questions, however, both about its status as a postmodern movement and the definition of postmodernism itself. Hal Foster states that neo-expressionism was complicit with the conservative cultural politics of the Reagan-Bush era in the U.S.Hal Foster, ''The Return of the Real: The Avant-garde at the End of the Century'', MIT Press, 1996, p36. Félix Guattari disregards the "large promotional operations dubbed 'neo-expressionism' in Germany," (an example of a "fad that maintains itself by means of publicity") as a too easy way for him "to demonstrate that postmodernism is nothing but the last gasp of modernism." These critiques of neo-expressionism reveal that money and public relations really sustained contemporary art world credibility in America during the same period that conceptual artists, and practices of women artists including painters and feminist theorists like Griselda Pollock, were systematically reevaluating modern art. Brian Massumi claims that Deleuze and Guattari open the horizon of new definitions of Beauty in postmodern art. For Jean-François Lyotard, it was painting of the artists Valerio Adami, Daniel Buren, Marcel Duchamp, Bracha Ettinger, and
Barnett Newman Barnett Newman (January 29, 1905 – July 4, 1970) was an American artist. He has been critically regarded as one of the major figures of abstract expressionism, and one of the foremost color field painters. His paintings explore the sense o ...
that, after the avant-garde's time and the painting of Paul Cézanne and Wassily Kandinsky, was the vehicle for new ideas of the wikt:sublime, sublime in contemporary art.Lyotard, Jean-François, "L'anamnese". In: ''Doctor and Patient: Memory and Amnesia''. Porin Taidemuseo,1996. . Reprinted as: Lyotard, Jean-François, "Anamnesis: Of the Visible." In: ''Theory, Culture and Society, Vol. 21(1)'', 2004. 0263–2764


Institutional critique

Critiques on the institutions of art (principally museums and galleries) are made in the work of Michael Asher (artist), Michael Asher, Marcel Broodthaers, Daniel Buren and Hans Haacke.


See also

* Anti-art * Anti-anti-art * Classificatory disputes about art * Cyborg art * Electronic art * Experiments in Art and Technology * Gaze * Late Modernism * Modern art * Modernist project * Neo-minimalism * Net.art * New European Painting * New Media art * Post-conceptual * Superflat * Superstroke * Remodernism * Irving Sandler * Virtual art


Sources

* ''The Triumph of Modernism'': The Art World, 1985–2005, Hilton Kramer, 2006, * ''Pictures of Nothing: Abstract Art since Pollock'' (A.W. Mellon Lectures in the Fine Arts), Kirk Varnedoe, 2003 * ''Art of the Postmodern Era'': From the Late 1960s to the Early 1990s, Irving Sandler * ''Postmodernism (Movements in Modern Art)'' Eleanor Heartney * ''Sculpture in the Age of Doubt'' Thomas McEvilley 1999


References


External links

* {{Western art movements Postmodern art, Postmodern works, Art Contemporary art movements Art by period of creation